Thank you!
Your support is sustaining the future of local news in our communities.

Workers' rights: another oxymoron

All my workers

Fit one type:

Beaten down

So they won’t gripe.

A classic American saying asserts, “The rich are different from the rest of us.�

So are the poor. While the rich enjoy rights, privileges and legal protections that the middle class can only envy, the poor suffer from weak and ill-enforced labor laws that the middle class need seldom fear. And since media owners often generate their own fierce disputes with labor, battles over worker rights frequently go unpublicized.

Take the National Labor Relations Board. That healthy New Deal innovation has in recent times run afoul of big money politics, though the press has precious little interest in it anyway. Although its ostensible job is to adjudicate labor disputes, budget starvation and political pressure have instead converted it into a tar pit for burying significant cases. Senate Republicans won’t approve any pro-labor appointees and the Democrats seem unwilling to force the issue. That would anger their own big-business campaign contributors.

Much the same fear has stymied the proposed Employee Free Choice Act, aimed at making it easier to form a union. That bill has gone nowhere because many Democrats listen cheerfully to the rustle of business dollars raining into their re-election coffers. Thus it remains enormously difficult today for workers to organize, even with a president nominally on their side.

u      u      u

Fortunately, the Labor Department has improved a bit since the last election, but undoing eight years of hostility to workers takes time. This is especially true since some of its career civil service positions were filled with pro-employer officials by President George W. Bush just before he left.

The results of this paralysis of labor enforcement are tragic for the lunch-pail set. Bosses can get away with almost anything, like pressuring injured staff not to claim workers’ compensation or to file actions over short pay. They’re dealing with toilers living on the economic edge, who panic at the thought of being fired. Not only would their pay be gone, but health insurance as well, if they’re lucky enough to have any. With adjudication taking years, they simply can’t afford the risk of complaining.

And there’s plenty to complain about. The Government Accountability Office recently performed an undercover investigation of the Labor Department’s Wage and Hour Division. It found that the division mishandled nine of the 10 cases that investigators presented. There was little effective enforcement against threats, short pay or even child labor. Representative George Miller (D-CA), the House Labor Committee chairman, observed, “It’s clear that under the existing system, employers feel they can steal workers’ wages with impunity.�

u      u      u

Unfortunately, the problem is only getting worse. Illegal immigrants are especially reluctant to file complaints. That reality hovers over American-born workers, too, who fear that they will simply be supplanted by even more vulnerable foreign replacements if they gripe.

The recession further undermines the status of workers by increasing the pool of their desperate, unemployed colleagues. So does the steady outflow of jobs abroad to nations where employees are treated more like chattel than human beings. Employers love that fear, and many have found that even if they can’t export their jobs, they can often import grisly working conditions.

Creating more unions and passing stronger laws would be the normal response to such abuse, but our government is too much under corporate influence to allow such cures. Consequently, the United States is developing an underclass the likes of which we haven’t seen since the 1930s.

Columnist William A. Collins is a former state representative and a former mayor of Norwalk.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.