It’s better when you make your own beef stock at home

Photo by Cynthia Hochswender


About five years ago the world decided that bone broth was a magical elixir that could help cure our most serious afflictions (which at that time mostly seemed to amount to wrinkles and joint pain).
Well, the world is a different place now and we have different health priorities, but of course wrinkles and joint pain continue to plague many of the world’s inhabitants.
The sad truth is that bone broth doesn’t actually help with those superficial but still annoying ills, at least according to the Harvard Health website. And oddly, there doesn’t seem to be any research that supports bone broth as a healthy part of your diet; and yet, it seems impossible that it wouldn’t be good for you.
If nothing else, there is at minimum something to be said for having hot, satisfying homemade food in the cold winter months.
Holiday kitchen wish list
In a sense, this is also a last-minute holiday shopping story, because making bone broth (or beef stock, as it is also known) involves my four most beloved kitchen tools, all available in a range of price points both online and at area big box stores. Any chef who doesn’t have these yet will deeply appreciate a small digital scale (the Escali Primo is reliable and easy to operate) at about $25; a digital thermometer (the Lavatools Javelin used to be cheaper but is now $26 and extraordinarily helpful); a really good knife (for Christmas I received and am already using a Victorinox bread knife, which I use on everything including meat); and a large Instantpot, which I scoffed at originally but which I now use almost daily. Since you’re probably reading this on Christmas Day or after, think about obtaining these if you end up making an exchange somewhere and have credits to use up.
Why bother?
If you’re going to go to the trouble to make beef stew or short ribs or a thick enriching winter soup, you need a good stock at the base, to make it richer and tastier and more unctuous — and healthier — even if for no other reason than that it will have no preservatives and probably less salt than packaged stock.
Stock is expensive and takes a long time, but it’s worth the effort. And if you have an Instantpot, the time is much shorter and your stock will be much richer. The two basic reasons are that steam doesn’t escape an Instantpot; and supposedly the broth doesn’t boil as hard and get agitated and cloudy.
The best bones to buy
The recipe for this stock is online at www.kitchn.com, and it also provides directions on how to make stock without an Instantpot. I made three versions of this stock and found that I like to use much less water for a richer, more concentrated broth (which will take less room in my freezer and which has a delightful solid jelly texture).
The basic recipe calls for 2 pounds of beef bones, but I bought about 7 pounds, for $115. I could have been fine with 3 pounds, but you do want to get a good variety. LaBonne’s market in Salisbury had for sale the trifecta of essential stock bones: ox tail, short rib and osso bucco or shank. Sharon Farm Market in Sharon, Conn., also has a large freezer case full of these essential broth bones.
Because I bought twice as many bones as I needed, I now have enough broth to last me for two years. I wanted the mix of different bone types, though; if you want to get all the bones but don’t think you’ll need as much broth, maybe share with a friend.
Roast & boil
Rinse off 3 pounds of bones, pat them dry with a paper towel and then roast them on a foil-lined baking sheet for about 45 minutes at 400 degrees. You can do this a day or two before you make the stock. You can weigh the bones on your handy Escali scale if you can’t figure out the weights from the label on the meat package.
I left the bone on the meat when I roasted it, and after it was done, I sliced off the delicious short rib and osso bucco meat after roasting and before the next step.
Put the bones in the Instantpot with 6 cups of water (use filtered water if your tap water has a mineral or bleach-y or sour taste; your broth is only as good as your water). Add three tablespoons of cider vinegar (or white wine vinegar is fine; it’ll cook off).
Put the Instantpot on “saute” and “high” for 30 minutes. Skim off any foam from the top and wipe it on a paper towel and dispose of it as it cooks. You want a super clear broth with no impurities in it.
Pressure cook for hours
Next, put the lid on and close the steam vent. Set the cooker to pressure cook/high/2 hours. It will take about an hour to reach high pressure, so add that to your 2-hour timetable.
While you’re waiting for the broth to cook and cool, peel two carrots and cut them in half; and peel and quarter one and a half modest-sized onions.
After it completes its two hours, you’ll want to let it come down to pressure naturally; do not try to release the steam or you could end up with a geyser of hot liquid shooting out of the pot at you.
When the pressure release valve drops, add the vegetables, then close up the cooker and set it again to pressure cook/high/2 hours (be sure as always that the vent is closed). When it’s done, again, let the pressure release naturally.
Straining the broth
You’ll want to have a lot of ice ready; and if you have a cold porch, this is the time to use it as a kitchen annex. It’s essential for you to cool off the broth as quickly as possible. You can’t put it in the fridge until the broth is down to about 60 degrees, though, or it will just heat up your refrigerator (yes, this really happens).
Take a large bowl and put in about 2 inches of ice and cold water. Put a large bowl in the ice. Put a mesh strainer in the bowl and add some cheesecloth on top of that (yes, we are fighting hard against impurities).
Do not pour your broth into the bowl. First, gently lift out the bones and veggies and put them in a separate bowl.
Then, gently ladle the stock into your bowl/strainer/cheese cloth. Do not pour it; the weight of the liquid will force impurities through your cheesecloth and your mesh. It’s tedious but, if you’ve come this far already why ruin it in the last steps?
Gently lift the strainer and cheesecloth out of the broth bowl and throw them away. Then stir the thick brown liquid in your bowl. If you can, take the broth bowl and its partner ice bowl and put them in your cold porch. It will now take two or three hours for the broth to come down to about 60 degrees.
Stir the broth every 20 minutes or so. You’ll know it’s ready when you’re able to easily scoop the fat off the top. You can also dip your digital thermometer in the liquid and get an instant readout on the temperature.
Storing it for the winter
Gently pour your broth into a large rectangular storage container or a large bowl that you can cover, and put it in the refrigerator overnight.
In just a few hours, your broth should set to a nice solid wobbly gelatin.
Spoon your gelatin into several small storage containers that you can keep in the freezer until you need them. If it’s really nice and solid, as it should be, you can gently turn your container over onto a cutting board.
If you used a rectangular container you will find it’s easy to cut this broth up into individual slices that you can put in containers and freeze. A 3-inch slice is a good amount for stew for two or three people.
Once the bones have cooled, you can pick the tender beef off the oxtails and make sandwiches with it.
You can also marinate your short ribs and cook them with your new broth — in your Instantpot, if you have one, or in whatever cooking vessel traditionally works best for you.
Lakeville Journal

Join The Lakeville Journal for a community celebration, featuring local nonprofits and businesses, festive family fun, great food, and engaging activities.
Danny Tieger | 11am - 12pm
John Keilty/Johnny Rox | 1-3pm
Face Painting
Scavenger Hunt
Balloon Animals
21st Century Fund for HVRHS
Berkshire Taconic Community Foundation
Community Health & Wellness Center
Congregational Church of Salisbury, UCC
The Corner Food Pantry
Crescendo
Housatonic Child Care Center
Noble Horizons
Nuvance Health (Sharon Hospital)
Project SAGE
NW Connecticut Community Foundation (Women & Girls Fund)
Salisbury Association
Salisbury Affordable Housing Commission
Salisbury Housing Committee
Salisbury Housing Trust
The Salisbury Forum
Western Connecticut Area Agency on Aging
Cousins Maine Lobster food truck
The Taco Shack
LaBonnes’ Market
Provisions at The White Hart
Sweet William’s
See you at the Lakeville Journal Street Fair!
If you have any questions, please email streetfair@lakevillejournal.com

Natalia Zukerman
Sam Lardner and Barcelona will play a benefit for Vecinos Seguros 2 at Salisbury Congregational Church on Friday, July 24.
On Friday, July 24, musician and educator Sam Lardner and his band, Barcelona, will take the stage at Salisbury Congregational Church for a benefit concert supporting Vecinos Seguros 2, an all-volunteer organization that provides emergency assistance and rapid-response support to immigrant families in Northwest Connecticut affected by U.S. Immigration and Customs Enforcement activity.
Lardner, who attended and later taught at The Hotchkiss School in Lakeville before moving to Spain in 1997, still considers the Northwest Corner his home in the United States. “It’s such a special place,” he said.
After years as a touring singer-songwriter on the New England folk circuit, fronting a country band in Spain and releasing multiple albums, Lardner eventually stepped away from music as raising four children and paying for their college tuition became his priority. He returned to education full time but never abandoned music entirely, continuing to perform whenever he could.
Now, with his children grown, Lardner has returned to the stage with a renewed sense of purpose. Through his Varroomba! project, music has become more than entertainment. It is a fundraising engine, a way to build community and a vehicle for supporting organizations responding to urgent needs.
Instead of charging organizations to host concerts, Lardner raises money ahead of time through his community of fans. The proceeds cover recording costs, musician salaries and travel, allowing each concert to become a fundraiser for the host organization.
“I call the venues and say we’re coming, and we don’t cost any money,” he said.
There are three levels of Funding Fans: Wunderfans, who contribute $50 or more; Virtuosi, who give $1,000 or more; and Gamechangers, who donate $3,000 or more. Through this model, Lardner has raised $27,000.
This year’s six-piece ensemble spans three generations and includes Lardner’s son Jackson, along with veteran members of the band and two younger musicians from Spain.
Lardner said the concert in Salisbury will be joy-filled. After finding himself overwhelmed by headlines while living overseas, he shifted his focus from writing topical songs to performing music that offers hope.
Lardner said conversations with organizers have shaped the tone of the evening.
“We talk through the events with each organizer,” he said. “What do we want to do here? Are we raising awareness? Are we raising funds? Are we doing both? Are we celebrating community? This one is among the most mission-driven because the need is so immediate.
Vecinos Seguros 2 was launched earlier this year as federal immigration enforcement intensified across Connecticut. Building on the work of the original Vecinos Seguros network, the organization mobilizes volunteers to accompany immigrant families, provide emergency financial assistance, connect residents with legal resources and strengthen neighborhood support systems. Leaders say requests for help have grown sharply in recent months as fear of detention has increased.
Although the subject is serious, Lardner hopes the evening itself will be joyful.
“With music, the afterglow is much longer and more powerful,” he said. “It’s all about these groups and what they’re trying to do.”
If the inaugural Varroomba! tour succeeds, Lardner hopes to double its impact next year.
“We’re doing 15 causes this summer,” he said. “I’d like to do 30 next summer and just keep growing it.”
The concert begins at 7 p.m. Friday, July 24, at Salisbury Congregational Church. Proceeds benefit Vecinos Seguros 2. Tickets are available through Eventbrite at https://bit.ly/4vvfVYO. For more information on Varoomba!, visit varroomba.org
Lucia Iandolo
Karina Powers teaches traditional dances from Mexico in Millbrook.
This is an art and the arts unite nations.
—Karina Powers
Karina Powers began dancing at 4 years old. A professional dancer, singer, performer and Mexican folklore dance professor from Baja California, Mexico, she is the youngest of three sisters who were all involved in the arts. Powers now teaches traditional Mexican dances to adults through her company, Compañía De Danza Folklórica Regional Mexicana, in Millbrook. She said she has a strong passion for the history and art that exist within the dances she teaches, and she hopes to instill that passion in her students.
“Many of them have never danced this type of dance,” said Powers. “They’re from Mexico, but they came to the United States at a young age to work. They have that dream to learn, and now they have this opportunity.”
Powers received a master’s degree in Mexican folklore dance from Escuela de la Danza in Baja California, Mexico. Since moving to the United States, she has built a career in performance and teaching. She has not only served as a dance director and performed as a professional vernacular music singer in California, but she has also worked towards her Doctorate, which she will receive in October.
As the founder of her company, Powers works tirelessly to make sure her dancers have everything they need, including costumes, proper flooring, music and a space to practice. Her husband built wooden panels, called tarimas, for students to dance on with their folklórico shoes. Millbrook Mayor Peter F. Doro allows Powers and her group to practice in Millbrook Hall, where she brings the tarimas to every practice along with costumes and proper footwear.
Powers dreams of owning her own studio where she can practice with her group, offer more classes, store costumes and create a space for her dancers to do their hair and makeup before performances. She said she hopes people learn about her classes so her company can grow and she can teach dances from a wider range of Mexican states while having greater access to traditional dress.
As a single mother and professor, Powers’ mother, Carmen Méndez, put her children in dance classes and signed them up for track and field, always keeping them goal- and career-oriented. She helped Powers with her company by creating all of the costumes her dancers wear in their performances. After her mother’s death in 2021, Powers said she has dedicated herself to carrying forward the passion, work ethic and love of dance her mother instilled in her.
“I miss her terribly, and I’m here because of her,” Powers said. “That’s why I want to do this, because of her. She gave me a lot, with the costumes, with her support. I do it for my mom.”

Dancers in Powers’ group are dedicated to learning the art of dance from different states in Mexico on Tuesday and Friday nights at Millbrook Hall. They travel from many different places in New York to participate, with some dancers traveling more than an hour to make it to rehearsal each week.
“It’s a lot of work, but they learn it. I believe they love it, and it’s a way to come together, to do something good, to do something healthy, and to have people around you who appreciate this kind of art,“ Powers said.
Powers has studied with professor Eloy Jiménez Figueroa since childhood and said his mentorship inspired her to become the teacher she is today. She added that while she may not be the best teacher, she learned from the best.
While living in California, Powers taught elementary, high school and college students, as well as adults. She was recruited to teach traditional Mexican folkloric dance because of the region’s large Mexican community. Today, she encourages people of all backgrounds to explore the rich traditions of Mexican dance.
“This type of dance is not only for people from Mexico,” Powers said. “This is an art and the arts unite nations.”
Powers hopes to continue sharing that art in Millbrook and one day teach in the Millbrook Central School District. Powers and her group will perform at the Millbrook Library on Nov. 21, presenting traditional Mexican dances and inviting audience members to participate.
As a professor, dancer and singer, Powers stays grounded by believing in something greater than herself. She says that praying and putting herself in the hands of God has helped anchor her. She hopes to teach and dance for as long as her body allows.
“My mom, for me, is an angel. I put myself in her hands, and I have faith,” Powers said. “I have faith that God, or something good, is going to be there for the group and for myself.”

Want more of our stories on Google? Click here to make us a Preferred Source.
D.H. Callahan
Bucky Pizzarelli and Brandon Goldberg at the Litchfield Jazz Festival in 2017.
The Litchfield Jazz Festival opens its 2026 season on Friday, July 24, at the Frederick Gunn School in Washington, Connecticut. The evening will feature a gala and a concert led by saxophonist Don Braden featuring the Litchfield Jazz Fest Dectet.
The festival began in 1996 and has been going strong ever since. The list of past performers reads like a who’s who of modern jazz greats, including Christian McBride, Soulive, Joshua Redman, Dave Douglas, Brad Mehldau and John Scofield, all of whom helped revive the genre for a new generation of fans at the turn of the millennium. Vocalists like Diana Krall, Dionne Warwick and Dr. John have made appearances as well. And, of course, the festival has been graced by established masters like saxophonists Sonny Rollins and Wayne Shorter; guitarist Bucky Pizzarelli; bassist Rufus Reid; drummers Roy Haynes and Tito Puente; the Preservation Hall Jazz Band; and pianists Dave Brubeck and local legend Ahmad Jamal.
Jamal, who died in April 2023 at his home in Ashley Falls, Massachusetts at the age of 92, was a pioneering jazz pianist. His minimalist style inspired generations of jazz greats, including Miles Davis, who wrote in his autobiography that Jamal “knocked me out with his concept of space, his lightness of touch, his understatement, and the way he phrased notes, chords and passages,” and is widely cited as saying, “All my inspiration comes from Ahmad Jamal.”
Jamal’s performance came at the inaugural festival back in 1996, one year before the Litchfield Performing Arts nonprofit group undertook its next serious foray into the genre by opening the Litchfield Jazz Camp. Now celebrating its 30th anniversary, the camp has been an incubator for enthusiastic jazz musicians of all ages. Vita Muir, founder and executive/artistic director of Litchfield Performing Arts since its founding in 1981, said the youngest camper was 9 years old, while the oldest was in his 80s. Today, more than 300 students attend the camp as boarders or day campers during its four weeklong sessions. The goal is to make each camper become a better version of themselves through jazz, camaraderie, confidence-building and other intangible methods.
The jazz world used to have a strong built-in mentorship mentality. Younger players would get picked up by more experienced musicians to play with their bands. John Coltrane famously played with Miles Davis before striking out on his own. But today, with fewer and fewer jazz performance spaces, that pattern of mentorship has drastically subsided. The camp works in part to rebuild that tradition. “First the teachers hire the students, then the students hire the teachers,” stated Muir in a recent interview.
That relationship between the camp and the festival will be in the spotlight Friday night following the opening gala. Led by Don Braden, the Litchfield Jazz Fest Dectet features musicians who have deep connections to the camp as students, teachers or both, including drummer Anton Kot, a recipient of Juilliard’s Tito Puente Scholarship Award.
At its essence, of course, the festival is about great jazz. In that spirit, a dizzying lineup of contemporary greats will take the stage throughout the weekend, including the Steve Davis Sextet, the Paul Bollenback Quintet and the Curtis Brothers Trio on Saturday, as well as the Steve Kortyka Sextet on Sunday.
For a full schedule and tickets, visit litchfieldjazzfest.com
Jack Sheedy
Danny Saed, assistant director of “Pinocchio”; his mother and co-founder of Grumbling Gryphons Leslie Elias; theater arts camper Joyce Sun; artist and counselor Natalie Resto; and Steven Sun, Joyce Sun’s father.
Leslie Elias wants you to understand something about the group she calls Grumbling Gryphons Traveling Children’s Theater: “I like to say that we try not to grumble.”
For 46 years, she has used the nonprofit to educate and entertain children in the performing arts. Summer after summer, young campers learn about acting, singing, mask-making, costume-making and scenery painting. This year, as in years past, a five-day theater arts camp will culminate in a live performance of one of Elias’ original plays, guaranteed, she hopes, to quell all grumbling.
Elias co-founded Grumbling Gryphons in 1980 with Vanessa Roe and Nicholas Jacobs. Mask-maker Robert Flanagan, known for his work with the Muppets and for designing props for the Broadway production of “Oz,” suggested the name Gryphons, a reference to mythological beasts that are part eagle and part lion. Jacobs liked the idea and added “Grumbling,” mainly for alliteration.
A gryphon, Elias said, is “not a negative thing. It’s the guardian of treasure. I like to think of it as guardian of a treasury of stories.”
Registrations are being accepted for children ages 6 to 14 for the theater arts camp that will begin July 27 and end with a July 31 performance of “The Adventures of Pinocchio,” Elias’ adaptation of the classic tale. Children will work with a team of professional actors, musicians and visual artists, Elias said. She will direct the performance, with assistance from her son, Daniel Saed.
Elias has been a storyteller all her life. “My mother was an important influence. She started a nursery school when I was a kid. I helped the younger kids. I would tell them stories, and we would act out plays. My parents were always taking me to theater and concerts, and so that had a profound influence on my life.”
Her many accolades include the Connecticut Office of the Arts’ 2018 Arts Hero Award and The Northwest Connecticut Arts Council’s 2018 CultureMAX Award for Arts Educator.
Millerton resident Jane Wood said that she joined the theater arts camp when she was 8 years old. Now 15, she is an assistant counselor, engaging with new and veteran campers. “If you’re an older camper, you might have a more advanced role with a bunch of lines, but in the ensemble, you’re doing a lot of singing and a lot of dancing,” she said. “Some people have like one or two individual lines throughout the performance.”
In past years, Wood has had featured roles in the camp performances, including the Queen of Hearts in “Alice in Wonderland.” This year her role is keeping younger kids entertained, she said.
Wood said she has learned a lot from Elias. “I learned how to organize a group of people. Sometimes it is not very pretty, but when it does get done, it is beautiful.”
On July 4, Natalie Resto marched with the Grumbling Gryphons in the parade in Cornwall Village. “One of my main jobs that I do for Leslie is helping with illustrations for logos and flyers, as well as helping assist in props and costumes,” Resto said. For “Pinocchio” she will help create props that can be tailored for indoor or outdoor use.
“I come up with different kinds of art activities that the children will get to participate in during the theater camp,” Resto said.
The five-day camp and performance will mark the start of a summer filled with dramatic productions by Grumbling Gryphons throughout New York and New England. “The Myth of Persephone,” one of Elias’ earliest and ever-popular plays, will be performed Aug. 8 at Stissing Center in Pine Plains. “Anansi-The Trickster Spider: A West African Folktale” will be performed Aug. 15 at the Harwinton Fairgrounds. Both performances will begin at 11 a.m., preceded by a pre-performance dramatic workshop at 10 a.m.
“I love working with children,” Elias said. “I love empowering children, giving them an opportunity to work as a team, make new friends, have fun and have input into our plays. It’s not just putting on the perfect play or the perfect show; it’s about co-creating and contributing to the whole.”
The public performance of “The Adventures of Pinocchio” will take place July 31 at Grumbling Gryphons headquarters at 29 Lake Road, West Cornwall. The rain location will be at Housatonic Valley Regional High School, 246 Warren Turnpike Road, Falls Village.
To register a child for the theater arts camp, or to learn more about this summer’s activities, visit www.grumblinggryphons.org, email Leslie Elias at grumblinggryphons@gmail.com or call 860-672-0286.
Bobby Graham & Matthew Marden
Sea bass and shrimp gumbo
Each month, Dugazon owners Bobby Graham and Matthew Marden share a recipe inspired by the traditions, stories and sense of welcome at the heart of their shop in Sharon, Connecticut. Visit Dugazon at 19 W. Main St. Wednesday-Sunday, 11 a.m. to 5 p.m. and online at dugazonshop.com.
This month we’re sharing one of our favorite comfort foods: sea bass and shrimp gumbo. While gumbo has a reputation for being a labor of love, this version skips the traditional roux, making it surprisingly approachable. The ingredient list may seem long, but once everything is prepped, it comes together quickly, rewarding you with a rich, flavorful bowl that’s perfect any time of year. Many of the pantry staples you’ll need for this recipe can be found right here at Dugazon.
For Bobby, gumbo brings back fond memories of annual visits to his grandparents in Louisiana, where every trip revolved around the kitchen and the table. His grandfather’s gumbo was always a highlight.
We hope this recipe brings a little Louisiana warmth to your table and becomes a favorite in your home, too.
Adapted from “Big Easy Seafood Okra Gumbo” in Emeril’s “New New Orleans Cooking.”
Ingredients
•2 tablespoons olive oil
•1/2 cup chopped onion
•1/4 cup chopped celery
•1/4 cup chopped green bell pepper
•1/4 cup chopped red bell pepper
•1/2 jalapeño, chopped
•1/2 tablespoon salt
•1/4 teaspoon freshly ground black pepper
•1/2 cup seeded and chopped Italian plum tomatoes
•2 tablespoons minced garlic
•1 tablespoon minced shallots
•2 quarts fish stock (store-bought or frozen)
•1/2 pound sea bass, cut into 1-inch cubes, skin removed
•1 teaspoon Worcestershire sauce
•1/2 teaspoon Crystal Hot Sauce (available at Dugazon)
•6 bay leaves, fresh or dried
•1 tablespoon minced fresh basil
•1 teaspoon minced fresh oregano
•1 teaspoon fresh thyme leaves
•12 fresh okra, sliced
•1 teaspoon cornstarch
•2 teaspoons Tony Chachere’s Cajun Seasoning (available at Dugazon)
•1/2 pound peeled medium shrimp (Guido’s fresh Gulf shrimp is a favorite)
•2 to 4 cups cooked white rice
•1 cup chopped green onions
Equipment
•Large soup or stock pot
•Wooden spoon
•Rice cooker or saucepan
•Soup or gumbo spoons
Preparation
The cooking times are important to the texture and flavor of the finished gumbo.
•Heat the olive oil in a large pot over high heat. Add the onion, celery, green and red peppers, and jalapeño. Sauté for 1 minute. Add the salt and pepper and cook for another minute. Stir in the tomatoes, garlic and shallots and cook, stirring occasionally, for 4 to 5 minutes.
•Add the fish stock, sea bass, Worcestershire sauce, Crystal Hot Sauce, bay leaves, basil, oregano and thyme. Bring to a boil and cook over high heat for about 8 minutes, stirring occasionally. Reduce the heat to medium.
•Stir in the okra and Tony Chachere’s Cajun Seasoning. Simmer for 15 minutes, skimming any foam from the surface as needed. Raise the heat to high and cook for 5 minutes. Add the shrimp, reduce the heat and simmer for 5 minutes. Stir the cornstarch into the gumbo and cook, stirring constantly, for 2 minutes to slightly thicken. Remove from the heat and taste before adjusting the seasoning.
•To serve, ladle about 1 1/2 cups of gumbo into each soup bowl and top with about 1/2 cup cooked rice. Garnish with 1 to 2 tablespoons chopped green onions. Serve with crusty French bread and butter.
Make-Ahead Tip
The gumbo can be made one day in advance, refrigerated and gently reheated before serving. Cook the rice the day you plan to serve it. Like many stews, the gumbo is even better the next day after the flavors have had time to meld.

Want more of our stories on Google? Click here to make us a Preferred Source.

Want more of our stories on Google? Click here to make us a Preferred Source.