Thank you!
Your support is sustaining the future of local news in our communities.

Worry about improving the product, not budget cuts

Gov. Dannel P. Malloy’s new leather gold-embossed governor’s chair was hardly sat on before a reporter felt he had to ask him if he thought it appropriate to have such a fancy chair in such hard times.

The governor mumbled politely that he needed a chair and this is the one they gave him. Give him a few more weeks in that chair and he probably won’t be so polite.

Once the chair was out of the way on the morning after the Inaugural Ball, it didn’t take long for the special interests to begin lusting after their share of a deficit-haunted budget. First up was the education lobby — although it should be noted the public employees unions had jumped the gun with a press release before the inauguration reminding Malloy who put him there.

But the education lobby beat out the rest of the special interest forces on the first working day of the new administration by calling on the governor and Legislature to do something they surely shouldn’t do:

“Our new governor and legislators need to make public education the No. 1 priority in the state,†said Robert Rader, executive director of the Connecticut Association of Boards of Education.

Make education the first priority? Hadn’t he noticed that the state’s $3.5 billion deficit, due to reach probably $5 billion once truth in accounting becomes the rule, may need some attention? And what about jobs, especially for the not-very-well-prepared young people being turned out by these schools? But I guess making education the No. 3 priority isn’t all that stirring.

The education crowd has every right to be worried. In the past two years, the state has been playing the smoke and mirrors game with public education, cutting state aid by 14 percent, then making up for it by using federal stimulus funds that are now gone. That was folly in the view of the new governor, who has to find a way to replace at least part of the federal money.

The schools do remain protected by what is known as the minimum budget requirement, which guarantees each school system a budget at least as large as the previous year’s. But another potent special interest, the Connecticut Conference of Municipalities, wants the Legislature to abolish the requirement because it claims it prohibits cities and towns from making sensible budget cuts. And so, the scene is set for a battle of the special interests, the schools versus the cities and towns they live in.

Not surprisingly, the education lobby has tried to argue there is nothing left to cut but ultimately admitted we aren’t quite facing the end of public education as we know it.

“In order to meet a cut of this magnitude we will have to eliminate or pare down foreign language, physical education, health, sports and after-school activities and increase class size,†said the president of the school boards association, Don Blevins.

That means schools, despite some cuts, will still be teaching kids most of what they have always taught them, with the exception, perhaps, of what Blevins called “foreign language,†which our public schools have never taught very well anyway. Consider how many Americans speak a second language as compared with Europeans and Asians.

And, if you look at a shocking report issued just before election day, Connecticut schools aren’t doing a very good job teaching the basics, either. Little attention was paid in late October when a panel chaired by the commissioners of education and higher education announced that more than two-thirds of the students at the state universities and community colleges are not capable of taking college-level courses in math or English.

The report said a frightening 72 percent of incoming students, products of those public schools alarmed at cutting sports, after-school activities and foreign languages, need remedial courses in math or English or both. That is a kind way of saying 72 percent of these students should never have been allowed to graduate from high school. 

It is also a way of suggesting that the education lobby should appreciate funding isn’t its biggest problem; improving the product is.

Dick Ahles is a retired journalist from Simsbury. E-mail him at dahles@hotmail.com.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.