It’s A Midsummer Delight

There are no sets. Off stage is … well, it’s off into the woods. There are no footlights, follow spots, fly curtains, hidden microphones or sets on rollers. In fact, the only set is the gentle hill that signals where The Dell at the Mount — Edith Wharton’s home in Lenox, Mass. — meets the forest. 

The props consist of a battered wheelbarrow, a donkey mask, a comically long sword, a shield, several bunches of flowers, a water gun and a laughingly awkward set of unmatched luggage. That’s all that’s needed for Shakespeare & Company’s production of “A Midsummer Night’s Dream” — a comedy about love that would be pure tragedy if you missed it.

As whimsical as the intrigues, plots and coincidences might be, the end result of this production is a roar of laughter and an ovation made all the more sincere due to the fact that the audience has been sitting outdoors on blankets and low-slung lawn chairs for the past 100 minutes.

By their biographic sketches, the members of the acting corps are all in that critical phase of an actor’s life when they have amassed impressive credits in a variety of plays but have yet to qualify for membership in Actor’s Equity. These are not well-intended amateurs, but young professionals who are at the verge of crossing into the world of professional acting.

No one in the cast gives anything other than a robust, earnest and finely nuanced performance. There are true standout performances, however, and the sheer strength of their physical comedy coupled with the unbridled joy of the characters they present are worthy of applause.

Thomas Randle as Puck, the Trickster, appears from his program biography to be more comfortable backstage than on stage. His hijinks consistently brought appreciative laughter from an audience that spanned at least three generations.

Caroline Calkins (Hermia) and Madeleine Rose Maggio (Helena) show remarkable versatility as they struggle through tricks, trials and tribulations to end up connected to their rightful lovers.

And then there is Tim Dowd. The role of Nick Bottom, a weaver, is the fabric that holds the play together. He is bold. He is silly. He is overly energetic in a wonderful way. The finest moment (of many) presented by Dowd is the climax of the play-within-the-play when he must die … and die … and die … and die some more. Each comic turn is funnier than the last. 

The seating is “self service,” so bring a comfortable lawn chair (or rent one for $2) to sit on the gentle downslope that leads to the acting area in the glen. A can of bug spray might be a worthwhile inclusion in a purse or backpack. Arrive early enough to enjoy the cast members as they wander through the audience, demonstrate acting techniques and generally make everyone feel quite welcome. They will, by the way, filter through the audience at various points in the play, which contributes to the erosion of the barriers between actor and audience.

 

“A Midsummer Night’s Dream” will be presented outside at The Dell at the Mount, Edith Wharton’s Home in Lenox, Mass., on Thursday, Aug. 10, at 6 p.m., and Saturday, Aug. 12 and 19, at 11 a.m. For tickets, call 413-637-3353 or go to www.shakespeare.org.

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