LAKEVILLE — Attorney General William Tong knows first hand about the plight of immigrants.
He spoke to a standing-room-only crowd at Trinity Lime Rock Church March 6, which together with those on Zoom totaled 225. The event was hosted by Vecinos Seguros 2, a grassroots organization that works to make sure those without legal status know their rights.
Tong has been an outspoken critic of President Donald Trump’s immigration policies and is part of a group of attorneys general around the country who are banding together to take legal action against his actions.
He stirred the audience with his personal story. Growing up in West Hartford, where he remembered kids showing up at his school from Cambodia, Laos and Vietnam after he was the first Asian student enrolled, he thought “they were refugees and I was the son of immigrants. I thought I was better than them. In fullness of time, I realized what we were all doing here. My parents and grandparents ran for their lives in China. I am nothing but the son of refugees. There was no daylight between those kids and the immigrants showing up today.”
Tong related how his parents met while both were working in a restaurant in Hartford. One day, in the 1970s, a representative from the Immigration and Naturalization Service showed up and because his father was undocumented, was threatened with deportation. After much thought, the senior Tong was resigned to the fact he would have to leave. But shortly before the deadline, while driving along the Berlin Turnpike, he decided to make a last-ditch effort. He went home and wrote a six-page handwritten letter to then-President Richard Nixon explaining his case. The INS agent returned later and said the president had read the letter and sent the message that the country welcomed him and urged him to stay.
Tong said he’s often asked what brings him hope during these times. “In one generation, I went from that Chinese restaurant to attorney general of this state. There are kids out there now; families living with that dream. We need to help them keep it.”
The attorney general said that when Trump talks about denaturalizing citizens and then about anchor babies, he is talking about him. “Banning birthright citizens is utterly and brazenly unconstitutional.” Audience members, as they did several times during the presentation, applauded loudly.
Speaking on the importance of immigration for moral and economic structural reasons, Tong noted, “America runs on Dunkin’ and immigrant workers. There would be no economy without immigrants.” Half of all farm workers are undocumented, as are half of those working in the meat packing industry he said.
It was standing-room only for Attorney General William Tong’s talk on immigration at Trinity Church Lime Rock Thursday, March 7. Photo by Ruth Epstein
Touching on Connecticut’s Trust Act that was passed in 2013, Tong explained that it limits how local law enforcement can cooperate with federal immigration officials to protect the rights of undocumented immigrants. He called efforts to repeal the act “ridiculous,” saying “the federal government does its job and we here do ours.” He said if anyone tries to get rid of the act, he will fight it and believes he’ll win, emphasizing several times that Connecticut is a sovereign state. The federal government has a lot of power, but can’t come to Connecticut to tell its citizens what to do.
When asked what people can do to help those without legal status, Tong advised not to put anyone at risk and make sure they have a plan if ICE shows up. Agents must have a judicial warrant to come on private property. He also recommended they seek people who will provide pro-bono legal advice. He said those holding green cards have legal status and should be respected by ICE. He also recommended not using the word “sanctuary” since it has no legal meaning and can be inflammatory. He was also forthright in saying not everyone can be protected from deportation.
He added there is no evidence to support the claims that immigrants create crime more than American citizens and stressed the Trust Act does not protect violent criminals.
At the outset, Tong said he and his colleagues had sued the federal government when Trump and the Office of Policy and Management tried to freeze all federal funding for a variety of grants, especially those dealing with medical research. “We now have an injunction to stop him from breaking the law. Remembering we have checks and balances, we’re serving as the only check since there is so much disinformation out there.”
Coming to the end of his message, Tong’s tone was foreboding. “We’re not on the precipice of a constitutional crisis, we’re in one. Trump is already not in compliance with federal court orders. If he doesn’t follow Supreme Court rulings, we’re in a dark place. We all have the responsibility to take to the streets and speak out.”
Laurie Fendrich and Peter Plagens at home in front of one of Plagens’s paintings.
“He was doing critiques with everyone,” Fendrich said of Plagens. “We met at one of those sessions and, well, what can I say. We fell in love instantly.”
Fendrich speaks candidly about the pressures that shaped her early life choices. “We both married the first time at 21, which a good number of women of my generation did without much thought.” Her first husband was a good guy, she says, but “we weren’t suited for each other at all, even though he suited my parents perfectly.” Her decision to get a divorce was seismic. “My mother didn’t speak to me for a year.” Time softened the rupture. “One day she told me, ‘I see now why you left.’”
Fendrich had a rigorous liberal arts education at Mount Holyoke. “I studied painting and drawing, but I also got interested in political philosophy. Plato, Aristotle, Machiavelli — Rousseau was my big guy — Tocqueville, everybody. And I still read them.” Plagens’s path was less formal. “I went to USC at 17,” he said, “and declared English as my major. It was a frat school, and I was in one for the first two years. Then I started doing the cartoons for the Daily Trojan, took a couple art classes, and thought, ‘Wait a minute, I like this.’”
Culturally, they diverged just as sharply. “I came from a fairly puritanical family that didn’t even go to the movies,” Fendrich said. Plagens, by contrast, grew up immersed in pop culture. “My father was an omnivorous reader,” he said, “and a jazz fan, and he shared these passions with me.” In 1966, Plagens walked into Artforum’s LA office and said, “I want to write reviews.” He was paid five dollars per piece. “Gasoline was 23 cents a gallon, so it went a long way.”
Over time, the couple slowly fused their educations. “He taught me jazz, I taught him Mozart,” Fendrich said with a laugh. “I’ve had a movie education from him; he read Jane Austen because of me.”
Plagens and Fendrich at home in front of some of Fendrich’s paintings. Natalia Zukerman
During their early years in LA, Plagens taught at USC, and Fendrich at Art Center College of Design. In 1985, they decided “our kind of abstraction would do better in New York,” as Fendrich put it. “So, we up and moved to Tribeca with $10,000 and a toddler.”
Both artists grounded their artistic careers in teaching and writing. “Teaching, which I loved, gave me the financial stability to be an artist,” Fendrich said, reflecting on her 27 years as a professor at Hofstra. “It meant that being an artist didn’t require I make money from every show. I didn’t start writing until 1999, but though I write for publication frequently, I make hardly any money at it.”
Artistically, they guard each other’s independence. “We have unspoken rules,” Plagens said. “You don’t comment on someone’s work while they’re in the middle of creating it.” Critique comes by invitation only. “He’s not mean, just direct,” said Fendrich. Over time, their aesthetics have subtly converged. “My work has gotten cleaner from looking at his,” she said. “He’s gotten more colorful because of me.”
The two have had several two-person exhibitions. At a recent duo show at the Texas Gallery in Houston “Laurie’s paintings flew off the wall,” Plagens recalled. “Me, well, not so much.”
Plagens’s parallel career in journalism shaped their lives in tangible ways. He worked as art critic at Newsweek from 1989 until 2003 and currently contributes reviews of museum exhibitions to The Wall Street Journal. “Being at Newsweek was one of the luckiest breaks I ever had,” he said. “They paid me to see things I would gladly pay to see.”
Their creative processes mirror their personalities. “I start with a specific idea,” Fendrich said, “and then modify things as I paint.” Plagens laughed. “I start with complete mush, just blurting it out and spending the rest of the time fixing it.”
In 2019, they made what Fendrich calls “a decision of contraction.” They left the TriBeCa loft they had lived in for three decades, sold their Catskills home with its large studio, and moved full-time to a former auto repair shop in Lakeville, now a house where each has a studio, and the ground floor retains the open feel of a loft.
What sustains them in life, art and love, decades in, are endless conversations — and arguments — about art, history, exhibitions, books and movies. That exchange, ongoing and rigorous, may just be the masterpiece of their shared life.
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Exterior of the Linde Center for Music and Learning.
“We have been thrilled and humbled to see the Tanglewood Learning Institute embraced as a year-round destination for a breadth of exceptional programming, including classical, jazz and family-friendly events,” said BSO President and CEO Chad Smith. “Our 2025–26 fall, winter and spring season reflects our deepening commitment to engaging the vibrant, year-round Berkshires community and to fully exploring the potential of TLI as a space where BSO programs make thought-provoking connections between music, art and society.”
TLI is once again presenting its Chamber Concerts series on Sunday afternoons, with small ensembles of BSO musicians performing familiar favorites and classic mainstays, as well as new music by contemporary composers. There are upcoming chamber concerts scheduled for Feb. 22, March 8 and March 15.
Interior of the Linde Center for Music and Learning.Hilary Scott, courtesy of the BSO
New this season is the TLI Jazz series, which continues March 20 with the Sullivan Fortner Trio, led by Grammy Award-winning artist and educator Sullivan Fortner, whose eponymous ensemble won the 2024 DownBeat Critics Poll for Rising Jazz Group. “Soul-sax sensation” Nick Hemp brings his free-blowing blend of “barroom excitement and modern jazz finesse” for a rousing night of soul jazz April 10. Rounding out the jazz series, and back by popular demand, is Grammy Award-winning trumpeter and singer Jumaane Smith, who brings his repertoire of jazz and American Songbook standards to the Linde Center on May 9.
Another season highlight comes April 12 with an animated live concert screening of the 3D stop-motion adventure film “Magic Piano.” Produced by the Academy Award-winning BreakThru Films production company in Poland, the film will be accompanied by a screening of “The Chopin Shorts,” a collection of animated films set to Chopin’s etudes, performed by pianist Derek Wang.
All performances take place in Studio E, the Linde Center’s 4,000-square-foot multiuse room that serves as TLI’s main performance and event space. It features retractable seating, acoustic and technical systems, flexible configurations, and is accessible and comfortable for all patrons.
The entire Linde Center for Music and Learning is worth a visit in itself. The complex, which also includes the informal Cindy’s Cafe (seasonal) for a quick bite, is conceived not as a single building but as a cluster of pavilion-like spaces connected by an outdoor covered walkway and arranged around a century-old red oak tree. The center promotes a welcoming and serene sense of place and continuity with the rolling Tanglewood lawn and surrounding woodlands.
Smith said, “This ongoing work is also a passion project for our musicians, who form deep ties to the area and are eager to remain active in the Berkshires beyond the summer months. We look forward to welcoming new and returning audiences to experience all that TLI offers — all year long.”
The Tanglewood Learning Institute is located at 3 W. Hawthorne Road, Lenox, Mass. For more information and to purchase tickets,
visit bso.org/tli.
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