Thinking about some history while considering those just-arrested Russian spies

The arrest this past week of 11 people, allegedly Russian spies, piqued my interest especially because I have been following American-Russian espionage since the early 1980s, when I collaborated with Robert J. Lamphere on “The FBI-KGB War.â€�  Bob had been the FBI’s KGB expert and head of its counterintelligence efforts in the late 1940s and early 1950s.

What struck me immediately about the current network was their affinity for social media. They used it not only to utilize contacts, but to foster their efforts to appear harmless.

The 1930 and 1940s networks in the United States and Canada run by Jacob Golos, and “illegalsâ€� such as Rudolph Abel in the 1950s, worked hard to remain nearly invisible in society.  Today, to be so squirrelly would make neighbors and coworkers curious, so hiding in LinkedIn and Facebook helped maintain the spies’ cover.

I was also struck by how little the spies had accomplished, given the adequacy of their cover, their length of time in country, and their opportunities to get cozy with potential sources.  They are not charged with espionage, only with lesser crimes; so far as we know at present, they did not obtain classified information, recruit agents, or compromise American citizens; although, as Jeff Stein pointed out in the Washington Post, the 28-year-old beautiful divorcee Anna Chapman seems to have been well positioned for securing secrets and compromising politicos.  (She says the FBI tried to lure her with an agent posed as a Russian consul, asking her to deliver a faked passport.)  

Despite the best efforts of the spies’ likely sponsor, ex-KGB man Vladimir Putin, they remained fairly harmless during their decade in residence, which is undoubtedly why the FBI and CIA decided to let them run as long as possible.  

We were getting more info from them than they were from us, and were likely feeding them false information to pass to Moscow, until it became necessary to roll them up before they got away.

 Also interesting has been the reaction from Moscow.  Vladimir Putin and others initially accused Washington of having once more come down with Cold War fever.  Two days later, the Russian government reassured the United States that the incident would not deter the two countries’ relations, and went so far as to admit that those arrested were indeed Russians.  

However, I anticipate that some Americans or other Westerners residing in Russia being swept up and jailed by Moscow in the near future — just as former U.S. Navy Captain Edmond D. Pope was in 2000, in Putin’s attempt to consolidate power after his election. (I collaborated with Ed on “Torpedoed,� published only a few months after his release from a Russian prison.)

 So what was behind the Russian espionage?  Josef Stalin was infamous for refusing to value any information obtained from legit sources, and for highly valuing stolen info.

That attitude seems to have prevailed in Moscow in this instance, as the spies’ sponsoring agency, the SVR, could have obtained virtually everything that their agents extracted from the United States if they had been good trawlers of the Internet and borrowed some tomes from big-city public libraries.

I look forward to confessions from some of the arrested that they gave Moscow just a bit of info, now and then, so that they could continue on partying in America the beautiful.

Back in 1952, when Lamphere learned of the existence of an illegal in New York City — through a message concealed in a hollowed-out nickel accidentally received by a Brooklyn newsboy — he couldn’t obtain permission from his superiors to pursue the man eventually exposed in 1957 as KGB Col. Rudolph Abel, a very effective spy. In the present instance, U.S. authorities, acting on what the complaint describes as “judicially authorized interceptions of telephonic communications,â€� in January 2000 videotaped Vicky Palaez in a South American park receiving $80,000 from a suspicious person and then phoning Juan Lazaro in the U.S. to confirm the transaction.  

That would have been enough to start the surveillance ball rolling, but my guess is that the U.S. agencies’ massively expensive effort to keep tabs on her, and on the others in the group, would not have been sustained but for the passage, in the fall of 2001, of the U.S.A. PATRIOT Act, which allows the FBI to do things well beyond J. Edgar Hoover’s wildest dreams.

Tom Shachtman has written books on a wide range of topics. He lives in Salisbury.

Latest News

‘Vulnerable Earth’ opens at the Tremaine Gallery

Tremaine Gallery exhibit ‘Vulnerable Earth’ explores climate change in the High Arctic.

Photo by Greg Lock

“Vulnerable Earth,” on view through June 14 at the Tremaine Gallery at Hotchkiss, brings together artists who have traveled to one of the most remote regions on Earth and returned with work shaped by first-hand experience of a fragile, rapidly shifting planet, inviting viewers to sit with the tension between awe and loss, beauty and vulnerability.

Curated by Greg Lock, director of the Photography, Film and Related Media program at The Hotchkiss School, the exhibition centers on participants in The Arctic Circle, an expeditionary residency that sends artists and scientists into the High Arctic aboard a research vessel twice a year. The result is a show documenting their lived experience and what it means to stand in a place where climate change is not theoretical but visible, immediate and accelerating.

Keep ReadingShow less
Beyond Hammertown: Joan Osofsky designs what comes next

Joan Osofsky and Sharon Marston

Provided

Joan Osofsky is closing the doors on Hammertown, one of the region’s most beloved home furnishings and lifestyle destinations, after 40 years, but she is not calling it an ending.

“I put my baby to bed,” she said, describing the decision with clarity and calm. “It felt like the right time.”

Keep ReadingShow less
A celebratory season of American classics and new works at Barrington Stage Company
Playwright Keelay Gipson’s “Estate Sale” will have its world premier this summer at Barrington Stage Company.
Provided

Amid the many cultural attractions in the region, the Barrington Stage Company in Pittsfield, Massachusetts, stands out for its award-winning productions and comprehensive educational and community-based programming. The theater’s 2026 season is one of its most ambitious; it includes two Pulitzer Prize-winning modern classics, one of the greatest theatrical farces ever written, and new works that speak directly to who we are right now as a society.

“Our 2026 season is a celebration of extraordinary storytelling in all its forms — timeless, uproarious and boldly new,” said Artistic Director Alan Paul. “This season features works that have shaped the American theater, as well as world premieres that reflect the company’s deep commitment to developing new voices and new stories. Together, these productions embody what BSC does best: entertain, challenge and connect our audiences through theater that feels both essential and alive.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Hotchkiss Film Festival celebrates 15th year of emerging filmmakers

Student festival directors Trey Ramirez (at the mic) and Leon Li introducing the Hotchkiss Film Festival.

Brian Gersten

The 15th annual Hotchkiss Film Festival took place Saturday, April 25, marking a milestone year for a student-driven event that continues to grow in ambition, reach and artistic scope. The festival was founded in 2012 by Hotchkiss alumnus and Emmy-nominated filmmaker Brian Ryu. Ryu served as a festival juror for this year’s installment, which showcased a selection of emerging filmmakers from around the region. The audience was treated to 17 films spanning drama, horror, comedy, documentary and experimental forms — each reflecting a distinct voice and perspective.

This year’s program was curated by student festival directors Trey Ramirez and Leon Li, working alongside faculty adviser Ann Villano. With more than 52 submissions received, the selection process was both rigorous and rewarding. The final lineup included six films from Hotchkiss students.

Keep ReadingShow less
Artist Maira Kalman curates ‘Shaker Outpost’ in Chatham

The Laundry Room, a painting by Maira Kalman from the exhibition “Shaker Outpost: Design, Commerce, and Culture” at the Shaker Museum’s pop-up space in Chatham.

Photo by Maira Kalman; Courtesy of the artist and Mary Ryan Gallery, New York

With “Shaker Outpost: Design, Commerce, and Culture,” opening May 2, the Shaker Museum in Chatham invites artist and writer Maira Kalman to pair her own new paintings with objects from the museum’s vast holdings, and, in the process, reintroduce the Shakers not as relic, but as a living argument for clarity, usefulness and grace.

Born in Tel Aviv, Maira Kalman is a New York–based artist and writer known for her illustrated books, wide-ranging collaborations and distinctive work spanning publishing, design and fine art.

Keep ReadingShow less

Ticking Tent spring market returns

Ticking Tent spring market returns

The Ticking Tent Spring Market returns to Spring Hill Vineyards in New Preston on May 2.

Jennifer Almquist

The Ticking Tent Spring Market returns to New Preston Saturday, May 2, bringing more than 60 antiques dealers, artisans and design brands to Spring Hill Vineyards for a one-day, brocante-style shopping event from 9 a.m. to 4 p.m.

Co-founders Christina Juarez and Benjamin Reynaert invite visitors to the outdoor market at 292 Bee Brook Road, where curated vendors will offer home goods, fashion, tabletop and collectible design. Guests can browse while enjoying Spring Hill Vineyards’ wines and seasonal fare.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.