GREAT BARRINGTON — Attarilm Mcclennon woke up on Tuesday morning to see a man standing on the fire escape and talking on the phone outside his apartment building in Barrington House.
When Mcclennon stepped out into the hallway that connects Main Street with the Triplex parking lot, he saw another man lingering there.
Mcclennon, who works at his family’s Momma Lo’s Southern Style BBQ downstairs, said he stepped outside to the unfolding commotion in the parking lot as U.S. Immigration and Customs Enforcement officers arrested two immigrants who live and work in the building.
But soon Mcclennon realized something — the man on the fire escape and the other one in the building looked a little familiar.
“I realized those two dudes have been walking through this hallway all week,” he said, adding that it was during the daytime.
Mcclennon’s brother, Ahmed Mcclennon, said that he also noticed a similar type of surveillance of the building last summer that he believes may have been ICE or other law enforcement.
Attarilm Mcclennon right, saw the arrests by U.S. Immigration and Customs Enforcement on Tuesday morning unfold at the Barrington House apartments where he lives and works.HEATHER BELLOW — THE BERKSHIRE EAGLE
The May 6 arrests are the latest to rattle the Berkshires as federal authorities pursue President Trump’s aggressive mission to deport or otherwise remove undocumented immigrants. A March crackdown resulted in the capture of at least 10 people in the Berkshires — and 370 statewide.
While the administration has said it would target undocumented people with criminal records, there have been numerous examples of agents detaining people who have never been charged with a crime.
It is unclear why ICE targeted these men. An ICE spokesperson did not respond to requests for information.
Tuesday’s raid took place on a busy morning in the heart of downtown. It shook bystanders and drew people out from Rubi’s Cafe and The Triplex Cinema.
Videos shared with The Eagle show people videotaping the arrests and asking ICE officers questions about warrants and due process. Others taunted the officers, most of whom were masked and heavily armed. Avery Ripley, who works at Rubi’s captured video, including that of a drone overhead.
As officers walked one of the men they arrested down the fire escape from his apartment, one person was heard saying they “love America,” and thanked the officers for “doing their jobs.”
Mcclennon said that one of the men arrested works at Fiesta Bar and Grill, which is across the hall from Momma Lo’s, and asked the Mcclennons to call his boss.
Great Barrington Police Chief Paul Storti said the department received a phone call from the U.S. Department of Homeland Security around 5:30 a.m. to let them know that they were in the area.
Barrington House owner Richard Stanley said he did not know the tenant personally, and expressed dismay at what he called “gestapo” tactics he says are meant to “intimidate.”
Ben Elliott, a Select Board member who works at The Triplex Cinema, was arriving at work when he saw the commotion. He also videotaped one of the arrests.
Elliott said he had heard that ICE also may have also arrested someone off Bridge Street near Quick Print and the Berkshire Food Co-op around 7:30 a.m.
The ICE arrests involved multiple unmarked vehicles, some heavily armed law enforcement officials and a drone.
Seeing that one of the officers had a battering ram to break the apartment door down, the building’s maintenance director Sean O’Brien got his keys ready. But that turned out not to be necessary, he said.
“None of that came to pass,” O’Brien said. “They knocked on the door and he opened the door and surrendered himself.”
Some bystanders confronted O’Brien, thinking he was helping ICE — which he and witnesses and Barrington House tenants said that was far from the truth.
“They turned on me,” O’Brien said. “It just ruffled my feathers up a little bit because they had the completely wrong idea of what happened."
“A woman was screaming into the window, ‘You called them, you called them,’” O’Brien said of the accusation that he had called ICE.
O’Brien did call local police to keep the peace and stop the trespassing.
Hearing this, Mcclennon’s brother Ahmed Mcclennon, said of O’Brien, “He’s the coolest man in the world. He would be the last person to do that.”
And O’Brien said that ICE officers were “very polite and professional to [the tenant],” and “were not abusive or anything like that.”
He also said that one of the men arrested is, “to the best of my knowledge, a very, very nice guy and a hard worker.”
“I would be very surprised,” O’Brien said, “if he were guilty of some extra crime that brought their attention to him.”
Heather Bellow is a reporter for The Berkshire Eagle.
KK Kozik in her studio
It is a particularly fitting philosophy for an artist whose paintings often begin with the world around her but rarely end there. There might be something recognizable — a stone wall, an apple tree, a crow — but then there is something less certain. Something that appears to be one thing becomes another upon inspection. Memory gets involved. So does imagination. So does time.
Since moving from New York City to Sharon, Connecticut in 2006, the landscape around her has become increasingly important to that process.
“I just saw things differently,” Kozik said.
The change was not immediate. She remembers an earlier version of herself driving through Vermont without paying much attention to what was happening beyond the windshield.
“I didn’t have the means to see what was happening around me,” she said. “I just sort of la, la, la, la, la, driving to Vermont.”
But, she said, she started to pay attention differently.
“I became more sensitized as time went on,” she said.
Asked whether that change came with age, she said, “Age and so-called wisdom.”
There’s a sense of loss in her landscapes, but a particular kind of loss that also has a twinge of redemption. Specifically, what happens to a landscape when people leave it?
“When the people go away, the wildlife comes back,” Kozik said.
KK Kozik in her studio with her painting “Golden Delicious.”Natalia Zukerman
Kozik’s work has never settled into a single recognizable formula. She has painted landscapes, figures and still lifes, moved toward abstraction and returned to representation. Her subjects change, but the underlying impulse remains: to take what is in front of her and discover what else there might be.
Kozik describes herself as someone who is always trying to figure things out. Her paintings often have the feeling of a thought in progress rather than a conclusion. They have been called “single-line novellas,” a description that makes sense: They can contain the suggestion of an entire story without telling you exactly what happened.
The animals are part of that storytelling.
They arrived partly because of what was disappearing.
“They were like the new redemption in a way,” she said.
There is something almost funny about the way Kozik talks about this — not because the loss itself is funny, but because she refuses to turn it into a grand pronouncement. She observes something, considers it, and lets it complicate the work.
That same sensibility comes through when she talks about her own development as an artist. Her paintings make room for interpretation. They don’t always tell the viewer what an animal symbolizes, or why a landscape has been altered, or where a particular image came from. Instead, they leave enough evidence to make you curious and enough room for your own stories.
The effect is not accidental. Kozik has spent years thinking about how images work, both as paintings and as containers for ideas.
Her work is currently included in “The Naturalist,” a group exhibition on view through Sept. 13 at Kenise Barnes Fine Art in Kent, alongside Richard Klein, Sally Maca, Rick Shaefer and Tricia Wright. The exhibition brings together artists whose work engages with the natural world, including its forms, histories and mysteries.
Kozik is an especially apt fit for the exhibition. She is described by the gallery as a landscape painter, figurative painter and interiors/still-life painter whose work frequently moves toward painterly abstraction. Her practice, the gallery notes, is “fluid and continuous” — always searching for new pictorial problems to solve.
That search has also extended beyond her own studio.
For several years, Kozik ran ICEHOUSE Project Space, an 18th-century icehouse on Sharon’s town green that she transformed into an unusual venue for contemporary art. It opened in 2018 with Dan Devine’s “Inside-Out NASCAR” and went on to host site-specific projects by artists including Mark Dion, Eric Aho, Janet Biggs, Richard Klein, Kristin Jones, Lisa Hoke and Ryan Frank. The projects addressed everything from the decline of winged insects and native and invasive plants to Sharon’s iron industry, its gardens and its history as an ice-producing community.
The space is now closed, but its premise still feels connected to Kozik’s painting practice. Each project responded in some way to the physical location, turning what might otherwise have been a little historic outbuilding into a setting for contemporary art.
Kozik’s own work does something similar with the landscape. She takes a place and lets it become more than a place.
Kozik’s paintings tell us that something happened before we arrived, and that something will happen after we leave.
And then there is the question of what to do with the space in between.
Maybe Kozik’s paintings are less about that space and more about an idea, as she put it, of “which questions to think about.”
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Jazzmine Bone and A Stitch in Tyme power through the Gambler’s Choice run during the 2024 Lakeville Open.
The event, which has been held continuously for 69 years, is open to the public with free admission.
Individual competitions will run from 8 a.m. to 5 p.m., and visitors can stop by briefly or settle in for the day.
A food truck, bake sale and portable restrooms will be available on-site.
The show is the primary fundraiser for The Lakeville Pony Club, with proceeds supporting young riders who need financial assistance to participate in lessons. Members and their families work throughout the year to create the event for both competitors and spectators.
Members of the Lakeville Pony Club and Echo the pony arrive for the costume class during the Lakeville Open in 2024.Caitlin Von Graf
For those new to horse shows, the day offers a chance to learn more about the sport and understand what happens in the ring. In equitation competitions, judges evaluate the rider’s skill, from beginners learning walk and trot to more advanced riders navigating cantering and jumping courses.
Hunter competitions focus on the horse’s style and smoothness over fences, while jumper classes emphasize accuracy and speed as horses and riders race against the clock without knocking down rails.
The day also includes a crowd favorite: the costume class, where horses and riders dress up in creative ensembles for a chance at the top prize.
Programs will be available onsite to help spectators identify competitors and horses. A full list of competitions, entry information and details for those interested can be found at rigameadow.com
Whether an experienced equestrian or simply curious about the sport, the Lakeville Open Horse Show offers a chance to enjoy a Hudson Valley tradition that continues to bring the community together.
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