GREAT BARRINGTON — Attarilm Mcclennon woke up on Tuesday morning to see a man standing on the fire escape and talking on the phone outside his apartment building in Barrington House.
When Mcclennon stepped out into the hallway that connects Main Street with the Triplex parking lot, he saw another man lingering there.
Mcclennon, who works at his family’s Momma Lo’s Southern Style BBQ downstairs, said he stepped outside to the unfolding commotion in the parking lot as U.S. Immigration and Customs Enforcement officers arrested two immigrants who live and work in the building.
But soon Mcclennon realized something — the man on the fire escape and the other one in the building looked a little familiar.
“I realized those two dudes have been walking through this hallway all week,” he said, adding that it was during the daytime.
Mcclennon’s brother, Ahmed Mcclennon, said that he also noticed a similar type of surveillance of the building last summer that he believes may have been ICE or other law enforcement.
Attarilm Mcclennon right, saw the arrests by U.S. Immigration and Customs Enforcement on Tuesday morning unfold at the Barrington House apartments where he lives and works.HEATHER BELLOW — THE BERKSHIRE EAGLE
The May 6 arrests are the latest to rattle the Berkshires as federal authorities pursue President Trump’s aggressive mission to deport or otherwise remove undocumented immigrants. A March crackdown resulted in the capture of at least 10 people in the Berkshires — and 370 statewide.
While the administration has said it would target undocumented people with criminal records, there have been numerous examples of agents detaining people who have never been charged with a crime.
It is unclear why ICE targeted these men. An ICE spokesperson did not respond to requests for information.
Tuesday’s raid took place on a busy morning in the heart of downtown. It shook bystanders and drew people out from Rubi’s Cafe and The Triplex Cinema.
Videos shared with The Eagle show people videotaping the arrests and asking ICE officers questions about warrants and due process. Others taunted the officers, most of whom were masked and heavily armed. Avery Ripley, who works at Rubi’s captured video, including that of a drone overhead.
As officers walked one of the men they arrested down the fire escape from his apartment, one person was heard saying they “love America,” and thanked the officers for “doing their jobs.”
Mcclennon said that one of the men arrested works at Fiesta Bar and Grill, which is across the hall from Momma Lo’s, and asked the Mcclennons to call his boss.
Great Barrington Police Chief Paul Storti said the department received a phone call from the U.S. Department of Homeland Security around 5:30 a.m. to let them know that they were in the area.
Barrington House owner Richard Stanley said he did not know the tenant personally, and expressed dismay at what he called “gestapo” tactics he says are meant to “intimidate.”
Ben Elliott, a Select Board member who works at The Triplex Cinema, was arriving at work when he saw the commotion. He also videotaped one of the arrests.
Elliott said he had heard that ICE also may have also arrested someone off Bridge Street near Quick Print and the Berkshire Food Co-op around 7:30 a.m.
The ICE arrests involved multiple unmarked vehicles, some heavily armed law enforcement officials and a drone.
Seeing that one of the officers had a battering ram to break the apartment door down, the building’s maintenance director Sean O’Brien got his keys ready. But that turned out not to be necessary, he said.
“None of that came to pass,” O’Brien said. “They knocked on the door and he opened the door and surrendered himself.”
Some bystanders confronted O’Brien, thinking he was helping ICE — which he and witnesses and Barrington House tenants said that was far from the truth.
“They turned on me,” O’Brien said. “It just ruffled my feathers up a little bit because they had the completely wrong idea of what happened."
“A woman was screaming into the window, ‘You called them, you called them,’” O’Brien said of the accusation that he had called ICE.
O’Brien did call local police to keep the peace and stop the trespassing.
Hearing this, Mcclennon’s brother Ahmed Mcclennon, said of O’Brien, “He’s the coolest man in the world. He would be the last person to do that.”
And O’Brien said that ICE officers were “very polite and professional to [the tenant],” and “were not abusive or anything like that.”
He also said that one of the men arrested is, “to the best of my knowledge, a very, very nice guy and a hard worker.”
“I would be very surprised,” O’Brien said, “if he were guilty of some extra crime that brought their attention to him.”
Heather Bellow is a reporter for The Berkshire Eagle.
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Marge Parkhurst with a collection of historic nails recovered from wall cavities during restoration work.
“At first it just looked like old paint,” said Parkhurst, who has been painting and restoring historic homes in Litchfield County for decades. “Until I realized it was a stencil, a beautiful pattern that repeated.”
She kept going carefully — a wet sponge, hot water, a little fabric softener — peeling back until she could see it clearly. A climbing vine emerged, applied in vertical runs to give the wall the look of wallpaper. Someone had signed it. The signature was faint, tucked above the baseboard in the corner, not fully legible. But the date was clear: 1870.
Parkhurst, owner of Cottage & Country Painting Co., has worked in enough old houses to develop a practiced eye for what they conceal — understanding that layers of paint, paper and plaster in a 19th-century New England home form a kind of compressed archive of the people who lived there.
The stencil bore a strong resemblance to what historians call Moses Eaton-type stenciling — a tradition of itinerant craftsmen who traveled New England in the early 1800s with portable kits of cut-pattern stencils. Their trade flourished because imported wallpaper was expensive. Stenciling offered the same visual effect at a fraction of the cost.
“These stencilers typically worked for a combination of cash, food and lodging,” Parkhurst said. “Their compensation was modest by any standard.” She paused, “He was a tradesman. But the work he left behind — that’s art.”
The vine pattern was dull with age but still legible. One section had survived intact beneath the layers of paper. The homeowners chose not to paint over it — instead building a wooden frame around it, a small window into 1870.
“Preservation means protecting something to prevent further deterioration,” she said. “Restoration means returning something to a previous state. In that room, we preserved what was there.”
A collection of historic nails recovered during restoration work.Photo courtesy of Marge Parkhurst/Cottage & Country Painting Company
A Station’s Secrets
Not every discovery is decorative. Some are written into the bones of a building.
Parkhurst’s own home in Colebrook is a former railroad outbuilding moved from Canaan in 1920. Scraping the trim revealed it had once been sage green — and beneath that, a warm orange-brown soaked into the wood grain. “Old paint was made more like a stain back in the 1800s,” she said. “It penetrated the wood rather than sitting on top of it — so there’s never a shine.”
Up in the attic, eye bolts still anchored in the framing mark where cables stabilized the building during its move a century ago.
The most memorable find came by accident. Cutting open a wall under the stairs, she found a clear glass bottle sealed with a glass stopper held by a rusted wire. The label read: Hartmann Brewing Co., Bridgeport, Conn. It took days of careful oiling to free the stopper. Inside: a handwritten list of sandwiches and drinks, a postage stamp still attached. Not treasure. But a treasure just the same.
“I worked for days to get that thing open — and it was just somebody’s lunch order.”
Newspapers stuffed into wall cavities, hand-wrought nails, paint layers thin as stain — over 50 years, Parkhurst has cataloged the details that tell a trained eye when a house was built and by whom. Litchfield County’s architecture is unusually varied: Georgian and Federal-style houses on Litchfield’s Main Street, industrial buildings along the rivers in Torrington and Winsted. “Each town has its own fingerprint,” she said.
The most consequential mistake she sees is changing a home’s character. “When you paint over stained woodwork, you hide the details. You can’t get them back.” She has talked more than a few owners out of it. Some have listened.
Not long ago, Parkhurst and her grandchildren gathered a few small objects, wrote a letter and tucked it into a wall of her Colebrook home. Someone will find it — a record of people who were once here.
“Walls still surprise me,” she said. “If you look hard enough, you can find buried treasure.”
In a county full of houses whose walls hold untold stories — stenciled by traveling tradesmen, nailed together by farmers, papered over by housewives following the fashions — Marge Parkhurst has spent a lifetime reminding us that history doesn’t only live in museums. Sometimes it’s hiding just behind the wallpaper.
Sarah Belzer is a writer, editor and creative director whose career has crossed journalism, advertising, film and cultural commentary. Managing Editor of The American Rant and founder of Jump Advertising, she has spent three decades shaping narratives for media and national and global brands. Marge Parkhurst is the owner of Cottage & Country Painting Co. She can be reached at marge@cottageandcountryct.com or 860-379-4748.
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