Energy, precision, beauty

SALISBURY — At the Open Recital of Area Music Students at the Salisbury Congregational Church on Sunday, Feb. 22, the Salisbury School Jazz Ensemble did a version of Dizzy Gillespie’s “A Night in Tunisia” with piano, bass, drums, trombone, alto sax — and accordion.

On paper, this arrangement shouldn’t work.

But in practice, it worked just fine.

The recital (now in its 34th year) began with Jeannie Pham at the piano with a confident rendition of the  Galop and Prelude by Kabalevsky.

Soren Peacock handled Hummel’s “Ecossaises” with aplomb, and set a new record in bowing and scooting back to his seat afterward.

“The Swiss Shepherd” (Pietro Moriacchi), a duet with Christina Deng on flute and Jonny Cruz Walma on piano, was a very strong performance for both musicians. The piece has several tempo changes, and the duo were obviously in sync.

Owen Rolo was at the piano with a flawless rendition of a selection from J.S. Bach’s “Well-Tempered Clavier.”

Dean Saccardi played “Melodi” (Simon Poulain) unaccompanied on the alto saxophone. His pitch, intonation and sense of dynamics were all solid.

Isabella Yoo played two short pieces on the piano — Faber’s “Phantom of the Keys” and the familiar “Dance of the Sugar Plum Fairy” (Tchaikovsky) — with panache, and Lydia Barnaba, soprano, sang “Wishing You Were Somehow Here Again” (Andrew Lloyd Webber) with Jo Loi accompanying on piano. Barnaba demonstrated excellent range and intonation, and control of the vibrato.

Maxwell Gong played Beethoven’s “Sonata No. 5 in C Minor” with barely controlled energy combined with technical precision. At times he seemed about to levitate off the piano bench. It’s a piece with major dynamic swings and a percussive quality that suited Gong’s style.

The recital ended with three pieces from the jazz group — the Gillespie number, Wayne Shorter’s “Footprints” and Ornette Coleman’s “Blue Connotation.”

Upright bass player Charles Coccia anchored the group, which also included Tony Somerville (trombone), Mac Zheng (alto sax), teacher Peter McEachern (piano), Tony Zheng (accordion) and three drummers — Harold Pang, Liam Lane and Chris Clark.

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