GREAT BARRINGTON — Attarilm Mcclennon woke up on Tuesday morning to see a man standing on the fire escape and talking on the phone outside his apartment building in Barrington House.
When Mcclennon stepped out into the hallway that connects Main Street with the Triplex parking lot, he saw another man lingering there.
Mcclennon, who works at his family’s Momma Lo’s Southern Style BBQ downstairs, said he stepped outside to the unfolding commotion in the parking lot as U.S. Immigration and Customs Enforcement officers arrested two immigrants who live and work in the building.
But soon Mcclennon realized something — the man on the fire escape and the other one in the building looked a little familiar.
“I realized those two dudes have been walking through this hallway all week,” he said, adding that it was during the daytime.
Mcclennon’s brother, Ahmed Mcclennon, said that he also noticed a similar type of surveillance of the building last summer that he believes may have been ICE or other law enforcement.
Attarilm Mcclennon right, saw the arrests by U.S. Immigration and Customs Enforcement on Tuesday morning unfold at the Barrington House apartments where he lives and works.HEATHER BELLOW — THE BERKSHIRE EAGLE
The May 6 arrests are the latest to rattle the Berkshires as federal authorities pursue President Trump’s aggressive mission to deport or otherwise remove undocumented immigrants. A March crackdown resulted in the capture of at least 10 people in the Berkshires — and 370 statewide.
While the administration has said it would target undocumented people with criminal records, there have been numerous examples of agents detaining people who have never been charged with a crime.
It is unclear why ICE targeted these men. An ICE spokesperson did not respond to requests for information.
Tuesday’s raid took place on a busy morning in the heart of downtown. It shook bystanders and drew people out from Rubi’s Cafe and The Triplex Cinema.
Videos shared with The Eagle show people videotaping the arrests and asking ICE officers questions about warrants and due process. Others taunted the officers, most of whom were masked and heavily armed. Avery Ripley, who works at Rubi’s captured video, including that of a drone overhead.
As officers walked one of the men they arrested down the fire escape from his apartment, one person was heard saying they “love America,” and thanked the officers for “doing their jobs.”
Mcclennon said that one of the men arrested works at Fiesta Bar and Grill, which is across the hall from Momma Lo’s, and asked the Mcclennons to call his boss.
Great Barrington Police Chief Paul Storti said the department received a phone call from the U.S. Department of Homeland Security around 5:30 a.m. to let them know that they were in the area.
Barrington House owner Richard Stanley said he did not know the tenant personally, and expressed dismay at what he called “gestapo” tactics he says are meant to “intimidate.”
Ben Elliott, a Select Board member who works at The Triplex Cinema, was arriving at work when he saw the commotion. He also videotaped one of the arrests.
Elliott said he had heard that ICE also may have also arrested someone off Bridge Street near Quick Print and the Berkshire Food Co-op around 7:30 a.m.
The ICE arrests involved multiple unmarked vehicles, some heavily armed law enforcement officials and a drone.
Seeing that one of the officers had a battering ram to break the apartment door down, the building’s maintenance director Sean O’Brien got his keys ready. But that turned out not to be necessary, he said.
“None of that came to pass,” O’Brien said. “They knocked on the door and he opened the door and surrendered himself.”
Some bystanders confronted O’Brien, thinking he was helping ICE — which he and witnesses and Barrington House tenants said that was far from the truth.
“They turned on me,” O’Brien said. “It just ruffled my feathers up a little bit because they had the completely wrong idea of what happened."
“A woman was screaming into the window, ‘You called them, you called them,’” O’Brien said of the accusation that he had called ICE.
O’Brien did call local police to keep the peace and stop the trespassing.
Hearing this, Mcclennon’s brother Ahmed Mcclennon, said of O’Brien, “He’s the coolest man in the world. He would be the last person to do that.”
And O’Brien said that ICE officers were “very polite and professional to [the tenant],” and “were not abusive or anything like that.”
He also said that one of the men arrested is, “to the best of my knowledge, a very, very nice guy and a hard worker.”
“I would be very surprised,” O’Brien said, “if he were guilty of some extra crime that brought their attention to him.”
Heather Bellow is a reporter for The Berkshire Eagle.
Contemporary chamber musicians, HUB, performing at The Clark.
MASS MoCA is known for its 20th-century holdings spread throughout a sprawling complex of industrial brick buildings. Installations by Sol LeWitt and James Turrell have permanent homes there. Just down the road in Williamstown, the Clark features masterworks by Winslow Homer, Frederic Remington, John Singer Sargent and Claude Monet.
But what visitors might not immediately associate with those established names is how deeply both institutions invest in art happening right now.
On Saturday afternoon, a panel of young artists discussed their relationships with art, identity and technology as part of MASS MoCA’s “Technologies of Relation” exhibition, which opened that evening. The artists represented a broad range of cultural backgrounds, drawing on ancestry while exploring the future of art and technology.
The work itself ran the gamut: wax relief paintings, stained glass, interactive video and sculptural installations. One immersive piece automated the traditional Armenian practice of reading fortunes from coffee grounds. Particularly striking were Roopa Vasudevan’s hand-drawn QR codes and Taeyoon Choi’s large-scale weavings of binary code.
Opening the same night was Zora J. Murff’s “RACE/HUSTLE.” Through photographs, paintings and installations, Murff explores the wide-ranging and sometimes violent implications of being Black in America today. Each piece — whether confronting the rise of white supremacy or examining stereotypes imposed on Black communities — carries razor-sharp visual commentary designed to unsettle.
Pelenakeke Brown’s “Reverb” (detail) at Mass MoCA. D.H. Callahan
On Sunday, the Clark continued the contemporary thread. A small exhibition of work by Raffaella della Olga, titled “Typescript,” features intricate patterns created using a typewriter on varied paper surfaces. The effect seems almost impossible until viewers watch a video of della Olga loading her typewriter with 140-grit sandpaper and typing in a hypnotic rhythm. Though the typewriter is considered obsolete technology, she continues to find new applications for it, completing some of the works in recent months.
Next door in the Clark auditorium, HUB New Music performed works written specifically for its unusual instrumentation: violin, cello, clarinet and flute. While that combination may not stand out to casual listeners, relatively little classical repertoire exists for it. The ensemble regularly commissions composers to expand the possibilities.
The results were striking. From the opening notes of Francisco del Pino’s “Passacaglia,” the quartet’s command and layered repetition pulled unexpected emotion from the audience.
After three pieces came the world premiere of Daniel Wohl’s “Mirage,” a roughly 25-minute work accompanied by digital blips, static and electronic textures evoking radio transmissions and UFO lore. Hearing four virtuoso musicians extract entirely new sounds from traditional instruments echoed the weekend’s larger theme: old tools made new again.
Like della Olga’s typewriter, Vasudevan’s QR codes or Murff’s charged imagery, the performances demonstrated that contemporary art often grows from familiar materials — reimagined.
The old masters will always draw visitors to these institutions. But when living artists command equal attention, this quiet corner of the Berkshires feels less like the middle of nowhere and more like a creative epicenter.
D.H. Callahan is a voice actor, creative director and trail steward. He lives with his artist wife in West Cornwall, Connecticut.
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