Biblical scenes in Renaissance, Baroque art

 SALISBURY — George Faison, a retired Hotchkiss School English teacher, gave a special class about Biblical images in Baroque and Renaissance artwork on Tuesday, July 19, at Noble Horizons.

The class was the third in a four-part series that is part of Noble’s summer enrichment program. The course, Faison explained, was an extension of a course that he taught at Hotchkiss.

Faison began by emphasizing that anyone, whether of Christian faith or not, can admire the Bible’s worth as an impressive piece of literature.

From there, he dove into a discussion of paintings depicting events from the life of Jesus. The previous sessions, Faison explained, had addressed events from the Old Testament.

Faison asked questions that frequently stirred many of those in the class to share personal interpretations or reactions. In front of them lay various editions of the Bible. For some, the text was a frequent source of consultation. For others, the book remained closed.

Faison compared Baroque and Renaissance styles by analyzing paintings of the baptism of Christ by Piero della Francesca, Tintoretto and Federico Barroci.

He alluded to the simplicity in the characters depicted by Della Francesca, which, for one  woman in the class, had “such elegance.”

The room became still when Faison showed Caravaggio’s 1608 painting, “The Beheading of Saint John the Baptist.” The painting’s dark colors, dramatic facial expressions and violence quieted the onlookers.

The Rev. Eileen Epperson, hospice chaplain for the Salisbury Visiting Nurse Association, described how the course is enriching her faith.

“It allows me to visualize what I read in words,” she commented.

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