The historic Leonard’s Grain Mill had its share of stories

Very little remains of Leonard’s Grain Mill on North Main Street. Even the few oldtimers who were familiar with it would be hard pressed to point out exactly where it once stood. The mill ceased operations about 1950 and was taken down after the 1955 flood. The old wooden dam remained for a few more years, but today all that can be seen of it is a straight line of stones across Still River.

The dam location is adjacent to the Winsted sewage plant just before Still River comes in contact with Route 8 North, and the mill itself was between the road and the river bank. Due to the highway widening that took place in the early years of the 21st century, the land where the mill actually stood has been removed.

As you look at the river at this point, it is obvious that there is very little pitch, thus the fall of water was not sufficient to drive either an overshot or undershot wheel, and as a consequence the mill used a turbine, which was a small wheel in a horizontal position. Even though its diameter was only about 4 feet, it was still powerful enough to cause heavy vibrations if allowed to be “opened up.”

I was there once when there was nobody else around, and the miller, Clarence Osborn, showed me how the power was redirected from one wheel to another, and how the speed was adjusted for the different types of grain. Bakeries in particular were quite particular as to the fineness or coarseness of the grain that went into their products, and so the miller knew how each customer was to be served.

Perhaps I asked him what would happen if both wheels were to be engaged at the same time, because he actually went over to the long bar that acted like a clutch, controlling whether or not the stone wheel went into motion and how fast it went.

He had no more than engaged the second wheel when the entire interior of the mill was filled with an unbelievable volume of dust that must have been accumulating for quite a few years. Immediately placing the long pole in the neutral position, he explained that if left on for very long, the entire building would probably fall down into a heap of broken lumber.

We had to go outside, in front of the mill and let the dust settle, and while standing there, right next to Route 8, a northbound auto pulled over to ask directions. These poor, unsuspecting travelers, didn’t know it, but they were about to be treated to a unique experience, one that I’ll bet they remember yet, if they are still around.

Clarence was one of those rare characters who had a knack for telling stories, which in this case came in the form of travelling directions. He had plenty of opportunity to ply his story-telling skills, as the mill was just far enough out of town that a driver felt safe to slow down without the chance of affecting the car following, and the open space in front of the mill afforded one of the first safe opportunities to pull off the road and get directions north.

You have to keep in mind that although road maps were available in those wartime years, they hadn’t been around before the early 1930s, and not everyone used them. Enter the local character, whether he or she was a farmer, a service station worker or in this case, a miller, and supplied not only directions, but sometimes a lot more.

This particular day the question was how to get to New Boston. Now you don’t have to be a long-time resident of our area before you realize that you don’t need either a map or directions to get from Winsted to New Boston, just go straight along Route 8 and you’ll get there.

Clarence, who spoke in our old dialect, somewhat like that of a Down Easter, hitched up his overhauls and leaning on the passenger door, proceeded somewhat along these lines: “You go straight ahead about a half mile. At that point you will be at a crossroads with a blacksmith shop on the right. This is Nelson’s, and the crossroads are called Nelson’s Corner. Don’t pay any attention to this, just go straight on through, and in about a quarter of a mile you will see a fine field of corn right alongside the road; go right past this and before long there will be a sign telling you that you are entering the town of Colebrook.

“Keep on going and in another mile or so you will come to a bridge crossing a river. This is the Sandy Brook Bridge in Robertsville, which is a part of Colebrook. Right after you cross the bridge there is a big dairy farm straight ahead. This is Homer Deming’s farm, one of the best there is in these parts. Go right on by….”

He kept this dialog up all the way into New Boston. Remember that Colebrook River was still intact, and he navigated them past the ski jump, Eurley’s farm, Bill Geddes’ garage and a whole lot of long-departed potential destinations.

I often wondered what those folks thought when they arrived in New Boston, which they most certainly did, as it was virtually impossible to miss it. If they forgot the directions, I hope they remembered the old mill, because in all likelihood it was the most picturesque thing that they saw that entire outing.

The finished product of the mills in those days was generally put in 100-pound bags, some muslin, others burlap, depending on the grain. The men who worked at the Leonard Grain Co., located next to Northwest Bank at the east end of Main Street, dealt with not just the product of the mill on North Main, but also what came in on freight cars.

I doubt that there are many if any at all today who could match the physical strength of some of these men. Most have passed on by now, but Elton Godenzi is still around, and Elton could unload a boxcar carrying four bags at a time from the car to the awaiting truck. He would pick up one under each arm, and a helper would load each shoulder, then he would walk 30 or 40 feet and drop his load on the truck.

We didn’t stop to rest, either; you rested while driving from the railroad car to the warehouse behind the store on Main Street. This pace was kept up until the boxcar was empty. Canadian bailed hay also came into town via the train, and these put to shame anything that was produced locally, as they topped 140 to 160 pounds each or more, held together with bailing wire (haywire). The strongest man I think I have ever seen, old Earl Roraback, used to handle these using his fingernails! He would stack them over his head, too and wouldn’t stop until every bale had been placed.

All that is gone now; there are no more local gristmills, no millers, and nobody asks directions any more. When I buy an occasional bag of bird seed or cat food, I smile to myself when I see folks struggling with 50-pound bags. If they only knew what they have missed!

Bob Grigg is the town historian in Colebrook.

Latest News

Living art takes center stage in the Berkshires

Contemporary chamber musicians, HUB, performing at The Clark.

D.H. Callahan

Northwestern Massachusetts may sometimes feel remote, but last weekend it felt like the center of the contemporary art world.

Within 15 miles of each other, MASS MoCA in North Adams and the Clark Art Institute in Williamstown showcased not only their renowned historic collections, but an impressive range of living artists pushing boundaries in technology, identity and sound.

Keep ReadingShow less
Persistently amplifying women’s voices

Francesca Donner, founder and editor of The Persistent. Subscribe at thepersistent.com.

Aly Morrissey

Francesca Donner pours a cup of tea in the cozy library of Troutbeck’s Manor House in Amenia, likely a habit she picked up during her formative years in the United Kingdom. Flanked by old books and a roaring fire, Donner feels at home in the quiet room, where she spends much of her time working as founder, editor and CEO of The Persistent, a journalism platform created to amplify women’s voices.

Although her parents are American and she spent her earliest years in New York City and Litchfield County — even attending Washington Montessori School as a preschooler — Donner moved to England at around five years old and completed most of her education there. Her accent still bears the imprint of what she describes as a traditional English schooling.

Keep ReadingShow less
Jarrett Porter on the enduring power of Schubert’s ‘Winterreise’
Baritone Jarrett Porter to perform Schubert’s “Winterreise”
Tim Gersten

On March 7, Berkshire Opera Festival will bring “Winterreise” to Studio E at Tanglewood’s Linde Center for Music and Learning, with baritone Jarrett Porter and BOF Artistic Director and pianist Brian Garman performing Franz Schubert’s haunting 24-song setting of poems by Wilhelm Müller.

A rejected lover. A frozen landscape. A mind unraveling in real time. Nearly 200 years after its premiere, “Winterreise” remains unnervingly current in its psychological portrait of isolation, heartbreak and existential drift.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

A grand finale for Crescendo’s 22nd season

Christine Gevert, artistic director, brings together international and local musicians for a season of rare works.

Stephen Potter

Crescendo, the Lakeville-based nonprofit specializing in early and rarely performed classical music, will close its 22nd season with a slate of spring concerts featuring international performers, local musicians and works by pioneering composers from the Baroque era to the 20th century.

Christine Gevert, the organization’s artistic director, has gathered international vocal and instrumental talent, blending it with local voices to provide Berkshire audiences with rare musical treats.

Keep ReadingShow less

Leopold Week honors land and legacy

Leopold Week honors land and legacy

Aldo Leopold in 1942, seated at his desk examining a gray partridge specimen.

Robert C. Oetking

In his 1949 seminal work, “A Sand County Almanac,” Aldo Leopold, regarded by many conservationists as the father of wildlife ecology and modern conservation, wrote, “There are some who can live without wild things and some who cannot.” Leopold was a forester, philosopher, conservationist, educator, writer and outdoor enthusiast.

Originally published by Oxford University Press, “A Sand County Almanac” has sold 2 million copies and been translated into 15 languages. On Sunday, March 8, from 3 to 5 p.m. in the Great Hall of the Norfolk Library, the public is invited to a community reading of selections from the book followed by a moderated discussion with Steve Dunsky, director of “Green Fire,” an Emmy Award-winning documentary film exploring the origins of Leopold’s “land ethic.” Similar reading events take place each year across the country during “Leopold Week” in early March. Planning for this Litchfield County reading began when the Norfolk Library received a grant from the Aldo Leopold Foundation, which provided copies of “A Sand County Almanac” to distribute during the event.

Keep ReadingShow less

Erica Child Prud’homme

Erica Child Prud’homme

WEST CORNWALL — Erica Child Prud’homme died peacefully in her sleep on Jan. 9, 2026, at home in West Cornwall, Connecticut, at 93.

Erica was born on April 27, 1932, in Doylestown, Pennsylvania, the eldest of three children of Charles and Fredericka Child. With her siblings Rachel and Jonathan, Erica was raised in Lumberville, a town in the creative enclave of Bucks County where she began to sketch and paint as a child.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.