Why WikiLeaks leaks matter

Why should anyone care about the secret diplomatic cables WikiLeaks has disclosed? So what if State Department bureaucrats say unflattering things about other world “leaders�

Some people may be asking those questions in response to WikiLeaks’ latest disclosures. OK, they say, leaks about atrocities on the battlefield (such as the first WikiLeaks disclosure, the “Collateral Murder†video) tell us something we should know about — the gross misconduct by U.S. military forces, condoned by the command all the way up to the president of the United States.

But diplomatic cables? Who cares?

We all should care. The documents serve as a timely reminder that the people who collectively call themselves “the government†are professional liars. Lying is what they are paid to do. They lie to their foreign counterparts, but mainly they lie to us. The biggest lie of all is that they do it in the American people’s interest.

u      u      u

When American (mis)leaders profess confidence in the Afghan president and his government, while saying privately they are incompetent and corrupt — stealing hundreds of millions of Americans’ dollars — that’s the American people’s business — at least as long as they are compelled to bankroll the U.S. government’s lethal operations.

When American (mis)leaders praise and encourage the Mexican government’s efforts in the criminal “war on drugs,†while privately believing they’re practically worthless, that’s the American people’s business — at least as long as they are compelled to bankroll that evil crusade, which harms Mexicans and Americans.

When American (mis)leaders bomb Yemen while conspiring with the Yemeni dictator to portray the murderous campaign as the act of Yemen’s government in order to make it more palatable to the Yemeni people, that’s the American people’s business — at least as long as they are compelled to bankroll that dishonest and imperialist policy.

When Israeli officials implore American (mis)leaders to bomb Iran and even to effect “regime change†to stop its unproved nuclear weapons program, threatening to do it themselves if the U.S. government won’t, that’s the American people’s business — at least as long as they are compelled to bankroll militarism and suffer the “blowback†such an action would produce.

When Israel advises American (mis)leaders that a shipment of bunker-busting bombs “should be handled quietly to avoid allegations that the U.S. government was helping Israel prepare for a strike against Iran,†that’s the American people’s business — at least as long as they are forced to underwrite Israel’s aggressive foreign policy, which will surely harm Americans.

When Secretary of State Clinton orders diplomats to engage in spying and identity theft, violating among other things the country’s U.N. obligations not to do such things, that’s the American people’s business — at least as long as the U.S. government forces Americans to support the U.N. as vital to world peace, while using it to justify invasions, occupations, and the economic warfare of sanctions.

u      u      u

Sure, at some level the American people already “know†that their (mis)leaders and (mis)representatives are chronic, systematic liars. Everyone laughs at the riddle asking how you know when a politician is lying: “His lips are moving.†But that knowledge too often fades deep into the background as the people are distracted or put to sleep by the solemn mendacity that issues from the politicians’ mouths on a daily basis.

So WikiLeaks performs a critical service in exposing the underworld in which the real U.S. government exists and operates. As the Economist, although a defender of secrecy, said, it “is also inevitable that the prerogative of secrecy will be used to hide the misdeeds of the permanent state and its privileged agents.â€

Some will say that this government — keeper of the empire, policeman of the world — could not exist without duplicity. I take them at their word. It again demonstrates that an imperial foreign policy conflicts with values Americans claim to cherish.

Sheldon Richman is senior fellow at The Future of Freedom Foundation (fff.org).

Latest News

Kent girls score late win against Millbrook
Pip Davies controls the puck for Kent School.
Photo by Lans Christensen

KENT Kent School's girls hockey team defeated Millbrook School 4-3 in a Valentine's Day showdown on the ice Saturday, Feb. 14.

There was no love lost between these Founders League schools situated on opposite sides of the Connecticut/New York border. Both teams had similar win-loss records, and both were eager to add to the "win" column.

Keep ReadingShow less
In remembrance:
Tim Prentice and the art of making the wind visible
In remembrance: Tim Prentice and the art of making the wind visible
In remembrance: Tim Prentice and the art of making the wind visible

There are artists who make objects, and then there are artists who alter the way we move through the world. Tim Prentice belonged to the latter. The kinetic sculptor, architect and longtime Cornwall resident died in November 2025 at age 95, leaving a legacy of what he called “toys for the wind,” work that did not simply occupy space but activated it, inviting viewers to slow down, look longer and feel more deeply the invisible forces that shape daily life.

Prentice received a master’s degree from the Yale School of Art and Architecture in 1960, where he studied with German-born American artist and educator Josef Albers, taking his course once as an undergraduate and again in graduate school.In “The Air Made Visible,” a 2024 short film by the Vision & Art Project produced by the American Macular Degeneration Fund, a nonprofit organization that documents artists working with vision loss, Prentice spoke of his admiration for Albers’ discipline and his ability to strip away everything but color. He recalled thinking, “If I could do that same thing with motion, I’d have a chance of finding a new form.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Laurie Fendrich and Peter Plagens:
A shared 
life in art 
and love

Laurie Fendrich and Peter Plagens at home in front of one of Plagens’s paintings.

Natalia Zukerman
He taught me jazz, I taught him Mozart.
Laurie Fendrich

For more than four decades, artists Laurie Fendrich and Peter Plagens have built a life together sustained by a shared devotion to painting, writing, teaching, looking, and endless talking about art, about culture, about the world. Their story began in a critique room.

“I came to the Art Institute of Chicago as a visiting instructor doing critiques when Laurie was an MFA candidate,” Plagens recalled.

Keep ReadingShow less
Strategic partnership unites design, architecture and construction

Hyalite Builders is leading the structural rehabilitation of The Stissing Center in Pine Plains.

Provided

For homeowners overwhelmed by juggling designers, architects and contractors, a new Salisbury-based collaboration is offering a one-team approach from concept to construction. Casa Marcelo Interior Design Studio, based in Salisbury, has joined forces with Charles Matz Architect, led by Charles Matz, AIA RIBA, and Hyalite Builders, led by Matt Soleau. The alliance introduces an integrated design-build model that aims to streamline the sometimes-fragmented process of home renovation and new construction.

“The whole thing is based on integrated services,” said Marcelo, founder of Casa Marcelo. “Normally when clients come to us, they are coming to us for design. But there’s also some architecture and construction that needs to happen eventually. So, I thought, why don’t we just partner with people that we know we can work well with together?”

Keep ReadingShow less
‘The Dark’ turns midwinter into a weeklong arts celebration

Autumn Knight will perform as part of PS21’s “The Dark.”

Provided

This February, PS21: Center for Contemporary Performance in Chatham, New York, will transform the depths of midwinter into a radiant week of cutting-edge art, music, dance, theater and performance with its inaugural winter festival, The Dark. Running Feb. 16–22, the ambitious festival features more than 60 international artists and over 80 performances, making it one of the most expansive cultural events in the region.

Curated to explore winter as a season of extremes — community and solitude, fire and ice, darkness and light — The Dark will take place not only at PS21’s sprawling campus in Chatham, but in theaters, restaurants, libraries, saunas and outdoor spaces across Columbia County. Attendees can warm up between performances with complimentary sauna sessions, glide across a seasonal ice-skating rink or gather around nightly bonfires, making the festival as much a social winter experience as an artistic one.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.