Taking Us to New Places

It opens in blue, a haunting, timeless, ethereal blue, the kind of bluethat reminds you of dreams. Center Stage amid all this blue light stand three dancers with their backs to the audience. They are of similar height, comparable build and dressed in matching costumes of baggy white pants and simple white tops. The music begins, a crackly, haunting ditty spoken (sung?) repeatedly:“Jesus’ blood never failed me. Yes, never failed me. Yes, Jesus’ blood neverfailed me. This one thing I know, for he loved me so.” The dancers move in rhythms and motions reminiscent of the tide coming in and going out. Then they turn and a flash of black — a small apron, a square of loincloth — jars the trance-like mood and the stainless impression. This hard edge draws the attention in just the same way the dancers’ precise movements emphasize their repetition. It is odd. It is awkward. It is also poetic.The 2011 season of Bard SummerScape has opened. The Tero Saarinen Company, the celebrated modern dance company from Finland that has won numerous international awards since its founding in 1996, gave four performances at Bard over the July 7-10 weekend, the only stop in the United States on its world tour. The company presented a triple bill of some of its most notable dances: “Westward, Ho!” their debut signature from 1996; “Wavelengths” (2000), a reworking of Ravel’s “Bolero”; “HUNT” (2002), a stunning solo conceived and danced by the troupe’s founder, Tero Saarinen, to Stravinsky’s“The Rite of Spring.” And an unexpected bonus: the award-winning lighting by Mikki Kunttu which really is every bit as spectacular as Saarinen’s choreography. “Westward, Ho!”is an odd little piece for three dancers. Built aroundrepetition and simple, stark movements typical of much modern dance of a certain genre, “Westward, Ho!” slowly develops a theme about individuality versusgroup sensibility or even dogma. The playbill describes the dance as anexploration of “friendship and betrayal – a stoic struggle for survival.”It is odd musically as well as visually for it is awkward even as it lullsyou or disturbs you. Saku Koistinen, Pekka Louhio and Heikki Vienola dance“Westward, Ho!” with an ease that belies the difficulty of Saarinen’schoreography. The prone inching across the floor, the expansive armmovements done in sync are easy examples to recall of demanding choreography that only looks easy. “Wavelengths,” however, is lyrical where “Westward, Ho!” is self-conscious. It is exciting in that it is a traditional pas de deux with a contemporary perspective on love and the struggle to maintain a sense of self. Thedancing by Henrikki Heikkilå and Sini Lånsivuori is beautiful and powerful. The use of shadows to intensify and distort is equally effective. Thelighting moves from cool, neutral white to a black background to a richorange, an interesting palette for the drawing close and pushing away ofattraction. Costumes by Erika Turenen are simple, Continued from page 10loose, and spare in bland colors. The backless cut of Turenen’s top and the merciless spotlight on the dancer’s sinewy back underscore her strength and seeming delicacy. It is sensual and oddly modern. The best piece out of an evening of strong, stunning dance, however, wasSaarinen’s solo performance in “HUNT.” While Saarinen typically uses light and shadow the way others use set and costume, this is pushed to extremes in “HUNT” as Saarinen uses his own body as a canvas for an internal light show as well as strobe lights to create a host of images and effects that have everything to do with lift and loft as much as a frenzied beating of wings,or a gasping breath for life. The 45-minute solo is visually astonishing and conceptually beautiful. It gathers radically different elements and weaves them together to present this final work of physicality and vision. In many ways, Tero Saarinen at SummerScape was “classic Bard,” an evening of the excellent as well as the esoteric. If the gift of dance is in the way, its sheer physicality can take audiences to unexpected places. The TeroSaarinen Company delivered twofold: first, in the way it stretches expectations of dance; and finally, in the stunning way it takes its audience to new places.

Latest News

Winter sports season approaches at HVRHS

Mohawk Mountain was making snow the first week of December. The slopes host practices and meets for the HVRHS ski team.

By Riley Klein

FALLS VILLAGE — After concluding a successful autumn of athletics, Housatonic Valley Regional High School is set to field teams in five sports this winter.

Basketball

Keep ReadingShow less
Bears headline DEEP forum in Sharon; attendees call for coexistence, not hunting

A mother bear and her cubs move through a backyard in northwest Connecticut, where residents told DEEP that bear litters are now appearing more frequently.

By James Clark

SHARON — About 40 people filled the Sharon Audubon Center on Wednesday, Dec. 3, to discuss black bears — and most attendees made clear that they welcome the animals’ presence. Even as they traded practical advice on how to keep bears out of garages, porches and trash cans, residents repeatedly emphasized that they want the bears to stay and that the real problem lies with people, not wildlife.

The Connecticut Department of Energy and Environmental Protection (DEEP) convened the meeting as the first in a series of regional Bear Management Listening Sessions, held at a time when Connecticut is increasingly divided over whether the state should authorize a limited bear hunt. Anticipating the potential for heated exchanges, DEEP opened the evening with strict ground rules designed to prevent confrontations: speakers were limited to three minutes, directed to address only the panel of DEEP officials, and warned that interruptions or personal attacks would not be tolerated.

Keep ReadingShow less
Kent unveils two new 'smart bins' to boost composting efforts

Rick Osborne, manager of the Kent Transfer Station, deposits the first bag of food scraps into a new organics “smart bin.” HRRA Executive Director Jennifer Heaton-Jones stands at right, with Transfer Station staff member Rob Hayes at left.

By Ruth Epstein

KENT — Residents now have access to around-the-clock food-scrap composting thanks to two newly installed organics “smart bins,” unveiled during a ribbon-cutting ceremony Monday morning, Dec. 1.

Rick Osborne, manager of the Kent Transfer Station, placed the first bag of food scraps into the smart bin located at 3 Railroad St. A second bin has been installed outside the Transfer Station gate, allowing 24/7 public access even when the facility is closed.

Keep ReadingShow less
Cornwall selectmen prioritize housing, healthcare in new two-year goals

Cornwall First Selectman Gordon Ridgway

File photo

CORNWALL — Housing and healthcare topped the list of 15 goals the Board of Selectmen set for the next two years, reflecting the board’s view that both areas warrant continued attention.

First Selectman Gordon Ridgway and Selectmen Rocco Botto and John Brown outlined their priorities during the board’s regular meeting on Tuesday, Dec. 2. On housing, the board discussed supporting organizations working to create affordable options in town, and Botto said the town should also pursue additional land acquisitions for future housing.

Keep ReadingShow less