Thank you!
Your support is sustaining the future of local news in our communities.

Why the Creator appears on our money


e should acknowledge the Creator, as did the Founders, in ceremony and word. He should remain in our currency, in our pledge, in the teaching of our history," said Mitt Romney last week as he tried to convince fundamentalist Christians they shouldn’t be afraid of him or his Mormon religion.

But if, as Romney suggests, we acknowledge the Creator as the Founders did, "in our currency, in our pledge, in the teaching of our history," we would be getting the history part wrong.

That’s because the Founders — Washington, Adams, Jefferson, Hamilton, Franklin, Madison and the rest — had nothing whatever to do with having the Creator on our money or in our pledge of allegiance. In fact, they’d been dead for a century before we even had a pledge and for a century and a half before we had a pledge with a nod to the Creator.

God did make an appearance on some American currency in the 19th century, but that was Secretary of the Treasury Salmon Chase’s doing, not Treasury Secretary Alexander Hamilton’s.


u u u


Our currency did not proclaim "In God We Trust" until a Protestant minister wrote to Chase at the start of the Civil War to suggest that if the war destroyed American civilization, it might be a good idea if our surviving coins contained "the recognition of Almighty God in some form."

Chase thought that was a splendid idea and the words "In God We Trust," his motto, appeared on 1- and 2-cent coins before the war was over. But it took until 1938 to get the nation’s trust in God onto the final coin, the Jefferson nickel, and all of our paper money didn’t include the motto until 1957, when Romney was 10.

The pledge was written in 1892 as a promotion for a magazine called "The Youth’s Companion" to give school children something to recite during the 400th anniversary celebrations of Columbus’ discovery of America. The religious right may be thrilled to learn the author of the pledge was a Baptist minister named Francis Bellamy, but not so thrilled that he was working for the magazine because he had been fired by his Boston congregation because of the socialist themes of his sermons.

Bellamy’s text contained some serious omissions, later corrected by patriots of various persuasions. It originally read, "I pledge allegiance to my flag and to the republic for which it stands, one nation, indivisible, with liberty and justice for all." Bellamy had first tried, "equality, liberty and justice for all," but some sponsors, who were superintendents of schools, feared stirring up the blacks, so equality was eliminated.


u u u


But editing the pledge had just begun. In the 1920s, the Daughters of the American Revolution and the American Legion, fearing some immigrants might interpret "my flag" as the flag of their fathers, changed the text from "I pledge allegiance to my flag" to "the flag of the United States of America." This left real Americans secure in the knowledge that when making the pledge, they weren’t allying themselves with the Russians or the French.

The final edit — up to now — came during the McCarthy excesses of the 1950s when the American Legion, which never seemed to give the pledge a moment’s peace, teamed up with the Knights of Columbus and the Hearst newspapers to lobby Congress to insert "under God" between "one nation" and "indivisible." Congress found this to be a pleasant alternative to tackling real issues and was happy to mess with the pledge once more.

Since then, there have been halfhearted attempts by some right-to-lifers to change the pledge once again by having it end, "with liberty and justice for all, born and unborn." It’s surprising this crowd pleaser hasn’t been picked up and woven into the Iowa campaign by the likes of Huckabee, Giuliani and Romney.

 


Simsbury resident Dick Ahles is a retired journalist. E-mail him at dahles@hotmail.com.

Latest News

Cornwall Historical Society celebrates Connecticut’s Black patriots

On Saturday, Oct. 24, at the Cornwall Historical Society, author and genealogist John Mills will breathe new life into the stories of some of Connecticut’s more underappreciated patriots. The reason these heroes were forgotten? They were Black.

At a time when white colonists were fighting for their own liberty and political independence, many Black men who fought alongside them remained enslaved. Some risked their lives only to return to bondage. Though enslaved people were promised freedom from both sides of the Revolutionary War in exchange for their service, Great Britain, too, was still deeply dependent on slavery. For Black people in America, the war presented both extraordinary risks and uncertain paths to the freedom that white colonists were demanding for themselves.

Keep ReadingShow less

A sanctuary for second chances

A sanctuary for second chances

Stephanie Saetta runs Charlie Chicken Bones, a sanctuary in Salisbury.

Madi Long
You only get one or two of these soul connection dogs, so I do this in his honor.
— Stephanie Saetta

Stephanie Saetta has spent much of her life caring for others. A physician at White Plains Hospital, she has another calling at home in Salisbury — one that has four legs and a wagging tail. She runs Charlie Chicken Bone Sanctuary, a nonprofit dog rescue that brings dogs from overcrowded pounds and the streets of Texas to foster homes in northwestern Connecticut, where they can begin again.

The sanctuary is named for Charlie, the dog who taught her how special a bond between a person and rescue animal can be.

Keep ReadingShow less
Big ideas come to Lenox for inaugural field festival

Hunter Runnette, founder and board chair of field, has spent years fostering arts and cultural programming in the Berkshires.

Provided

What do joy, gardening, artificial intelligence, the American experiment and the creative process have in common? Quite a lot, as it turns out, at least when some of the world’s most compelling thinkers get together to talk about them.

From Friday, Oct. 23, through Sunday, Oct. 25, Lenox, Massachusetts, will host the inaugural field festival, a three-day gathering of writers, artists, scholars and cultural figures at Shakespeare & Company. Billed as a festival of ideas, entertainment, learning and discovery, field brings together an impressive roster of voices to explore everything from the deeply personal to the profoundly political.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

The Pink House AM is serving up community

Mare Rubin and Maggie Levine of the Pink House AM.

Madi Long

It all started with a yoga class. Mare Rubin was working on her second act after leaving the Upper West Side, where she’d raised a family and worked in corporate marketing. Newly empty nesters, she and her husband decided to move to the wilds of northwestern Connecticut, where they had spent 15 years as weekenders, to see what life in the woods had in store for them.

Rubin started teaching yoga classes at the Union in West Cornwall, a space designated by the town of Cornwall as a community hub with couches, Wi-Fi, occasional events and a growing yoga class schedule. She was adjusting well but missed one important thing about city life: a casual coffee shop.

Keep ReadingShow less
Sons of Astro are musicians, friends and bandmates — in that order

The Sons of Astro will be at the Common Pub in Housatonic on Oct. 24 and the 2nd Home Lounge in Winsted on Nov. 14.

Provided

No matter where they are in the world, musicians seem to find other musicians. There’s a shared language, a shared experience of being on stage and performing, and a shared enthusiasm for making those melodies by themselves or together. Such is the case with Norfolk and Brooklyn-based cosmic Americana band Sons of Astro.

That magnetic musicians’ bond drew Brooklyn-based singer-songwriter and multi-instrumentalist Mike Cobb into the orbit of singer-songwriter and multi-instrumentalist Matt Statler. The two neighbors took to each other right away and were soon playing open mics together. As an ethics professor at NYU’s Stern School of Business, Statler made the case that if he sat in for Cobb’s set and Cobb sat in for Statler’s, they could play together and double their stage time. Clearly, these men wanted to make as much music as possible. That became a little harder when Cobb and his family moved up to Norfolk, Connecticut.

Keep ReadingShow less
One more weekend to get inside the art at ArtEast

The participating artists in this year’s ArtEast open studios.

Provided

ArtEast’s annual October Open Studio Tour is already underway, but there’s still one more weekend to step inside the creative worlds of artists working throughout eastern Dutchess County. On Saturday and Sunday, Oct. 24 and 25, artists will once again open their studio doors, inviting visitors to see where the work happens, meet the people who make it and perhaps discover something worth taking home.

Now in its 21st year, the ArtEast October Open Studio Tour offers a self-guided journey with participating studios in Holmes, LaGrangeville, Hopewell Junction, Pawling, Patterson, Poughquag and Wingdale. Visitors can explore painting, photography, sculpture, mixed media and other artistic practices, and get some leaf-peeping in at the same time.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.