National Day of Prayer

L. Tomaino


D.H. Callahan
Scott Siegler at his home in Sharon.
Scott Siegler is bored of success stories. But Scott Siegler has had the kind of successful Hollywood career that people write books about.
Before he was 30, he’d earned three degrees. Before he moved to Hollywood, he’d already won an Emmy for one of the nine documentaries he directed and produced. Before he helped launch Netscape, bringing the Internet to the public, he’d already started his own Hollywood studio.
Siegler’s had a lot of success in his life, but he’s not going to talk about it unless you ask him directly. He’ll reluctantly tell you about defending “Married… With Children,” the longest-running live-action sitcom ever aired on Fox, when groups of concerned parents tried to get it banned from Television. But bring up a real struggle, like the time he led the board of Pandora through 25 unprofitable quarters, and he lights up. The challenges thrill him more than the successes ever could.
Now, after spending a lifetime rising to business challenges of every stripe, he’s settling into a more creative role. According to his longtime friend David Chase, creator of “The Sopranos,” it’s about time. Chase, who wrote the foreword to Siegler’s debut book, “Mobsters in the Mansion,” reminisces about meeting Siegler over 40 years ago. While Siegler had all the business sense of a top executive, Chase could tell that there was something wilder and more mischievous than the average Hollywood suit.
That mischief springs to life on the pages of“Mobsters in the Mansion.” The loosely autobiographical collection dives into the humor of hubris and failure. The stories unfold chronologically, from adolescence to midlife, but the characters don’t adhere to any timeline. Instead, Siegler uses new people and perspectives to personify the stories he tells, allowing readers to immerse themselves in the emotional truth of the experiences rather than the particulars of one life.
Writing fictionalized stories based in reality freed Siegler from writing the truth. He believes the heart of the story is what matters more than the literal details. “It’s true,” he claimed during a conversation about his book, “but that doesn’t mean it actually happened.”
On Tuesday, July 7 at the Scoville Memorial Library in Salisbury, Siegler will appear in conversation with renowned journalist Brian Ross. Ross has won six Peabodys, six duPont-Columbia Awards and is the author of the New York Times bestseller, “The Madoff Chronicles.” His career in journalism — a profession that leaves little room for creative liberties — should provide an intriguing foil to Siegler’s relationship with the truth.
To register for the event, visit scovillelibrary.org
Lakeville Journal
Crescendo, the Lakeville-based nonprofit specializing in early and rarely performed classical music, is taking a deep dive into the works of Johann Sebastian Bach this summer as artistic director, Christine Gevert, explores the genius of one of history’s greatest composers through a series of public masterclass workshops at Saint James Place in Great Barrington. More information at crescendomusic.org.
Alec Linden
Deborah Shiflett-Fitton operates a "walking wheel," an antique wool spinning device that would have been used by early American homespun fabric makers before more modern designs, like the one operated by Jo Mellis to the right, took over.
KENT – In celebration of the nation’s upcoming 250th birthday, the Kent Historical Society has opened an exhibit that shifts the focus from the battlefield to the home. The domestic sphere and the women who ran it, the installation argues, were no less important in the cause of American independence than the treaties and military campaigns that dominate U.S. history education.
“Homespun Kent: Revolutionary Households” kicked off with appropriate Revolutionary fanfare for an evening reception on Saturday, June 27, at the Historical Society’s Seven Hearths Museum. Approximately 100 history enthusiasts enjoyed the detailed tour of Kent’s home life during the Revolutionary Era, which took full advantage of the preserved interior of the 1751 building.
“Women were the architects of an economic force that encouraged domestic self-reliance,” states an informational video that ran in a cozy parlor at the start of the tour. The homespun fabric movement was a women-led effort to domesticate cloth production in protest of imported British merchandise in the years leading up to the Revolution, which the exhibit professes both helped cultivate a spirit of independence at a crucial moment while also servicing the practical need for wartime supplies.
“It’s more important than tea because you need cloth to wear clothes!” said Deborah Chabrian, board president of the Kent Historical Society.
She explained that beyond the focus on fabrics, the exhibit is meant to amplify a quieter but no less important story of the American Revolution. “I had never really thought deeply about how it affected someone at home,” Chabrian said.
“The women had to be just as strong,” she continued. “They had to hold the country together” while the men were on the battlefield.
The Seven Hearths Museum is an ideal venue for the exhibit as a Revolutionary home itself, explained Christine Adams, executive director of the Historical Society. Built originally as a combined residence and general store, by 1776 it was occupied by Daniel Beebe, Esther Pratt Beebe and their two children.
Daniel and his son Daniel Jr. would both leave to fight for the Patriots, leaving Esther to presumably operate the store, as well as an active fur trading post upstairs and a butchery, by herself as one of the few active supplies purveyors in early “frontier” Kent.
According to an informational pamphlet distributed at the event, Esther is one of many “resilient housewives, mothers, and spinners who labored over spinning wheels, grew and carded flax, and wove wool to clothe their families, effectively anchoring early American domestic life.”
“These were stories I never heard growing up,” Adams said.
The opening reception also featured several live demonstrations of Revolutionary Era home life. In a sunny corner room, Kent Art Association Executive Director Deborah Shiflett-Fitton, dressed in colonial garb, operated an antique “walking wheel” or wool wheel which would have been used by homespun fabric makers in colonial America.
It had been sitting in the building’s attic for years, she said as she deftly operated the device, and was revived in preparation for the exhibit by accomplished furniture restorer and Historical Society Vice President Roger Gonzales.
In the kitchen, Chabrian, also clad in antique clothing, cooked corn chowder over a wood fire in one of the museum’s namesake hearths. She explained that the soup was thickened with crackers according to an old technique that would have been used by cooks in chowders in the Revolutionary days.
Once finished, the ample pot was emptied in seconds by eager guests. Attendees then moved on to an eclectic selection of small bites that had been brought in colonial potluck fashion, complimented by beer, wine, cider and charcuterie, courtesy of the Historical Society.
Chabrian said that the overarching motivation behind the whole effort, which involved months of researching books, local history accounts and even original 18th century documents still on file at Town Hall, is to “to bring an awareness to the history that we have here,” and hopefully inspire more to help steward it.
“Homespun Kent: Revolutionary Households” is on display until Oct. 31 at the Seven Hearths Museum. The museum is open Saturdays and Sundays from 11 a.m. to 4 p.m. or by appointment.

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Allison Gollenberg
Civil rights activists Rev. Nelson Johnson and his wife, Joyce, are among the vibrant portraits featured on the Kent Green as part of a public art installation.
KENT – A new public art installation featuring a rotating display of portraits will be on view at the Kent Green until July 15 as part of the town’s America 250 celebration. The portraits depict prominent Americans known for promoting civic engagement, social justice, and environmental stewardship.
Currently, the display includes five portraits and will remain there until July 1, when they will be replaced with five different images. Kent Memorial Library will show a film about the stories behind the portraits on July 11 at 6:30 p.m.
Exhibit organizer Megan Haney said the purpose of art is to “raise people’s awareness of themselves, their own potential and their responsibility to keep up the struggle to maintain American ideals.”
She said that while it is important to celebrate America, it is equally important to correct the course of the country “by asking, ‘Are we doing a good enough job?’ And frankly, we’re not.”
The exhibit was created by Maine artist Robert Shetterly and his nonprofit arts and education group, Americans Who Tell the Truth. Founded in 2002, it uses original portraits set against vibrant colors depicting courageous citizens. Each portrait is accompanied by a biography and quote for visitors to take home.
Haney and a friend learned about the project from a PBS documentary, inspiring them to bring the show to the Northwest Corner.
“If one person is affected by this exhibit, I think it will be a success,” said Lynn Gray, who also organized the exhibit. “Sometimes it just takes one.”
Shetterly started painting the portraits in the years after 9/11, riddled with grief but also upset with the Bush administration for lying about weapons of mass destruction to promote the war in Iraq, he said.
“I thought, what can I do as an artist?” he said. “I thought, why don’t I surround myself with Americans who make me feel good about the country? I did it to make myself feel better. They’d be with me because I was painting their portraits.”
Shetterly said his goal was to create 50 paintings, but today he’s made 290 and they’ve travelled to 40 states. Now, he said he hopes to paint 300. All the portraits can be viewed at americanswhotellthetruth.org.
“I don’t know if we’ve ever been at more of a time in our history when we’ve needed courageous citizenship,” Shetterly said. “I don’t want people to look and see superheroes. They’re not to be up on pedestals, in fact, they’re models of how we can be. Everyone I’ve painted was flawed, but also did something courageous.”
Patrick L. Sullivan
Cricket players compete in the annual fundraiser in Lakeville.
LAKEVILLE – The Salisbury Cricket Club hosted its annual fundraising match for the Salisbury Volunteer Ambulance Service Saturday, June 27, and the friendly competition was divided into two teams: Salisbury vs. The Rest of the World. The event took place at Community Field in Lakeville.
Club founder David Shillingford of Salisbury said the club was founded in 2017 and has around 40 active members. While the majority of the athletes live in or near Salisbury, the club does attract players from as far as Philadelphia and Boston for its annual match.
Most of the players were natives of British Commonwealth countries, clad in traditional cricket whites. The club only plays once a year, and always to raise money for SVAS.
Prior to the start of play, Shillingford went over the ground rules, which were part of the fundraising. That is, a ball that went into Herrington’s lumber yard next door would require a $100 donation to the ambulance service.
“It is a safety issue, after all,” Shillingford said.
The SCC’s Ben Gore said on Sunday, June 28 that organizers are still adding up the total from business sponsors, merchandise sales and player contributions, but $3,300 is probably about right. “It will be one of the largest raises yet.”
Gore said the event welcomed some newer high school and college-aged players. “It was a nice addition to the rosters,” he said.
The match attracted local sponsors including Fern, Grasslands Dessert cafe, Lakeville Books and Stationery, Elyse Harney Real Estate, B.Metcalf Paving, in addition to more national sponsors like Gooding Christie’s, goodapple and Integrum.
Patrick L. Sullivan
Connecticut's Revolutionary War heroes come to life during a lively set of original songs by Kent Besocke.
FALLS VILLAGE – Kent Besocke performed original songs about Connecticut’s Revolutionary War heroes and villains on the lawn of the David M. Hunt Library Friday, June 26, as part of the library’s summer concert series. Besocke, a native Californian who lives in Simsbury, Connecticut, accompanied himself on guitar, banjo and octave mandolin.
Warming up the crowd of concertgoers, Besocke introduced his instruments, beginning with his banjo. It originated in West Africa, he said, in the form of a gourd with a stick attached and a drone string.
His acoustic guitar is what bluegrass players call a flat-top, typically a type of steel-string acoustic guitar.
“I’ve lost track of how many songs I’ve written on this,” he said.
Last but not least, the octave mandolin is similar to a standard mandolin, but larger and pitched an octave lower.
As a self-described “history buff,” Besocke said he researches the subjects of his songs in libraries or online, and when he finds the right story or subject, he waits for inspiration to strike.
When he read about the legend of Abigail Hinman, who is rumored to have aimed a musket at notorious traitor Benedict Arnold during the siege of New London in 1781, he thought, “There’s a song here.”
Overall, he said his songs are “inspired by the people who had enough, who could not tolerate the intolerance of the King.”
The first song in his set, “Life for Liberty,” was meant to “conjure up memories of people who are gone” after giving their lives in the Revolution.
Besocke played a traditional English song based on 1783 pasticcio opera called “The Poor Soldier," which premiered in London as the British and Americans negotiated the Treaty of Paris, which officially ended the war.
He also sang about Coventry’s Nathan Hale, an idealistic young patriot who responded to George Washington’s appeal for intelligence officers.
“Unfortunately, he was a terrible spy,” Besocke quipped.
As Hale made his way through enemy lines, masquerading as a Dutch schoolmaster anxious to get to British-controlled New York,he was foolish enough to carry identification, in the form of his Yale diploma.
In a tavern, Hale met what he thought was a fellow patriot, and divulged his mission. Unfortunately, the confidant turned out to be a British officer. Hale was arrested, interrogated, and hung the next day.
Besocke said the Revolution pitted family and friends against each other.
“It was like the Civil War, in the sense that neighbors and families were divided.”
Additional concert listings can be found at
canaanfallsvillage.org/events.

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