LAKEVILLE — Attorney General William Tong knows first hand about the plight of immigrants.
He spoke to a standing-room-only crowd at Trinity Lime Rock Church March 6, which together with those on Zoom totaled 225. The event was hosted by Vecinos Seguros 2, a grassroots organization that works to make sure those without legal status know their rights.
Tong has been an outspoken critic of President Donald Trump’s immigration policies and is part of a group of attorneys general around the country who are banding together to take legal action against his actions.
He stirred the audience with his personal story. Growing up in West Hartford, where he remembered kids showing up at his school from Cambodia, Laos and Vietnam after he was the first Asian student enrolled, he thought “they were refugees and I was the son of immigrants. I thought I was better than them. In fullness of time, I realized what we were all doing here. My parents and grandparents ran for their lives in China. I am nothing but the son of refugees. There was no daylight between those kids and the immigrants showing up today.”
Tong related how his parents met while both were working in a restaurant in Hartford. One day, in the 1970s, a representative from the Immigration and Naturalization Service showed up and because his father was undocumented, was threatened with deportation. After much thought, the senior Tong was resigned to the fact he would have to leave. But shortly before the deadline, while driving along the Berlin Turnpike, he decided to make a last-ditch effort. He went home and wrote a six-page handwritten letter to then-President Richard Nixon explaining his case. The INS agent returned later and said the president had read the letter and sent the message that the country welcomed him and urged him to stay.
Tong said he’s often asked what brings him hope during these times. “In one generation, I went from that Chinese restaurant to attorney general of this state. There are kids out there now; families living with that dream. We need to help them keep it.”
The attorney general said that when Trump talks about denaturalizing citizens and then about anchor babies, he is talking about him. “Banning birthright citizens is utterly and brazenly unconstitutional.” Audience members, as they did several times during the presentation, applauded loudly.
Speaking on the importance of immigration for moral and economic structural reasons, Tong noted, “America runs on Dunkin’ and immigrant workers. There would be no economy without immigrants.” Half of all farm workers are undocumented, as are half of those working in the meat packing industry he said.
It was standing-room only for Attorney General William Tong’s talk on immigration at Trinity Church Lime Rock Thursday, March 7. Photo by Ruth Epstein
Touching on Connecticut’s Trust Act that was passed in 2013, Tong explained that it limits how local law enforcement can cooperate with federal immigration officials to protect the rights of undocumented immigrants. He called efforts to repeal the act “ridiculous,” saying “the federal government does its job and we here do ours.” He said if anyone tries to get rid of the act, he will fight it and believes he’ll win, emphasizing several times that Connecticut is a sovereign state. The federal government has a lot of power, but can’t come to Connecticut to tell its citizens what to do.
When asked what people can do to help those without legal status, Tong advised not to put anyone at risk and make sure they have a plan if ICE shows up. Agents must have a judicial warrant to come on private property. He also recommended they seek people who will provide pro-bono legal advice. He said those holding green cards have legal status and should be respected by ICE. He also recommended not using the word “sanctuary” since it has no legal meaning and can be inflammatory. He was also forthright in saying not everyone can be protected from deportation.
He added there is no evidence to support the claims that immigrants create crime more than American citizens and stressed the Trust Act does not protect violent criminals.
At the outset, Tong said he and his colleagues had sued the federal government when Trump and the Office of Policy and Management tried to freeze all federal funding for a variety of grants, especially those dealing with medical research. “We now have an injunction to stop him from breaking the law. Remembering we have checks and balances, we’re serving as the only check since there is so much disinformation out there.”
Coming to the end of his message, Tong’s tone was foreboding. “We’re not on the precipice of a constitutional crisis, we’re in one. Trump is already not in compliance with federal court orders. If he doesn’t follow Supreme Court rulings, we’re in a dark place. We all have the responsibility to take to the streets and speak out.”
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Marge Parkhurst with a collection of historic nails recovered from wall cavities during restoration work.
“At first it just looked like old paint,” said Parkhurst, who has been painting and restoring historic homes in Litchfield County for decades. “Until I realized it was a stencil, a beautiful pattern that repeated.”
She kept going carefully — a wet sponge, hot water, a little fabric softener — peeling back until she could see it clearly. A climbing vine emerged, applied in vertical runs to give the wall the look of wallpaper. Someone had signed it. The signature was faint, tucked above the baseboard in the corner, not fully legible. But the date was clear: 1870.
Parkhurst, owner of Cottage & Country Painting Co., has worked in enough old houses to develop a practiced eye for what they conceal — understanding that layers of paint, paper and plaster in a 19th-century New England home form a kind of compressed archive of the people who lived there.
The stencil bore a strong resemblance to what historians call Moses Eaton-type stenciling — a tradition of itinerant craftsmen who traveled New England in the early 1800s with portable kits of cut-pattern stencils. Their trade flourished because imported wallpaper was expensive. Stenciling offered the same visual effect at a fraction of the cost.
“These stencilers typically worked for a combination of cash, food and lodging,” Parkhurst said. “Their compensation was modest by any standard.” She paused, “He was a tradesman. But the work he left behind — that’s art.”
The vine pattern was dull with age but still legible. One section had survived intact beneath the layers of paper. The homeowners chose not to paint over it — instead building a wooden frame around it, a small window into 1870.
“Preservation means protecting something to prevent further deterioration,” she said. “Restoration means returning something to a previous state. In that room, we preserved what was there.”
This bottle is from the Hartmann Brewing Company of Bridgeport, CT, found inside a wall of a former railroad outbuilding relocated from Canaan to Colebrook CT. The bottle was sealed with a glass stopper held by a wire, inside was a grocery list written on the back of an envelope postmarked 1915. Photo courtesy of Marge Parkhurst/Cottage & Country Painting Company
A Station’s Secrets
Not every discovery is decorative. Some are written into the bones of a building.
Parkhurst’s own home in Colebrook is a former railroad outbuilding moved from Canaan in 1920. Scraping the trim revealed it had once been sage green — and beneath that, a warm orange-brown soaked into the wood grain. “Old paint was made more like a stain back in the 1800s,” she said. “It penetrated the wood rather than sitting on top of it — so there’s never a shine.”
Up in the attic, eye bolts still anchored in the framing mark where cables stabilized the building during its move a century ago.
The most memorable find came by accident. Cutting open a wall under the stairs, she found a clear glass bottle sealed with a glass stopper held by a rusted wire. The label read: Hartmann Brewing Co., Bridgeport, Conn. It took days of careful oiling to free the stopper. Inside: a handwritten list of sandwiches and drinks, a postage stamp still attached. Not treasure. But a treasure just the same.
“I worked for days to get that thing open — and it was just somebody’s lunch order.”
Newspapers stuffed into wall cavities, hand-wrought nails, paint layers thin as stain — over 50 years, Parkhurst has cataloged the details that tell a trained eye when a house was built and by whom. Litchfield County’s architecture is unusually varied: Georgian and Federal-style houses on Litchfield’s Main Street, industrial buildings along the rivers in Torrington and Winsted. “Each town has its own fingerprint,” she said.
The most consequential mistake she sees is changing a home’s character. “When you paint over stained woodwork, you hide the details. You can’t get them back.” She has talked more than a few owners out of it. Some have listened.
Not long ago, Parkhurst and her grandchildren gathered a few small objects, wrote a letter and tucked it into a wall of her Colebrook home. Someone will find it — a record of people who were once here.
“Walls still surprise me,” she said. “If you look hard enough, you can find buried treasure.”
In a county full of houses whose walls hold untold stories — stenciled by traveling tradesmen, nailed together by farmers, papered over by housewives following the fashions — Marge Parkhurst has spent a lifetime reminding us that history doesn’t only live in museums. Sometimes it’s hiding just behind the wallpaper.
Marge Parkhurst is the owner of Cottage & Country Painting Co. She can be reached at marge@cottageandcountryct.com or 860-379-4748.
Sarah Belzer is a writer, editor and creative director whose career has crossed journalism, advertising, film and cultural commentary. Managing Editor of The American Rant and founder of Jump Advertising, she has spent three decades shaping narratives for media and national and global brands.
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