Thank you!
Your support is sustaining the future of local news in our communities.

Thanksgiving tradition afield

MILLBROOK, N.Y. — A gathering of more than 60 horses and riders assembled for the Millbrook Hunt’s Thanksgiving Day meet on Fraleigh Hill in Millbrook.

They were accompanied by friends, family members and well-wishers enjoying the spectacle of beautifully turned out riders in formal dress and horses with braided manes and tails.

While the Millbrook Hunt often has a few foot-followers, the Thanksgiving Day meet always draws a large crowd, for the obvious reason that so many people having family gatherings afterward.

Many of the spectators communed with the hounds. Though the hounds are sporting dogs and not family pets they are extremely friendly and seemed to love the attentions of the children.

Like so many sports, hunting has its own lexicon. For the uninitiated, the following is a short description of the terms and traditions associated with foxhunting.

First of all, they’re hounds not dogs. And the red riding coats are sometimes referred to as pinks, but more often as scarlet. These are worn by the masters of the hunt, the staff and men who have “received their colors.� Colors is how at a quick glance you can tell if someone is a member of a hunt in good standing. You get colors when you’ve proven your dedication and knowledge of the sport.

When a man gets his colors, he wears a scarlet coat. When a woman gets her colors, she puts a distinctive colored cloth (Millbrook’s is forest green) on the collar of her black riding jacket.

Guests of the hunts and uninitiated members wear plain black jackets. When you get your colors you also put buttons that have the insignia of your hunt on the jacket. Each hunt has its own colors and insignia.

As in so many areas of life, there is a pecking order to the hunt. These strata are called flights.

In first flight, you’re riding just behind the field master who is leading the field who is following the huntsman and his hounds. The field refers to all the riders on horseback.

The huntsman leads the hounds from the meet in the direction he hopes to find a scent trail. If the hounds cannot pick up a scent, then there is no chase. That is called a blank day. Experienced members of the hunt will say they can tell whether the pack is chasing a fox  (they’ll run around in circles) or a coyote (they generally follow  a fairly straight line or a much bigger circle).  

First flight should be the most experienced riders, the members of longstanding on horses that can keep up. These are riders and horses that can jump.

Second flight is for riders who want to be in on the action but maybe want to go a little slower or not jump.

And then there is hilltopping. This group is great for people who want to experience the hunt but not be in the fray or for a rider with a green (inexperienced) horse that needs to be introduced to the hunt slowly.

Hilltoppers sometimes ride behind second flight but often take a completely different route, observing the action from a distance.

The whippers-in, or whips for short, don’t follow the huntsman. They serve to contain the hounds. Four or five whips will go out in different directions, like the wings on a hockey team, the huntsman being the center. They are in effect encircling the area in which the huntsman is working the pack.

The hounds bred by the Millbrook Hunt are American foxhounds, with a strong emphasis on the Pennmarydel type, which is known especially for it scenting ability and melodious cry. These hounds are traded between hunts but never bought or sold.  

The Millbrook Hunt has been in continuous operation since 1907. And more significantly, hunting the same country for 100 years.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.