Thank you!
Your support is sustaining the future of local news in our communities.

Wondering how to control federal spending?

Have you ever wondered why federal spending continues to increase despite the ongoing economic downturn and in the face of all the bluster about the debt ceiling that came out of Washington this past summer? The hidden driver is something called “baseline budgeting.” More on that below.

In a household or in any business, budgets are formally or informally set based on income, projected over some period of time. In many households, that time frame may be as short as a month; for large corporations, it may be five years or more.

But in both small and large budgeting situations, mid-course adjustments are made when expectations change — for the better or worse. So if our income decreases, we reduce our spending on something. And we incorporate that reduction into our future plans. But not so the federal government.

Beginning in 1974 with the passage of the Congressional Budget Act, the federal budget was set up to effectively run on cruise control. The situation was exacerbated in 1987 with passage of the amazingly misnamed Deficit Control Act, which essentially accelerates the cruise-control setting yearly by adding a built-in inflation multiplier.

These laws put in motion a process that effectively locks in a level of spending for each year’s federal budget based on the level of spending the previous year, plus a built-in inflation multiplier, of between 3 and 10 percent. No further action required. The government just runs itself at a higher and higher spending rate year after year.

(For the purposes of this article, I am not discussing Social Security, Medicare and Medicaid. They require their own separate analysis. This discussion covers everything else: the Department of Defense, the EPA, the Department of Education, etc.)

Here’s how this works in current practice. The baseline federal budget for 2012 is $3.6 trillion (Yes, that’s $3,600,000,000,000.) Using the “baseline cruise control” method described above, the federal budget for 2021 is projected to be a mind-blowing $5.7 trillion. And it will rise to $5.7 trillion, automatically, because of baseline budgeting, without a meeting or a vote. It’s just baked in.

When one adds in all the years between 2012 and 2021, there are about $10 trillion of aggregate spending increases baked into future Federal budgets. Wild, right?

As crazy as the situation sounds so far, the next act is where the gimmickry really gets out of control. This past summer, a deal was struck to raise the federal debt ceiling by $2.5 trillion in exchange for $1 trillion in budget cuts agreed to in August and $1.5 trillion more scheduled to be negotiated by a House/Senate super committee over the next six months.

Because of baseline budgeting, the only cuts which are “real” are those, if any, made in the current year, because those cuts reduce the baseline upon which next year’s budget is based. Any cuts made in future years are nothing more than reductions in the built-in increases.

So if $2.5 trillion in “cuts” are agreed to be applied in years beyond 2011, the actual result is to reduce the built-in increases from the $10 trillion discussed above to $7.5 trillion.

That’s right! No cuts, just a modestly smaller increase. Gives you some idea of how we’re bankrupting the country, and doing so at an accelerating pace. Consider that a baked-in average multiplier of 5 percent, left to work its numerical compound interest magic, will double a budget in about 15 years.

It’s this crazy: If tomorrow Congress passed a bill that approved spending $5 trillion to cover the entire surface of the USA with yogurt in 2015, that spending becomes part of the baseline. If next year the “Yogurt Coverage Bill” were repealed, the Congressional Budget Office would report a $5 trillion cut in the federal budget.

Earlier I wrote about mid-course budget corrections. There’s a formal name for this process: zero-based budgeting. It’s based on common sense. The budgeting process begins by justifying whether a particular expenditure is still needed and affordable or whether it can be frozen, cut or eliminated over the coming year. Every program and department has to present its plan and that plan has to be approved.

This is how it’s done in the business world. In that world budgets are built from the bottom up, department by department. Implementing some form of this process is one realistic way of achieving substantial, vital cuts in government spending. At the state level, zero-based budgeting has already been initiated. New Jersey is one example where, out of fiscal necessity, a bipartisan effort is underway to control spending using this real-world method.

 Increasing taxes is not a solution to this country’s debt issues. In fact, it would make the problem worse by masking the real disease, which is baseline budgeting. Giving the federal government more money through taxation does not result in a cut of a single dollar of spending.

Neither the current administration nor past administrations have been the least bit honest about baseline budgeting’s cumulative output of spending demands. If the country is to move back toward fiscal sanity, we citizens need to push back on candidates and ask where they stand on such a vital issue.
 

Richard Shanley, CPA is a retired audit partner of the accounting firm of Deloitte & Touche. He lives in Salisbury.

Latest News

August, one bass at a time

August, one bass at a time

This fish took a Wooly Bugger in basic black, with rubber legs. Always get the rubber legs.

Patrick L. Sullivan
Largemouth bass are not picky eaters. When engaged they usually dive and tug. Once in a while they leap. They are easily discouraged, however, and after a minute or two come meekly to the net.

Every August I shift gears and head to the ancestral HQ with no electricity, minimal plumbing and a warm-water lake chock-full of largemouth bass, not to mention smallmouth, perch, pickerel and panfish. The largemouth are the main attraction.

I used an antique rowboat for years. Then a canoe, which was awkward to manage solo, especially when the wind picked up.

Keep ReadingShow less

An outdoor festival for Broadway fans

An outdoor festival for Broadway fans
An outdoor festival for Broadway fans
An outdoor festival for Broadway fans

Broadway is going way off Broadway when it heads outdoors for The Festival at Hutton Brickyards in Kingston Aug. 14-16, transforming the Hudson River waterfront into a three-day celebration of show tunes, stars and sing-alongs. The inaugural event features an all-star lineup including Audra McDonald, Kelli O’Hara, Renée Elise Goldsberry, Brian Stokes Mitchell and dozens more, along with a 30th anniversary celebration of the musical “Rent” featuring original cast members.

Hutton Brickyards is a former 19th-century brickyard transformed into a historic riverfront hotel and event destination spanning 100 acres along the Hudson. Beyond the nightly concerts, festivalgoers can expect campfire sing-alongs, dance parties, master classes, costume contests and a marketplace highlighting Hudson Valley food, drinks and artisans.

Keep ReadingShow less
Crandell Theatre celebrates 100 years of film, community and Chatham history

The Crandell Theatre in 1948.

Provided
Originally built as an “atmospheric theater,” the Crandell was designed to transport audiences beyond the walls of the auditorium. Its sloped floor, proscenium arch, orchestra pit and balcony seating reflected the grandeur of early 20th-century movie palaces.

Crandell Theatre in Chatham has spent a century bringing stories to the big screen, and this December the historic theater will celebrate its 100th anniversary with a yearlong tribute to the films, filmmakers and community members who have helped keep it alive.

The celebration continues Sunday, Aug. 23, with a special screening of Martin Scorsese’s “The King of Comedy,” presented as part of the theater’s 100th Anniversary Series by Bill Kramer, CEO of the Academy of Motion Picture Arts and Sciences. Kramer will introduce the 1982 film, a darkly comic exploration of celebrity, obsession and the pursuit of fame.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Arts Connected fundraiser celebrates Northwest Connecticut’s creative community

MOMIX is one of the featured performers at this year’s Arts Connected fundraiser on Aug. 29.

Provided

The Northwest Connecticut Arts Council will celebrate the region’s vibrant arts community with Arts Connected 2026, its annual fundraising event, on Saturday, Aug. 29, from 5 to 8 p.m. at Buck’s Rock Camp in New Milford.

More than a fundraiser, Arts Connected is designed as a celebration of the artists, performers and organizations that make the Northwest Corner’s cultural landscape thrive. Guests can enjoy live music and performances, a curated gallery of artwork by regional artists, local food and drinks, and opportunities to connect with fellow arts supporters. Tickets include hors d’oeuvres, an open bar and all entertainment.

Keep ReadingShow less
At 90, artist Robert Cronin still finds new ways to paint
Falls Village Artist Robert Cronin describes his process, from drawing to painted canvas.
L. Tomaino
Once I get all the colors in, they change. Who knows? I might consider more radical colors and then bring it back a little.
— Robert Cronin

Renowned painter Robert Cronin of Falls Village celebrated his 90th birthday with an exhibition, “Robert Cronin: New Paintings,” at the Hunt Library in Falls Village which opened Aug. 8 and will be on view through Sept. 11.

Cronin paints most days in his home studio. He keeps his work fresh by trying new things and has had different phases of work, including figure paintings, paintings on paper, a modular, circle and enclosure series of paintings, as well as a tinplate sculpture series.

Keep ReadingShow less

All aboard the Litchfield County Clipper

All aboard the Litchfield County Clipper

The Litchfield County Clipper runs between Thomaston and Torrington.

Allison Gollenberg

Every Sunday until the end of August, passengers can ride back in time on the Litchfield County Clipper, a scenic train running between Thomaston and Torrington on the county’s only passenger rail line.

The train, operated by the Railroad Museum of New England and the Naugatuck Railroad, follows the Naugatuck River through Mattatuck State Forest and along the Thomaston Dam, making it the only railroad in the country that operates over the face of an active dam. For $26.50 passengers can ride all day, boarding or disembarking at any of the train’s three stops, which include two stops in Torrington and one in Thomaston.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.