Stones embody spirit of Shea Cohn, and a hope-filled message

The Cohn family is memorializing Shea Cohn, who died in a car crash last year at the age of 16, with Shea Stones. Photo submitted

FALLS VILLAGE — Shea Stones is a noteworthy project devised by Shea Cohn’s family to memorialize his too-short life and to spread his spirit of adventure out into the world, near and far.
A tragic motor vehicle accident in March 2020 took the life of the 16-year-old Falls Village resident. Those who knew the popular young man and those who only knew of him mourn the loss.
To have known him was to know that Shea collected stones he encountered during his travels. Stones were collected. If they were smooth enough, they were used for skimming. Others were appreciated and carried home as souvenirs of a day’s adventures.
During a conversation on Friday, March 12, Shea Cohn’s family gathered on Zoom. His parents, Denise and Doug in Falls Village, and sisters Emma and Grace shared memories and stories of Shea. Emma was in Salisbury, Md., where she teaches English to students in the 10th grade. Grace, younger of the two sisters, is studying at the University of South Carolina.
“Shea was always collecting good skimmers,” his father said.
“And also shells by the seaside,” Emma added.
“It all started with my mom,” Grace recalled, prompting Denise to explain that she had known of a similar concept created for different circumstances, and remolded the idea. What emerged was the idea of stones to reflect the uniqueness of Shea, his affinity for small rocks, and his love for travel.
Fittingly, Shea Stones tend to travel.
The concept is simple. Shea Stones can be obtained from the designated website, either pre-decorated or the family will provide a kit with a stone and paints you can decorate, as you wish.
Shea Stones are traveling the world
If someone is having a family gathering anywhere, leave a Shea Stone behind, perhaps providing a photo of the stone so that it can be added to the 350 stones and photos already on display.
When someone finds the stone, instructions on the stone indicate that the stone can be taken and left somewhere else as a remembrance of Shea, with a photo taken in the new location, if the person wishes.
The locations where stones have been deposited are tracked informally on a Google map on the website. So far, map pins indicate that Shea Stones have been deposited in all 50 states, Europe and South America.
In what the Cohns term “moving the spirit along,” there are 250 destination locales where stones have been left in seven different countries around the world. The family indicates that there are many in Falls Village, of course, which counts as one destination.
One of the first stones ever found was one that Grace left at Seabrook Beach in New Hampshire, Shea’s favorite vacation spot. She had lost it into the sandy beach. As it turned out the person who found it was named “Shea.” That person in turn has placed it somewhere else.
A stone that was placed in Annapolis, Md., made its way to Washington state. Another went on to Guatemala. The stories abound.
Curious, talented and beloved
Remembering her brother, Emma noted that she was eight years Shea’s elder, so her relationship was more of a mothering overseer.
“He knew how to make things interesting,” Emma said. “His adventurousness challenged us in the best ways.”
She described him as very, very bright and an incredible musician, easily learning and surpassing anything she had to teach him about music.
Shea was so musically gifted, the family recalled his eighth-grade graduation ceremony from the Lee H. Kellogg School when music teacher Brook Martinez paid tribute to Shea’s piano talents by performing Billy Joel’s “Piano Man,” with appropriately adjusted lyrics. The audience cheered.
Closer in age to Shea, with four years between them, Grace said that he was an overall good brother, although they messed with each other as much as they could.
Shea could solve a Rubik’s Cube in 48 seconds, his dad recalled.
“We knew he would be remarkable.” Enjoying a vast circle of friends, Doug said that Shea was bright and curious, and able to converse easily with adults.
“He did his research,” his dad said.
“Shea took the time to hear and understand other points of view,” his mother added, remembering several instances of Shea’s demonstration of innate empathy.
The Cohns are now also involved with the Boston-based New England Donor Services (NEDS), having discovered that Shea had volunteered to be an organ donor, even before he had earned a driver’s license. As a result, seven recipients have benefited from Shea’s organs and tissue. All seven have received Shea Stones and have placed them somewhere. A Shea Stone now rests by the sign at the NEDS entrance.
To learn more about Shea Stones, go to www.sheacohn.com.
TORRINGTON — Joan Jardine, 90, of Mill Lane, passed away at home on Oct. 23, 2025. She was the loving wife of David Jardine.
Joan was born Aug. 9, 1935, in Throop, Pennsylvania, daughter of the late Joseph and Vera (Ezepchick) Zigmont.
Joan graduated from Harding High School.
She was a working artist for much of her adult life, starting her career studying plein air impressionist oil painting at the Cape Cod School of Art. Her work evolved to include a more representational style, and eventually a large body of abstract pieces. Her award-winning work has been shown in galleries and juried art shows throughout southern New England.
She is survived by her daughter Leslie and her husband George, brothers Joseph, Victor, and their families, nephews Gregory, Christopher, and their families, daughter-in- law Huong, and the extended Jardine family. She was predeceased by her son Douglas, and brother Michael.
A memorial service will be held at All Saints of America Orthodox Church, 313 Twin Lakes Road, Salisbury, Connecticut on Thursday, Oct. 30, at 10 a.m. Memorial contributions may be made to the All Saints of America Orthodox Church, PO Box 45, Salisbury, CT 06068.
The Kenny Funeral Home has care of arrangements.
The ofrenda at Race Brook Lodge.
On Saturday, Nov. 1, the Race Brook Lodge in Sheffield will celebrate the Mexican Day of the Dead: El Día de los Muertos.
Mexican Day of the Dead takes place the first weekend of November and honors los difuntos (the deceased) with ofrendas (offerings) on an altar featuring photos of loved ones who have passed on. Elements of earth, wind, fire and water are represented with food, papel picada (colorful decorative paper), candles and tequila left for the beloved deceased. The departed are believed to travel from the spirit world and briefly join the living for a night of remembrance and revelry.
Music and events programmer Alex Harvey has been producing Día de los Muertos at Race Brook for the past three years, and with the closing of the venue looming, the festival takes on a deep and personal meaning.
“The anchoring gesture of Race Brook, long before I arrived on the scene, has always been to cultivate a space that thins the veil between the worlds. Something otherworldly is hiding in the mountain’s towering shadow: the whispering spring-fed stream, the dense lineage that founder Dave Rothstein brings, the woodsmoke that rises every night of the year from the firepits. This space communes with the spirits,” said Harvey.
“And so we cradle a special ache in our hearts as the leaves turn and the beautiful dance of Race Brook’s project of cultural pollination draws to a close. Fitting, then, to return for one last activation — Día de Los Muertos — a celebration of the end of things. A remembrance of those who’ve made the transition we are all destined for, but also a time when we honor many types of loss. And while we will all mourn those who aren’t there in the flesh, we will also, with humility, come as mourners for the space itself,” Harvey continued.
The event will be a night to remember, to celebrate and to release with ritual, music, and communal remembrance. Participants are invited to bring photos, talismans and offerings for the ofrenda (offering), as well as songs, poems or toasts to share in tribute to loved ones who have passed.
Mexican American musicians Maria Puente Flores, Mateo Cano, Víctor Lizabeth, Oviedo Horta Jr. and Andrea from Pulso de Barro, an ensemble rooted in the Veracruz tradition of son jarocho, will be performing.
Translating to “Pulse of the Clay,” their name reflects a deep connection to the earth and to the living heartbeat of culture itself. Through a synthesis of Mexican, Cuban, Venezuelan and Puerto Rican traditions, Pulso de Barro merges poetry, rhythm and communal song as pathways to coexistence with nature. Their performances feature the jarana and leona (stringed instruments), quijada, cajón, maracas, and marimba (percussion), the tarima (percussive dance platform) and a call-and-response of folk and original versadas.
The evening begins at 6 p.m. in the Barn Space with a Fandango de los Muertos featuring Pulso de Barro, a Race Brook favorite. At 8 p.m., the Open Mic for the Dead invites guests to speak directly into the spirit world — through word, music or memory. The night culminates at 10:30 p.m. with a Fandango for the Dead, a participatory music and dance celebration. Bring your instruments, your voices and your dancing shoes.
Race Brook Lodge is a unique rustic getaway destination for relaxation, hiking, live music, workshops, weddings and more. Sadly, it will be closing for good later in 2026, ending a storied chapter of Berkshire music, art, culture and well-being.
Come experience an evening that honors lost loved ones and the end of a Berkshire institution. The cycle of life endures. Surely, resurrection is in the cards for Race Brook Lodge.
For Tickets and info, visit: rblodge.com
Canyon de Chelly (1904) – Seven Navajo riders on horseback
At a time when questions of representation, cultural legacy and historical narratives are at the forefront of public conversation, the Norfolk Library’s upcoming screening of the award-winning documentary “Coming to Light” offers a timely opportunity for reflection.
The event will be held on Thursday, Nov. 6, at 5:30 p.m., and will include a post-screening discussion with the film’s director, Lakeville resident Anne Makepeace.
“Coming to Light” offers a deeply researched, visually rich portrait of photographer Edward S. Curtis, whose early 20th century mission to record Native American life resulted in tens of thousands of images, sound recordings and texts.
But the film goes beyond biography, critically examining Curtis’ romanticized vision of Native American life and engaging with the descendants and communities whose lives and traditions the photo archives continue to affect.
Between 1896 and 1914, Curtis photographed over 80 tribes from Arizona to Alaska in an effort to capture Native American cultures he feared were disappearing..
“Curtis saw cultural genocide going on, and he feared these cultures would disappear,” Makepeace said. “He wanted to show these people are still here and these traditions are still happening.”

In the late 1990s, when Makepeace was developing her film on Curtis — about a century after he had started his photographic work — she wanted to see how present-day Native Americans felt about his photographs. She found that while academics had long derided Curtis’ work as extractive, colonialist, and often staged, most Native Americans she spoke with were overwhelmingly appreciative of his work. In fact, some of Curtis’ photographs ultimately helped certain tribes revive specific ceremonies.
“Coming to Light” premiered at the Sundance Film Festival, was shortlisted for an Academy Award in 2000, and was later aired on PBS’ “American Masters” in 2001. As the documentary nears its 25th anniversary, Makepeace reflected on the significance of the film and its lasting impact.
“The film shows the beauty and resilience of these cultures and the diversity of each of the varied tribes that were documented,” she said.
At a time when cultural preservation, national identity and documentary ethics are more important than ever, Makepeace said she believes the film’s message remains especially relevant in 2025.
For further details on the screening and to reserve a seat, visit: norfolklibrary.org/events/documentary-film-coming-to-light/
To see more of Makepeace’s work, visit: makepeaceproductions.com/index.html