Thank you!
Your support is sustaining the future of local news in our communities.

Yes, be selfish, it could be good for you

Rhonda was always doing things for other people and saying “yes” to requests. Often, she found herself completely exhausted emotionally and physically; sometimes all she could do then was stay home in bed all weekend, watch videos and eat junk food. She told me this cycle had been going on for years and she didn’t understand why she couldn’t change. I reminded her of the instructions we all have heard on airplanes: In an emergency, put your oxygen mask on first before helping your children with theirs, because if you’re gasping for air you can’t really help anyone else.So why wasn’t Rhonda taking care of herself? Like most people, she had subconscious beliefs keeping her from from making healthy choices. We identified the three biggest ones.• It’s selfish to really take care of myself before everyone else.• I don’t deserve to do things for myself.• People really need my help.These beliefs were always running through her head and keeping her from doing the right thing for herself. I asked her for some beliefs that were more true than the above limiting beliefs.• If I don’t take care of myself, I am no good for anyone else.• If I put myself first, I can do more for myself and for everyone else.To help start a new pattern, you need to take action. I asked Rhonda specifically what she could do to take care of herself in the next two weeks. Some of her ideas:• Get a massage.• Leave work by 5:30 p.m. most days.• Take the time to eat a healthy lunch instead of wolfing down a sandwich at her desk.For Rhonda, this changed the idea of self-nourishment from theoretical talk to an action plan that she could actually start on that very week.I asked Rhonda to visualize the new way she wanted to be regarding an upcoming baseball game outing. Instead of calling everyone and organizing meeting places and transportation, she was going to let someone else do it. And instead of running to get food for everyone at the game, she visualized just sitting there and enjoying the game. After the outing, she reported, “It was a new experience to just relax and enjoy myself!”If you are a giver by nature, it is unlikely that you will turn into a selfish monster when you start to make yourself a priority. I have never seen a natural giver stop giving when they started to take care of themselves. This applied to Rhonda as well.The more Rhonda put herself first, the more she came to see that people got along just fine without her help, and didn’t think any less of her when she said no. She noticed that almost no one gave her a hard time when she said no to a request.Remember: If you don’t keep yourself in good physical shape, you might not have the stamina to do everything you need to do and to help other people.If you’re not getting enough sleep, you may not be as alert as you need to be to get everything done.If you’re overworked, things might slip through the cracks in your personal life and reach a crisis point. If you’re doing things for others to the detriment of yourself, you might feel resentful, and this is certainly not the way you want to show up for everyone else. Brooke Loening is a life coach in Sharon who works with individuals, and runs weekly coaching groups on achieving growth in career, health and relationships. To make column suggestions, email bloening@snet.net.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.