NORTH CANAAN — A sold-out crowd dressed to the nines attended a Gratitude Gala at the Colonial Theatre on Saturday, April 27 hosted by the Housatonic Youth Service Bureau (HYSB) honoring Lisa Carter, who is retiring next month as superintendent of the Region One school district.
During the second annual event, which featured cocktails and conversation, live and silent auctions and dinner and dancing, Carter was awarded the Nancy Bird and Linda Sloane Gratitude Award, named to honor two esteemed past board chairs.
Ashley Adkins, HYSB’s director of donor engagement, noted that the award, which was introduced during last year’s inaugural event, “profoundly expresses our commitment to honor those who exemplify our mission, vision and values…and Lisa certainly does all that.”
Taylor Rousseau, director of clinical services and programs for HYSB, with her parents, Dawn and Ron Rousseau.Debra A. Aleksinas
In announcing this year’s award recipient, the HYSB noted, “Lisa’s transformative leadership has shaped the educational landscape of our community, leaving a lasting impact on students and families alike.”
The Gratitude Award, which honors “those who have gone above and beyond in nurturing the well- being and potential of our youth,” according to HYSB, came as quite a surprise, said Carter, a former board member.
“I was so overwhelmed when I got the call from Kelly,” she said, referring to HYSB Executive Director Kelly Parker.
“I’ve worked with them in some capacity since I was a high school teacher and got to know the organization over time. They really care about our students and our district and they are a valuable part of our community.”
As she spoke, a steady stream of folks stopped by to offer congratulations and wish her well in her future endeavors.
Betsy Trotta and Alex Duncan of Salisbury check out the items up for auction.Debra A. Aleksinas
Although Carter is retiring from Region One, she said she will be taking on the role of Assistant Executive Director at EdAdvance in Litchfield. “I am looking forward to it. It will be a full-time commitment but will not demand as much of my time.”
Parker, who greeted guests as they entered the historic theater’s lobby via the red carpet, noted that all proceeds benefit HYSB’s clinical programs and services supporting the community’s youth and families.
“This is our biggest fundraiser of the year,” she explained, and all proceeds benefit HYSB’s clinical programs and services supporting the community’s youth and families.
Debra A. Aleksinas
The Ram Miles band entertained guests who mingled for conversation and cocktails in the main theater, while upstairs in the grand ballroom, the Steve Dunn Band had attendees dancing the night away.
Want more of our stories on Google? Click here to make us a Preferred Source.
Marge Parkhurst with a collection of historic nails recovered from wall cavities during restoration work.
“At first it just looked like old paint,” said Parkhurst, who has been painting and restoring historic homes in Litchfield County for decades. “Until I realized it was a stencil, a beautiful pattern that repeated.”
She kept going carefully — a wet sponge, hot water, a little fabric softener — peeling back until she could see it clearly. A climbing vine emerged, applied in vertical runs to give the wall the look of wallpaper. Someone had signed it. The signature was faint, tucked above the baseboard in the corner, not fully legible. But the date was clear: 1870.
Parkhurst, owner of Cottage & Country Painting Co., has worked in enough old houses to develop a practiced eye for what they conceal — understanding that layers of paint, paper and plaster in a 19th-century New England home form a kind of compressed archive of the people who lived there.
The stencil bore a strong resemblance to what historians call Moses Eaton-type stenciling — a tradition of itinerant craftsmen who traveled New England in the early 1800s with portable kits of cut-pattern stencils. Their trade flourished because imported wallpaper was expensive. Stenciling offered the same visual effect at a fraction of the cost.
“These stencilers typically worked for a combination of cash, food and lodging,” Parkhurst said. “Their compensation was modest by any standard.” She paused, “He was a tradesman. But the work he left behind — that’s art.”
The vine pattern was dull with age but still legible. One section had survived intact beneath the layers of paper. The homeowners chose not to paint over it — instead building a wooden frame around it, a small window into 1870.
“Preservation means protecting something to prevent further deterioration,” she said. “Restoration means returning something to a previous state. In that room, we preserved what was there.”
This bottle is from the Hartmann Brewing Company of Bridgeport, CT, found inside a wall of a former railroad outbuilding relocated from Canaan to Colebrook CT. The bottle was sealed with a glass stopper held by a wire, inside was a grocery list written on the back of an envelope postmarked 1915. Photo courtesy of Marge Parkhurst/Cottage & Country Painting Company
A Station’s Secrets
Not every discovery is decorative. Some are written into the bones of a building.
Parkhurst’s own home in Colebrook is a former railroad outbuilding moved from Canaan in 1920. Scraping the trim revealed it had once been sage green — and beneath that, a warm orange-brown soaked into the wood grain. “Old paint was made more like a stain back in the 1800s,” she said. “It penetrated the wood rather than sitting on top of it — so there’s never a shine.”
Up in the attic, eye bolts still anchored in the framing mark where cables stabilized the building during its move a century ago.
The most memorable find came by accident. Cutting open a wall under the stairs, she found a clear glass bottle sealed with a glass stopper held by a rusted wire. The label read: Hartmann Brewing Co., Bridgeport, Conn. It took days of careful oiling to free the stopper. Inside: a handwritten list of sandwiches and drinks, a postage stamp still attached. Not treasure. But a treasure just the same.
“I worked for days to get that thing open — and it was just somebody’s lunch order.”
Newspapers stuffed into wall cavities, hand-wrought nails, paint layers thin as stain — over 50 years, Parkhurst has cataloged the details that tell a trained eye when a house was built and by whom. Litchfield County’s architecture is unusually varied: Georgian and Federal-style houses on Litchfield’s Main Street, industrial buildings along the rivers in Torrington and Winsted. “Each town has its own fingerprint,” she said.
The most consequential mistake she sees is changing a home’s character. “When you paint over stained woodwork, you hide the details. You can’t get them back.” She has talked more than a few owners out of it. Some have listened.
Not long ago, Parkhurst and her grandchildren gathered a few small objects, wrote a letter and tucked it into a wall of her Colebrook home. Someone will find it — a record of people who were once here.
“Walls still surprise me,” she said. “If you look hard enough, you can find buried treasure.”
In a county full of houses whose walls hold untold stories — stenciled by traveling tradesmen, nailed together by farmers, papered over by housewives following the fashions — Marge Parkhurst has spent a lifetime reminding us that history doesn’t only live in museums. Sometimes it’s hiding just behind the wallpaper.
Marge Parkhurst is the owner of Cottage & Country Painting Co. She can be reached at marge@cottageandcountryct.com or 860-379-4748.
Sarah Belzer is a writer, editor and creative director whose career has crossed journalism, advertising, film and cultural commentary. Managing Editor of The American Rant and founder of Jump Advertising, she has spent three decades shaping narratives for media and national and global brands.
Want more of our stories on Google? Click here to make us a Preferred Source.
