A sweet collaboration with students in Torrington

The new mural painted by students at Saint John Paul The Great Academy in Torrington, Connecticut.
Photo by Kristy Barto, owner of The Nutmeg Fudge Company
The new mural painted by students at Saint John Paul The Great Academy in Torrington, Connecticut.
Thanks to a unique collaboration between The Nutmeg Fudge Company, local artist Gerald Incandela, and Saint John Paul The Great Academy in Torrington, Connecticut a mural — designed and painted entirely by students — now graces the interior of the fudge company.
The Nutmeg Fudge Company owner Kristy Barto was looking to brighten her party space with a mural that celebrated both old and new Torrington. She worked with school board member Susan Cook and Incandela to reach out to the Academy’s art teacher, Rachael Martinelli.
“When Susan and Gerald brought this to me, I immediately saw it as a chance for my students to make something meaningful and lasting,” said Martinelli. “It wasn’t just about painting a wall, it was about teaching kids to serve their community through their art.”
Martinelli introduced the project as an after-school club for grades four through eight. “I wanted students who were truly committed,” she explained. Interest was so high that she had to divide participants into rotating grade-level groups, with occasional full-team days for collaboration. The mural became a long-term endeavor, stretching across a school year and a half.
The painting was created on canvas, a nearly 4’ x 27’ roll, donated by Incandela. The paint came courtesy of school principal Ed Goad. With materials secured, the students dove into research, studying maps, landmarks, and city history to inform their designs. “They worked to capture the spirit of Torrington,” Martinelli said. “But also, to match the whimsy of a candy shop.”
The result is a mural that features a playful “candyland” version of the city, where important buildings and landmarks are sized according to their importance to both the client and the community. “They created this hierarchy of bubbles and buildings, this joyful visual story,” Martinelli said. “It’s full of life.”
Beyond art skills, Martinelli witnessed her students develop qualities often harder to teach: teamwork, communication, resilience. “They learned to scale up sketches, mix large batches of paint for consistency, and adapt their work when it overlapped with someone else’s. They really respected each other’s contributions.”
The project also reflected the Academy’s Catholic STREAM (Science, Technology, Religion, Engineering, Arts, and Math) approach to education. “This was STREAM in action,” Martinelli explained. “They used technology to scale and transfer designs, applied math for proportions and spacing, and worked collaboratively to problem-solve. But they also lived their faith — through service, solidarity, and joy.”
Martinelli believes the mural speaks as much to the process as it does to the final product. “Some of the kids who worked on it have already graduated, but they’re coming back for the unveiling. That says something.”
The unveiling of the mural will take place at The Nutmeg Fudge Company on June 11, from 5:00 to 7:00 p.m., where families, friends, and community members are invited to celebrate the students’ achievement.
Asked what stood out most from the experience, Martinelli said, “For me, the most rewarding part was watching a diverse group of kids work together — different grades, different friend groups — all collaborating with respect, flexibility, and positivity. They created something beautiful, together.”
Pantry essentials at Dugazon
You are invited to celebrate the opening of Dugazon, a home and lifestyle shop located in a clapboard cottage at 19 West Main Street, the former site of The Edward in Sharon. The opening is Wednesday, Aug. 27 at 11 a.m.
After careers in the world of fashion, Salisbury residents Bobby Graham and his husband, Matt Marden, have curated a collection of beautiful items that reflect their sense of design, love of hospitality, and Graham’s deep Southern roots. Dugazon is his maternal family name.
“My Louisiana roots come from my mother’s family in Baton Rouge via New Orleans where many of my memories of cooking, food, antiquing, flea markets, hospitality, entertaining, originate,” Graham said.“Being raised in Sioux Falls, South Dakota, enhanced the importance of community, family, friends and regional cultures, forming the essence of Dugazon.”
Graham and Marden sat on the front porch telling the story of their shop’s evolution. With its wicker loveseats and geraniums in bloom, the old porch invites visitors to linger.
Matt Marden and Bobby Graham open Dugazonat 19 West Main St.in Sharon on Aug 27. Jennifer Almquist
“Bobby has been talking about Dugazon ever since our first date 21 years ago,” Marden said smiling. “I could not be more thrilled that his dream has finally become our reality.”
Graham laughed, then shared their hope that Dugazon embodies the spirit of lagniappe, a French concept of “adding a little extra to bring unexpected kindness, generosity and delight into everyday life.”
Marden worked at Staley-Wise Gallery in New York City. “Town & Country” recruited him to cover men’s fashion. He became fashion director of “Details” magazine and later style director for “Esquire” magazine.
Graham spent 24 years at Condé Nast as a Fashion and luxury advertising sales executive for “Vogue,” “GQ,” “Vanity Fair,” “AD,” and “The New Yorker.”
Within their light-filled shop, unique antiques and vintage cookbooks mix with kitchen necessities such as wooden spoons and cutting boards. Dugazon is bursting with elegant and functional items ranging from designer John Derian treasures to Louisiana hot sauce, luxurious table linens from Milan-based La Double J, and pantry essentials including Café Du Monde beignet mix, Mam Papaul’s jambalaya fixings, and various jams.
Scandinavian 19-inch tapered candles from creators ester & erik are available in 30 colors. Other offerings include vivid naïve paintings by New Orleans-born artist Alvin Batiste, who now works out of Donaldsonville, Louisiana, and paper goods designed by Marden’s first cousin, Carey Marden Shaulus.
Alvin Batiste paintings and ester& erik candles on display at Dugazon.Jeff Holt
“Dugazon becoming a reality has been a lifelong dream that comes from deep in my creative soul,” Graham said.“My experiences and memories from my roots, family and friends is what Dugazon is all about. Being able to share this with the world means everything to us.”
Dugazon opens Wednesday, Aug. 27 at 11 a.m.and will be open Wednesdays through Sundays 11 a.m. to 5 p.m. Closed Mondays and Tuesdays.
Phone: 860-397-5196
Instagram:@dugazonshop
Website:www.dugazonshop.com
A giant fish that sold at Trade Secrets, the high-end home and garden show held at Lime Rock Park, is just one of the creatures that Matt Wabrek of Birch Lane Rustics in North Canaan, creates by welding old tools and pieces of metal together.
The fish was so well liked by browsers at Trade Secrets that he received commissions for others.
Besides the satisfaction he gets in making his pieces, Wabrek said, “I really like to see people happy and enjoying themselves. It brings people happiness to see something they like and might want to buy.”
Wabrek did structural ironwork for 25 years, working up and down the East Coast from Arlington, Virginia, to South Station in Boston.He recalls putting up a truss over the train track in Boston.
But in the back of his mind, he always had the thought of using his welding skills for other purposes.
A few years ago, when a cherry tree fell in his yard, he didn’t want the wood to go to waste. Using both his woodworking and welding skills, he milled the wood and then made metal legs for a table.From what was left, he made several charcuterie boards.
From that beginning, he went on to make sculptures, welding together creations to inhabit both garden and home. He uses old shovels, hoes, picks, hammers, wrenches, horseshoes, rakes and pieces of metal he finds at tag sales, junk shops, estate sales and the local landfill to craft his whimsical creatures.
Matt Wabrek’s metal fishProvided
He gets ideas from looking at each old piece of metal.
“Teeth from a sickle bar? I see a bird’s beak,” he said, pointing to the piece.Lifting a hinge from a neat pile in his studio, he said, “These will be dragonflies.”
He still makes tables with welded metal legs that are sculptural in themselves.His studio holds saws, shovels, and propane tanks with silhouettes of trees and other shapes cut into them — plasma cut from his own designs.
In addition, Wabrek makes chairs from old skis, recalling his days as a ski instructor.
“I like to make things, whether it’s a garden fence or whatever.I must have a creative bone somewhere,” he mused.
He recently began a new interest: making spheres. A completed one, made of old wrenches, has a temporary place in his yard, along with fish of varying shapes and sizes, jelly fish, crabs, dogs, snails, and many kinds of birds — including a woodpecker that perches on the side of a building, and long-legged cranes.
Wabrek is happy to make any of his creations on commission. He is currently working on a support for an old tree that he will craft from metal.
Birch Lane Rustics will be at arts and crafts shows and pop-up sales in the area in the coming months. To find out where or ask about sales or commissions email mcwlu15@gmail.com or call/text 860-248-9004.
Eddie Curtis of New Jersey casually caught and released a Housatonic River smallmouth bass of modest size during a Trout Unlimited smallmouth bass event at Housatonic Meadows State Park Saturday, Aug. 16.
I moseyed down to Housatonic Meadows State Park late Saturday morning on Aug. 16 for a Trout Unlimited smallmouth bass event put on by the Mianus chapter.
“Wait a sec,” you say. “If it’s Trout Unlimited, why are they fishing for smallmouth bass?”
The answer is two-fold.
First, the Housatonic River in summer is primarily a smallmouth fishery. The water is too warm for trout but it doesn’t bother the bass much.The trout are hiding out in the thermal refuge areas and are off-limits until mid-September.
Second, the word “unlimited” suggests wiggle room.
When I rolled in there was a small pop-up tent with the words “Trout Unlimited” on it set up by the upper parking lot. Being a trained observer, I spotted this vital clue almost immediately.
There was a folding table under the tent. It was empty, but it seemed likely there would be food on it at some point.
Trained observers are also patient. I tabled the food question and motored down to the lower parking area, where I beheld half a dozen men with fly rods casting into the low, slow river with varying degrees of proficiency and enthusiasm.
The nearest to me turned out to be Eddie Curtis, who hails from southern New Jersey. “About 15 minutes from Philly,” he said.
Curtis was a fortuitous choice of subject. Chatty and easy-going, he embarked on an angling monologue that included adventures on salt and fresh water and an incisive critique of fish and game practices in his home state.
All the while he chucked lazy downstream casts. On about every tenth one, he hooked a smallish smallmouth bass.
I asked him what fly he was using. The answer -- a black Wooly Bugger -- wasn’t surprising. That’s a standard pattern for this kind of fishing. Almost a cliche.
Curtis was using a black Wooly Bugger with an unusual feature — a little propeller or spinner.Patrick L. Sullivan
But this was different in that it had a little propeller attached just below the hook eye.
I last saw something like this in the mid-1990s in New Mexico, where a rustic saloon I just happened to be in had a small display case of standard trout flies with the same kind of propellers attached. The brand name was “Pistol Pete.”
Curtis said they work almost too well. He jerked his thumb behind him and said “He ties them for me.”
I resolved to catch up with “he” when everybody took a break.
I ambled back to the car and exchanged camera and notebook for rod and vest.
I tried four different flies, two surface and two subsurface, and failed to move anything.
Not anxious to perform the Walk of Shame, I tried a black Wooly Bugger, no propeller.
That did the trick.
Back up at the tent my finely honed instincts proved correct.Food had materialized, in the form of two giant submarine sandwiches, a couple of jumbo bags of potato chips, and sodas.
Gerald Berrafati was in charge of this. He is the chapter coordinator for the Mianus Trout Unlimited chapter, and he was talking a mile a minute about various dam removal and stream reclamation projects in his bailiwick.
Since the state of Connecticut east of New Hartford and south of Torrington is a complete mystery to me, I had only a vague idea where these places were.
But it sounded good.
Antoine Bissieux, who does business as “The French Fly Fisherman,” made a cameo appearance. Some years back he was with a couple of sports on the Hous in similar circs — warm, low, late summer -- and I swapped him a handful of mop flies for a sampler of his perdigon nymphs. If he remembered this he didn’t let on.
The six or eight of us at the tent did a number on the chow and talked some guff between bites. The sandwiches were good. So was the guff.
Warren Nesteruk of Southbury (I think) said his wife was giving him a hard time about having so many fly rods.
I asked how many he had.
“Fifteen,” he replied.
When I informed him I had something like 80 rods, he grew thoughtful, as if my awful example might buy him some space.
Then it struck him.
“You’re not married, are you.”
One loose end remained. I hate loose ends, and I wanted to find the fellow who added propellers to his flies.
But they had left.
So if you read this, Eddie Curtis of south Jersey, drop me a line. I’d like to find out if they really do work almost too well.