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Factions, Tests — Really Just Teen Life

Sitting through the unending, if sometimes diverting, “Divergent,” I was reminded that teenage girls suffering through the high school caste system and parental pressure to conform, feeling first intimations of sexuality and, maybe, romance, harboring notions — perhaps fantasies — of doing great things, of saving the world, identify with heroines of young adult fiction. “Divergent” is based on a first novel — part of a trilogy, it turns out — by then 22-year-old Veronica Roth aimed at that reliable category of reader and moviegoer for “Harry Potter,” “Twilight Saga” and “The Hunger Games.” Life is hard and mostly ugly after a cataclysmic war has left Chicago in semi-ruins. (Roth was a student at Northwestern when she wrote the book.) The war-scarred city is fenced off from a hostile outer world (which looks entirely pacific whenever we see it). To keep the peace, society is split into factions that live and work as groups based on human virtues and traits: Abnegation (selfless), Amity (peacemakers), Candor (honest), Dauntless (brave) and Erudite (intelligent). Children grow up in a group, but at 16 they are tested — injected serum helps reveal their inner thoughts and fears on a video screen — to show where they really belong. (The test is actually designed to find and eliminate, in its most lethal meaning, divergent children, those with dangerously independent minds.)Yet at the great Choosing Ceremony, they can select a group for themselves: self-determination and rebellion, or staying safely with the family. Once they choose, they can never go back. Got all that? Our heroine, Abigail (Shailene Woodley) was raised in Abnegation, but has chosen to join Dauntless, the exuberant group charged with protecting the social order. Renamed Tris, she undergoes the longest, bloodiest, most boring training since Demi Moore (remember her? – in “G.I. Jane”). All of this takes place in the hulking remains of the Sears Tower and its subterranean caverns, great dark spaces full of foreboding. During training, Tris is confronted by a near-sadistic trainer (Jai Courtney) and saved by the mysterious Four (Theo James), who becomes her lover. (Oh, it’s but a kiss or two, dear reader, and the mere hint of more.) Then quite suddenly, Tris discovers a plot by the leader of Erudite, Jeanine (Kate Winslet, who clearly did this for the money), to take control of the factions. The battle to defeat the conspiracy is too little too late, and too puny at that. Of course Tris and Four triumph. (For adults forced to see the film, they might think about Roth’s obvious conservative disdain for intellectuals.) Woodley is a fine actress. She was splendid in “The Descendants” and “The Spectacular Now.” But the material and direction defeats her. Her subtlety is lost in the slugfest of training, in the humorless, prosaic screenplay and in the camera-in-your-face style of director Neil Burger, who may not even know the word grace. James (fans of “Downton Abbey” will remember him as the Turkish diplomat who died in Lady Mary’s bed in Season 1) is a hunky foil to Woodley’s vulnerability, but with a single, brooding expression. Their chemistry is as hot as a leftover cup of tea. “Divergent” is rated PG-13 for violence, action, thematic elements and some sensuality. It is showing at The Moviehouse in Millerton, NY, and elsewhere.

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Doug Tallamy’s work in progress: saving the planet one backyard at a time

Windacre, a 25-acre property in Millerton will be the site of “Work in Progress,” an afternoon with acclaimed entomologist, New York Times bestselling author and Homegrown National Park co-founder Doug Tallamy.

Provided

For nearly three decades, Doug Tallamy, a professor at the University of Delaware and co-founder of Homegrown National Park, has studied the intricate relationships between native plants, insects, birds and the ecosystems that sustain them. His books, including “Bringing Nature Home” and “Nature’s Best Hope,” have helped shift the conversation about conservation from something that happens primarily in parks and preserves to something ordinary people can practice on the land around them.

On Sunday, Oct. 4, Tallamy will bring that conversation to Windacre in Millerton for “Work in Progress: Toward Native Fields,” an outdoor gathering exploring both the possibilities and the complications of restoring private land for biodiversity.

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Celebrating Dick Hermans’ life built around community

Dick Hermans in the Oblong Bookstore on Millerton\u2019s Main Street in 1985.

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No matter what I’ve done, I’m trying to be useful to the communities I’m associated with.
— Dick Hermans

When Dick Hermans receives the Estabrook Community Leadership Award on Oct. 11, he will accept it for a lifetime of work that has taken many forms: bookseller, radio host, school board member, advocate for the Harlem Valley Rail Trail, business owner, volunteer and, perhaps most importantly, a person who has consistently looked for ways to be useful to the communities around him.

The Lakeville Journal and The Millerton News will present Hermans with the 2026 award at the annual Jubilee celebration at the Sharon Playhouse. The award honors outstanding leadership in community service and was inspired by Mary Lou and Robert Estabrook, former owners of the newspapers who believed that strengthening a community extended well beyond the work of publishing a newspaper.

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Tending the Fire: Homelands PowWow brings Mohican culture home to the Berkshires

Members of the Stockbridge-Munsee tribe at Homelands PowWow in 2025.

Joeseph Plante New Media Storytellers
Our goal is to continue building an annual gathering that honors the history, culture and traditions of the Stockbridge-Munsee Band of Mohicans in their original Homelands.


For the Stockbridge-Munsee Mohican people, the Berkshires are not simply a place to visit. They are ancestral homelands.

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Ancram Center’s “A Number” doubles questions of identity
Ledbetter (left) and Wojda (right) on the set of “A Number” at Ancram Center for the Arts.
Jeff Mousseau

How would you feel if you found out you weren’t the only you — if there was an exact replica of you? What if you found out that you’d been cloned? Would you believe that you’re the real you? Would you suspect you might be a copy of the original? How could you be sure anything about your life was real? These are some of the questions posed in Caryl Churchill’s play “A Number,” opening at the Ancram Center for the Artson Oct. 1.

Churchill was born in London in 1938 and has been hailed by the theaterl world as one of the strongest voices of her time to take on sexual politics and feminist themes. Her works garner pointedly considered analysis from the highest levels of theatrical intellectualism. Basically, it’s about as far from “The Lion King” as you can get. While she’s experimented with dance theater in the past, “A Number” is much more stripped down, highlighting Churchill’s chosen themes and the skills of both actors on stage.

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Dispatches from the Farm

Dispatches from the Farm

Adamah Farm crew members planning out the day’s tasks on a late September day.

Janna Siller

“Dispatches from the farm” is a new, periodic column offering a firsthand look at the rhythms, challenges and rewards of farming through the eyes of a local farmer.

The thing about plants is that they can’t get up and move. When a storm like last weekend’s nor’easter threatens to roll through, you can’t just round everybody up and settle them safely on the sofa for movie night.

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Pinchas Zukerman brings an all-Beethoven program to Hotchkiss

Pinchas Zukerman to perform at Hotchkiss Oct. 4

Cheryl Mazak

The passion, drama and energy of Beethoven will fill Katherine M. Elfers Hall at The Hotchkiss School on Oct. 4, when world-renowned violinist Pinchas Zukerman is joined by pianist Shai Wosner for a special recital.

The 4:30 p.m. program at the Esther Eastman Music Center will feature three of Beethoven’s celebrated violin sonatas: Violin Sonata No. 4 in A minor, Op. 23; Violin Sonata No. 5 in F major, Op. 24, “Spring”; and Violin Sonata No. 7 in C minor, Op. 30.

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