‘West Side Story’ Electrifies at Barrington Stage

Let’s begin with the premise so that, if your schedule is too compromised today, you don’t have to spend excessive time reading. “West Side Story” running at Barrington Stage Company in Pittsfield, Mass. through September 1 could well be the finest production that has graced the Tri-state area in years. Be forewarned. It is simply amazing, and the scramble for tickets will be exhaustive.

What Julianne Boyd, the artistic director at Barrington Stage Company and the director of this production has accomplished with the super-human support of choreographer Robert La Fosse and the pinpoint musical direction of Darren Cohen is professional theater at its most exhilarating. There are 27 featured performers on stage, and not one of them missed a step, a beat, a glance, a lift, a turn, a cue or a line.  

It certainly helps the enjoyment of the evening that the music of Leonard Bernstein coupled with Stephen Sondheim’s lyrics have lived in our cultural consciousness since the play opened in 1957.  For those “of a certain age,” each song that unfolds during the musical invites one to sing along, if only in our minds.

Will Branner’s Tony was so complete, his vocal range so strong and his command of the action so intense, he could lead this team to New York City and enjoy a long, productive run. His love affair with Maria, played with infectious, sensitive enthusiasm by Addie Morales, becomes all the more tragic because together, they almost glow when they are on stage.

Running down the cast list is a futile effort to not leave anyone unmentioned, any performance not applauded. Anita is the person who so earnestly tries to keep Maria from dancing too close to the flame, and loses her own love in the process. Skyler Volpe plays the role with a wisdom and intensity that is beautifully matched by her incredible voice.  

Tyler Hanes’s Riff, Sean Ewing’s Bernardo, the Jets, the Sharks, their brazen, blissful girl friends — they are mesmerizing. La Fosse’s precise reproduction of Jerome Robbins’s elegant choreography — from ballet to acrobatics to a deadly knife fight — fills every inch of the ample stage with electrifying action.  His work with the troupe, assisted by Nicholas Garr, is simply stunning.

“West Side Story” had something of a troubled childhood. When it finally opened on Broadway in 1957, the conflicts, delays and compromises endured by Bernstein, Robbins, Sondheim, book writer Arthur Laurents and the producers, Robert Griffith and Harold Prince, were a story of their own. But it opened, and changed the definition of a Broadway musical. 

The legendary critic Walter Kerr opened his review in the New York Herald Tribune with, “The radioactive fallout from ‘West Side Story’ must still be descending on Broadway this morning.” It was radioactive, to be sure, and the current production at the Barrington Stage Company upholds that energy force in every line, every leap, every note.  The final act stage lights were still fading into the wings when the audience was on its feet, not simply applauding … but cheering.

“West Side Story” runs through Sept. 1 at The Barrington Stage Company on the Boyd-Quinson Mainstage in Pittsfield, Mass.  Tickets can be obtained by calling the box office at 413-236-8888 or on line at Barringtonstageco.org.

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