The key to a perfect tortilla: steaming

Photo by Cynthia Hochswender


In COVID quarantine, I have devoted my time to learning how to bake, and decided to try (one more time) to successfully make tortillas by hand.
I learned two important things: One is that there is really no point in trying to make flour tortillas. The factory-made ones that you buy at the grocery store are actually pretty good; and making flour tortillas at home is pretty difficult. It’s like bolognese sauce; what they sell at the store is as good as or better than anything I’m going to make.
Corn tortillas are another matter. Because corn flour has no gluten, it’s a much simpler process — and of course if you have gluten sensitivity, this is a perfect gluten-free food transport system.
An incentive to make these by hand is that they are easy and truly superior to the fairly rubbery and tasteless corn tortillas sold at even very good stores.
However, I’ve tried corn tortillas in the past and the end result was too dense and too hard. Which leads to the other important lesson I learned this year, from an internet recipe at https://thecafesucrefarine.com/best-ever-homemade-flour-tortillas.
It was recommended to me by Ken Dempsey, one of the talented PT specialists at Geer in North Canaan. This flour tortilla recipe has become a dinnertime staple for his family.
Even though I still think it’s easier to buy than make flour tortillas, this recipe taught me the Essential Trick for Making Corn Tortillas: You must steam them immediately after you cook them.
Where to find
masa harina
The only thing that is hard about making corn tortillas is that you have to buy special corn flour, which is called masa. You can’t substitute corn meal or polenta; this flour is specially treated so it’s smoother and less grainy.
Masa harina is very easy to find. You can get it at Tienda Mi Esquina, the new shop in Amenia, N.Y., at 3294 Route 343 (next door to the post office, at the intersection where there is also a bank and the Four Brothers restaurant). You can also usually find it at large grocery stores such as Freshtown, which is also in Amenia.
If you don’t have a bag of masa harina in the house, then, yes, you will have to leave the house to go buy it. But even with, say, a 40-minute round trip to the store it’s still faster to make corn tortillas (about 45 minutes total) than it is to make flour tortillas, which take two or three hours (because they are made with flour, which has gluten, and the gluten has to rest before you can roll it).
The recipe
The brand I buy is Maseca, and the bag specifies that you can use it to make tortillas. There are a couple other options, including one from Bob’s Red Mill.
But an added benefit of the Maseca brand, for me, was that it has a tortilla recipe on the package. It’s beautifully simple: Combine 2 cups of masa harina with 1 1/2 cups of warm water. If it seems dry, add a little more water, a teaspoon at a time.
Knead it for about 2 minutes in your mixing bowl. It’s a soft dough, and easy to knead. If you don’t know how to knead, you’re just basically pressing it together with the heel of your hand again and again until it comes together into a nice smooth dough, like Play Dough.
It’s very simple; don’t overthink it. Again, masa harina is much more forgiving than white flour.
After you mix the dough, cover it with a damp cloth or some plastic wrap so it doesn’t dry out.
Heat a cast iron skillet over a medium high flame; as with pancakes, you’ll want to adjust the flame as you go along.
Rolling
and steaming
This recipe makes about 20 tortillas. Before you start to roll them out, cut out 22 squares of parchment paper (waxed paper is fine if that’s all you have) that are about 6 or 8 inches square. This might seem wasteful or fussy but trust me on this one: It will make rolling out the tortillas very easy.
Here’s another thing that might sound fussy but will make a big difference. This is the trick I learned from Cafe Sucre Farine. Before you start to cook your tortillas, get a small Dutch oven or other covered ceramic vessel. You can even use a large bowl, with a plate on top.
As you take your tortillas off the skillet, drop them in your pot/bowl and cover it immediately. This will steam the cooked tortillas and make them pliant and delicious. Do not skip this step.
Back to the recipe: After you’ve made your dough, separate it into 20 balls that are about the size of a golf ball. What I found easiest was to roll the dough out into a long log, wrapped in plastic, and then I divided the dough in half and in half and in half and …
Keep the dough balls covered; if they get dry and start to break when you handle them, just put a little water on your hands as you work.
Roll each ball out to about a 1/8 inch thick circle, between two squares of parchment. Leave the circles between the parchment, so they stack nicely and don’t dry out.
Cook them one at a time on your hot skillet. I find it helps if you put a tiny bit of canola oil in the skillet, but you don’t have to.
Cook each side for about 45 seconds; if your flame is hot enough, you should get brown spots.
Your tortillas will taste best right after you cook them. If you don’t eat them the same day you make them, wrap two or three in some plastic wrap and then put each of your packets of wrapped tortillas in a zippered freezer bag.
To reheat them, wrap them in foil and put them in a 275 degree oven for about 10 minutes.
Nathan Miller
Eversource crews work to repair damaged power lines after a tree fell near onto Route 112 just north of the Interlaken Inn on Monday, June 22.
LAKEVILLE — A tree fell on Route 112 Monday, June 22, downing power lines and blocking traffic north of Route 41 near the Hotchkiss Four Corners.
Eversource crews on scene at 4:45 p.m. said power lines were being repaired and utility service had been restored to customers in the area.
The tree, which fell on Route 112 north near Foggy Bottom Road in Lakeville, blocked the roadway, forcing a road closure north of the intersection with Route 41.
Crews on scene said they are awaiting Connecticut Department of Transportation to remove the fallen trunk and reopen the road to traffic. As of 5 p.m. Monday evening, it was unclear when the road would reopen.
Drivers should avoid the area until the tree is removed from the roadway. There are no detours posted.
Lakeville Journal
DOVER PLAINS — Francis “Butch” Lynehan, 75, a twenty-year resident of Dover Plains, New York, formerly of Sharon, passed away unexpectedly on Thursday, May 7, 2026 at Vassar Bros. Medical Center in Poughkeepsie, New York.
Born Aug. 29, 1950, in Sharon, he was the son of the late William W. and Nellie (Kluun) Lynehan.
Butch grew up in Sharon and attended Sharon Center School and Housatonic Valley Regional High School. At the age of seventeen, he enlisted in the United States Army and is a Vietnam War Veteran.
After his military service of three years, he was employed at the Kimberly-Clark Corporation and later worked many years for the State of Connecticut Department of Transportation.
Butch was an avid hunter and fisherman. He was a member of the Chestnut Ridge Rod & Gun Club in Dover Plains, Millerton Gun Club and the Sharon Fish & Game. He was a longtime member of the V.F.W. Post 5444 in Dover Plains and the Sharon American Legion Post 126. He was a former member of the Sharon Fire Department.
Butch is survived by his devoted wife, Nancy (Stark), his former wife, Rosemarie (Marchi) Larosa and their two sons, Michael and Stephen. He was the proud grandfather of three grandsons, Mason, Noah and Tucker. He is also survived by his loving sisters, Pat of Sharon, and Yvonne of Chapel Hill, Tennessee, and several cousins and nieces and nephews. He was predeceased by his brother William “Billy” Lynehan and his niece Lisa Hoglen.
There will be no calling hours. A private burial will take place on Saturday, June 27, 2026, at Hillside Cemetery in Sharon, with Standard Military Honors, followed by a Celebration of Life at the Sharon Fire Department, 36 West Main Street, Sharon. All are invited to attend. Memorial contributions may be made to the Sharon American Legion Post 126, 15 New Street, Sharon, CT 06069 or Sharon Little League/NWCTSBLL, P.O. Box 569, N. Canaan, CT 06018. To send an online condolence to the family, flowers to the service or to plant a tree in Butch’s honor, please visit www.conklinfuneralhome.com
Lakeville Journal
TACONIC — Richard McGriff died unexpectedly on May 16, 2026. This is a collection of loving reminiscences.
With a smile like that and a laugh like that and a soul like that, how could you not love him? Macey Levin and Gloria Miller
Richard McGriff knew about loyalty and honor; he practiced them both. He was a good friend and he will be missed. Dick Boyle
Whenever I saw Richard I asked how are you doing and he always replied, “Can’t complain because nobody wants to hear it.” I would always reply “I’ll listen, not that I’m going to do anything about it,” and we would laugh every time. Janet Hodgson
Rich had a wonderful tenor voice. We talked about starting an “oldies but goodies doo-wop” group as we both knew the words to a lot of those songs, but it never happened. John Hebdavny
Somebody shouting, “Hey Rev!” as they drove by. Turning around, it was a delight to see Richard waving exuberantly from his car! John Carter
Whenever I got to talk with Richard - I simply found optimism again, not only possible, but likely. The world was a better place with Richard in it. I sorely miss him. Paul DePaolo
I really enjoyed the time I spent with Richard. He was a warm and kind person and had a beautiful singing voice. Mike Mangini
He’d drive through town, see me at my coffee, blow the horn, call my name. It could just make my afternoon. Peter Fitting
There’s Hope and Crosby. There’s Rich and Macey. Rich and Macey put on a better show. Bill Anstett
Richard had an indomitable spirit and a positive outlook that made me feel better simply by being in his presence. Mark Shearer
We knew Richard only to say hello as he drove by, when we saw him at the P.O. Always with a smile, always with an “upbeat” comment to make.... just a really nice man who helped to make Taconic Road a place where we are happy to live. Joel and Terry Cohen
We will always remember Richard’s kindness and the familiar sight of him driving past our house each day to pick up the newspapers. He will be missed on Taconic Road. Bobby Graham & Matt Marden
Richard was such a lovely man. He always had a smile and a laugh for you. Although, if I was working outside, he would always hit the horn as he drove by and scare the crap out of me! Karen Bibro
We will miss you, Richard, and the genuine kindness and warmth you brought into our lives. Jeff Holt & Jillian Cleary
Always a smile on his face. Michael Kahler
Richard’s exuberant personality always brightened our day. His cheerfulness and charm blessed all around him. Ismael Ginouves
Great sense of humor, always kind and generous. He got us tee shirts that said “Be kind to your cashier!” Dawn Prince (LaBonne’s Market)
Richard was a fashion icon with the kindest heart and most beautiful soul and I feel privileged to have had him in my life. Ashley Radcliffe
He was a man who carried a constant smile, known for his warmth, humor, and truly positive spirit. I’ll always cherish our dinners at The Woodlands—his joy for life was contagious. Kelley Smith-Hull
What I loved most about Richard was he had a genuine interest in people. I will miss our encounters around town but take comfort that he is with his Dorothy. I’m truly overjoyed that he came into my life. Roger Crain
He was the kindest, fairest, caring and curious of humans. When I last saw him he left in laughter and smiles. There is a space I will hold for him.” Aimée D Davis

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Natalia Zukerman
Cohort 2026 members Abigail Horace, Adam Liccardi, Adrian Lynch, Cameo Brown, Chauncey Dozier, Claudette Grant, Erline Saintilet, Harmony Edwards, Kamayue Gomes, Mackenzie Colvin, Otis West, Shadre Domingo, TJ West and Tyeesha Keele-Kedroe and Blackshires’ leadership team John Lewis, Patrick Danahey, Dubois Thomas and Julie Haagenson gather at the Blackshires City Hall Fishbowl alongside Mayor Peter Marchetti and city officials Michael Obasohan, Brandon Gill, Katherine VanBramer, Heather Brazeau, Justine Dodds and Jesse Tobin McCauley.
When designer Abigail Horace joined the Blackshires Leadership Accelerator, she was looking for support for her business, Casa Marcelo, which was founded in Salisbury in 2019. Through the Accelerator, she created the Black Berkshires Social Club, which creates culturally grounded social spaces for Black and BIPOC residents in the region. Throughout her experience, Horace found a community of peers invested in one another’s success.
“Finding Blackshires has been transformative,” Horace said. “Being a BIPOC founder in this region can feel isolating, and this community has changed that. They see my work, champion my business and have opened doors I couldn’t have opened alone.”
Horace is one of 13 fellows graduating from the Blackshires Leadership Accelerator on Juneteenth, June 19, at Ventfort Hall in Lenox. The free public ceremony marks the completion of a months-long civic and entrepreneurial leadership program created by the Blackshires Community Empowerment Foundation and R3SET Enterprises.
Founded in response to conversations among Berkshire County’s Black leaders about economic opportunity, representation and community development, Blackshires has grown into a BIPOC-led network focused on leadership development, economic empowerment and cultural equity. The organization’s flagship Leadership Accelerator combines civic engagement, entrepreneurship, storytelling, networking and project development to help participants turn ideas into action. Since its launch, the program has graduated more than 40 fellows and distributed more than $100,000 in grants and stipends.
The 2026 cohort includes entrepreneurs, educators, artists and community advocates whose projects address needs across the Berkshires.
Among them are Adrian Lynch of Stubborn Ibex Studios, Claudette Grant’s Reckless Optimism Women’s Circle, Erline Saintilet’s Caribbean-inspired food venture Carib In-Fusion, the Westside Crosswalk Remix Project led by Otis and Tajare West in Pittsfield, and Tyeesha Keele Kedroe’s Seen & Celebrated initiative, which promotes meaningful representation of Black and Brown children in early childhood classrooms.
For Horace, one of the program’s most important lessons has been recognizing the impact of her own work.
“Creating a network of BIPOC leaders and entrepreneurs has revealed something I didn’t fully see before: the real reach of my work and what it means in this community,” she said. “My peers look up to me, believe in me and show up for every milestone. That recognition has shifted how I understand my own impact and leadership.”
The Accelerator culminates with each fellow creating an Impact Charter, a blueprint for how their project will contribute to the community. Participants also take part in leadership retreats, workshops, civic forums and site visits throughout Berkshire County. The program was recognized by 1Berkshire with its 2023 Breaking the Mold Trendsetter Award.
John Lewis, president of the Blackshires Accelerator and CEO of R3SET Enterprises, said the program is designed to remove barriers and strengthen connections among emerging leaders.
“By removing barriers to success and encouraging a cooperative framework, the next generation of community leaders will be more connected and skilled in the ongoing development and revitalization of our community and its families,” Lewis said.
Horace said the experience has reinforced a simple but powerful lesson.
“Being a leader and entrepreneur can be isolating, but this group has shown me that I am not alone.”
The graduation ceremony will take place at Ventfort Hall, whose history includes its mid-20th-century role as Festival House, a guesthouse and cultural center that welcomed Black and Jewish visitors at a time when many area resorts maintained discriminatory restrictions. On Juneteenth, the mansion will provide a fitting backdrop for a celebration focused on leadership, community and the future of the Berkshires.
The Blackshires Leadership Accelerator Cohort 4 Graduation will be held Thursday, June 19, at Ventfort Hall Mansion and Gilded Age Museum in Lenox. Admission is free and open to the public.
Natalia Zukerman
Izzy Fitch at Battle Hill Forge in Wassaic.
I’m not really inventing anything new. I just tweak it a little bit.— Izzy Fitch
A steel praying mantis stands among garden accents at Battle Hill Forge in Wassaic, its folded forelegs ready for prayer and mischief in equal measure.
“She’s very nice,” said blacksmith, sculptor and Battle Hill Forge owner Izzy Fitch, patting the giant insect affectionately. Then he added, “Just don’t go out to dinner with her.”
The giant metal mantis, built by artist Jim Hackett, is now part of a summer contest Fitch devised. He’ll strap it to the roof rack of his car and drive it around. When people spot it, they can take a photo, post it on social media and tag @battlehillforge, @lakevillejournal and @themillertonnews. At the end of the contest, names will be drawn at random and gift certificates to Battle Hill Forge will be awarded.
“It’s just for fun,” said Fitch, whose work often blurs the boundaries between art, utility and play. “Who couldn’t use more fun these days?”
Fitch moves through his sprawling workshop spaces like an enthusiastic museum guide leading visitors through a collection he forgot he owned. Every few steps, something catches his attention. A hand-forged daffodil. A dragonfly. A prototype trellis. A powder horn his great-grandfather taught him to make. A concrete toad inherited from his grandmother.
“Oh, this is cool,” he says, veering off course.
A few minutes later:
“Oh, I forgot to show you this.”
Then:
“You want to see something really cool?”
The tour never quite follows a straight line.
Neither does Fitch.
Long before Battle Hill Forge became known for custom gates, garden structures and sculpture found everywhere from private estates to major cultural institutions, Fitch was a child building armor for toy animals.
“I had a Black Panther that was this big and I armored it,” he says, holding his hands a few inches apart. “I made all my little people and creatures, and I armored them all up and I made all the weapons for them.”
Fitch’s father was a logger. Tools were plentiful. Toys were not.
“He wouldn’t buy us toys really, so we would have to make our own.”
The family business, if there was one, was making things.

His great-grandfather was a master craftsman who made Windsor chairs in collaboration with his uncle, Bert Fitch. His father supplied the raw materials, Bert made the chairs, his great-grandfather carved the spindles. His relatives were renowned woodworkers. People would travel from far and wide to have his great grandfather make handles for them.
“I really learned a lot from spending time with my grandparents and my great-uncles,” he says.
Today, that inheritance is visible everywhere inside the forge.
Giant steel pumpkins wait beside elegant peony supports. Honeycomb sculptures support an endearing bee also made by Hackett. Giant orbs loom playfully. Metal mushrooms, used in classes Fitch teaches to children, line the windowsills.
Many are prototypes Some are commissions. Some exist simply because Fitch thought they might be fun to make.
“I just think of something cool,” he says. And then he makes it.
“Most of the metalworkers that I work with don’t want to talk to people,” he says. “They’re like, ‘Just tell us what you want. Give me the plans and I’ll make it.’”
Fitch is different. Part craftsman and part translator, he enjoys helping clients discover what they want before it exists.
Unless, of course, he’s distracted by a frog story.
The previous Battle Hill Forge location, in Millerton, included a small pond where Fitch often ate lunch.
“There was a dead mouse out there one time,” he recalls. “This frog was so clever. He would sit near the dead mouse and when flies came down, he would get a fly.”
He watched the frog for an entire lunch break.
The story arrived somewhere between explanations of Japanese patinas and custom railings.
It also explains a lot. Fitch notices everything: plants, insects, old tools, odd solutions, clever engineering tricks. His work is filled with observations gathered from gardens, forests, old European designs and conversations with other makers.
A peony support isn’t just a peony support. It’s an opportunity to improve something. A trellis isn’t just a trellis. Maybe it can come apart for shipping. Maybe it can help a plant grow differently. Maybe it can do something no one has considered before.
“I’m not really inventing anything new,” he says. “I just tweak it a little bit.”
After its beginning in Falls Village, moving to Millerton and eventually settling in Wassaic, Battle Hill Forge has become one of the region’s success stories. The shop is booked months in advance. Projects range from garden ornaments to monumental railings weighing hundreds of pounds. Designers seek him out. Gardeners collect his work.
Yet Fitch remains most animated when discussing collaboration.
The intern helping in the shop first met him as a student in one of his metalworking classes. Local glass artists add to his sculptures. Garden designers have helped refine his plant supports. For Burning Man this summer, he’s joining a team of fellow artists to build an installation featuring an oculus and a pair of metal sphinxes.
“We’ll have a little party,” he says.
The phrase could describe half the projects in the shop, especially the praying mantis. Technically, that sculpture belongs to Hackett.
“He makes all this cool stuff,” Fitch says. “I sell them for him because he’s one of those artists who doesn’t want to deal with the public.”
Fitch laughs.
“Which is totally smart.”
Outside, a dog wanders through the yard. A timber framer works next door. Metal rusts into beautiful shades of brown. New ideas wait in various stages of completion and there’s just a little magic around every corner.
To contact Battle Hill Forge, visit battlehillforge.com.
D.H. Callahan
Kent Barns was alive with art on Saturday, June 13, as three new shows opened at Peggy Mercury and Kenise Barnes Fine Art, featuring a variety of fascinating paintings and drawings from four local artists.
Peggy Mercury, which in just two years has earned a reputation for curating remarkable collections of fine beauty products and accessories, continues to find exciting art to complement its offerings. The new show, “Portraits,” features four pairs of paintings by Millerton-based artist Alexis England. The “portraits” she paints, however, feature some pretty unexpected sitters.
England chooses some undercelebrated species, including the tarantula, vampire bat and even the lobster, and gives them the treatment she feels they deserve on large canvases with bold, vibrant colors.
The pairings work as delightful foils, as England inverts her color palettes within each duo. The pinks of the elegant flamingo serve as the background for the imposing stoicism of its partner, the mandrill. In turn, the mandrill’s deep grays set a dark canvas from which the flamingo can pop, its feathers flourishing in the juxtaposition. The results tie the unexpected couplings together while allowing each species to maintain its own visual identity.
Just steps away, the gallery at Kenise Barnes Fine Art opened two distinct shows in one packed room. On one side hangs “Behind My Eyes” by artists Gregory Hennen and David Konigsberg, both of whom have been represented by Kenise Barnes Fine Art for more than 20 years.
Konigsberg takes everyday items and abstracts them to a point of detached familiarity, giving light as much importance as the objects themselves. Hanging nearby is a series of landscapes painted in oils that seem as texturally considered as they are compositionally. “Each piece,” Hennen said, “is about a landscape, not of a landscape, as it does not necessarily depict an exact site or location. Finished paintings are often composites of several images that have evolved from a realistic portrayal to a more simplistic interpretation.”
The other side of the room features drawings by Margot Glass. Like England, Glass celebrates the undercelebrated. Her work frequently depicts weeds and other “undesirable” species of flora in elevated media such as silverpoint and 14-karat goldpoint.
With this collection, titled “On This Fresh Morning,” the artist takes a more naturalistic approach, using black walnut ink that she makes herself from walnuts she collects on hikes and walks in western and central Massachusetts. The ink is a remarkably rich hue of brown, which Glass layers to create floral scenes filled with intricate natural details. While she includes more traditional beauties, such as blooming anemones and daisies, she also features underappreciated misfits including dandelions and garlic mustard.
Kent’s artistic footprint continues to expand, with at least five dedicated art galleries and boutiques contributing exceptional shows for art lovers throughout the Northwest Corner.
For a directory and gallery hours, visit kentbarnsct.com

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