Exploring indigenous origins along the Housatonic River

Susan Scherf addresses the group at the Institute for American Indian Studies’ exhibit demonstrating components of Algonkian semi-permanent village.
Alec Linden

Susan Scherf addresses the group at the Institute for American Indian Studies’ exhibit demonstrating components of Algonkian semi-permanent village.
WASHINGTON — The southern-most Housatonic Heritage Walk of the year brought the socio-ecologically curious to the steep ravines and river valleys of Washington, Conn., for a guided investigation of the region’s original occupants and ongoing stewards.
Hosted on the property of the Institute for American Indian Studies and the adjacent Steep Rock Preserve, Susan Scherf, an educator with the institute, led a leisurely and informative stroll amid pristine fall weather on Sept. 21.
Scherf, who has spent decades teaching students how to read and learn their natural landscapes, began the event with the important clarification that she herself is not Indigenous. “My maiden name was Van Winkle,” she joked.
She acknowledged that the land is the ancestral home of the Weantinock and Pootatuck people and their descendants, now the Schaghticoke. She spoke in awe of the complex technologies indigenous peoples developed through intimate knowledge of the landscape, such as tanning leather and sapping maples. These traditions, of course, were adopted by colonial communities and remain central components of New England culture today.
Scherf led the group of 14 participants down a hemlock-shaded slope into the Steep Rock Preserve proper, explaining that the Eastern Hemlock was almost entirely eliminated in New England by European colonists, who figured out that the tannin-laden bark was effective at curing animal hides. Native communities, on the other hand, used a process that involved curing skins with animal brains and smoking them to preserve and protect the material.
Pointing at a shagbark hickory, Scherf explained that “they never denuded the land,” using woody trees like ash, elm and oak to construct semi-permanent residences but never clear cutting as they moved from place to place. Other plants, like cattails which she described as “the grocery store” for its many uses, were also used to build structures like wigwams in these communities.
Guiding the group to an open area by a sluggish bend in the Shepaug River, a tributary of the Housatonic River, Scherf mentioned that “this would have been a main highway for Natives.” She explained that Connecticut’s rivers were vital infrastructure for these groups who would summer along the coast and winter in the interior. This river would have once been teeming with American Eels and salmon, she said, but Connecticut’s – the namesake of which is the Algonkian Quinnetukut, meaning the land alongside the long tidal river – waterways were also important to industrialists. As a result, the 4,000-odd extant dams have all but eliminated these fish in the state.
As the group crossed an old rail line, covered in century-old coal and slag, she noted that while the river valley was an infrastructural hub for industrialists, it once was a primary thoroughfare for these semi-nomadic Indigenous people who would travel the river on 30-foot, thousand-pound canoes made from the vast trunks of tulip trees.
She led the group back up the gentle wooded slope, pointing out various plants like jewelweed, which is a good balm for itchy ailments, and coltsfoot, which Natives would have burned and used as a spice. She encouraged participants to chew on wintergreen leaves she found alongside the trail, drawing murmurs of approval from the hikers for its fresh, minty taste.
To conclude, she gathered the group between a model longhouse and wigwam in the Institute’s demonstration village. She emphasized that while these communities lived in close mutual respect with the landscape, they also looked out for their fellow humans. “No one was ever excluded,” she said, “it was the whole village constantly working together.”
WOODBURY — Nonnewaug High School claimed twin titles in the Berkshire League soccer tournament finals.
The school's girls and boys teams were named league champions after finishing the regular season with the best win/loss records. Winning the tournaments earned each team a plaque and added to the program's success in 2025.
Both of Nonnewaug's varsity teams faced off against their counterparts from Housatonic Valley Regional High School in the tournament finals in Woodbury Tuesday, Oct. 28.
The boys game was played first. Housatonic took a quick 2-0 lead with goals from Gustavo Portillo and Jackson McAvoy. Nonnewaug responded in the second half with three consecutive goals: first from Cash Medonis then two from Vincenzo Rose. The Nonnewaug boys won 3-2.

The girls game followed. Nonnewaug and Housatonic traded goals early on and the score was tied 2-2 at halftime. Nonnewaug scored twice more in the second half to win 4-2. Housatonic's goals were scored by Ava Segalla. Rosie Makarewicz scored twice for Nonnewaug and Hailey Goldman and Aubrey Doran scored once.
Connecticut Interscholastic Athletic Conference soccer tournaments begin Oct. 31. Both Housatonic teams qualified for the Class S tournament and both Nonnewaug teams qualified for the Class M tournament.
TORRINGTON — Joan Jardine, 90, of Mill Lane, passed away at home on Oct. 23, 2025. She was the loving wife of David Jardine.
Joan was born Aug. 9, 1935, in Throop, Pennsylvania, daughter of the late Joseph and Vera (Ezepchick) Zigmont.
Joan graduated from Harding High School.
She was a working artist for much of her adult life, starting her career studying plein air impressionist oil painting at the Cape Cod School of Art. Her work evolved to include a more representational style, and eventually a large body of abstract pieces. Her award-winning work has been shown in galleries and juried art shows throughout southern New England.
She is survived by her daughter Leslie and her husband George, brothers Joseph, Victor, and their families, nephews Gregory, Christopher, and their families, daughter-in- law Huong, and the extended Jardine family. She was predeceased by her son Douglas, and brother Michael.
A memorial service will be held at All Saints of America Orthodox Church, 313 Twin Lakes Road, Salisbury, Connecticut on Thursday, Oct. 30, at 10 a.m. Memorial contributions may be made to the All Saints of America Orthodox Church, PO Box 45, Salisbury, CT 06068.
The Kenny Funeral Home has care of arrangements.
The ofrenda at Race Brook Lodge.
On Saturday, Nov. 1, the Race Brook Lodge in Sheffield will celebrate the Mexican Day of the Dead: El Día de los Muertos.
Mexican Day of the Dead takes place the first weekend of November and honors los difuntos (the deceased) with ofrendas (offerings) on an altar featuring photos of loved ones who have passed on. Elements of earth, wind, fire and water are represented with food, papel picada (colorful decorative paper), candles and tequila left for the beloved deceased. The departed are believed to travel from the spirit world and briefly join the living for a night of remembrance and revelry.
Music and events programmer Alex Harvey has been producing Día de los Muertos at Race Brook for the past three years, and with the closing of the venue looming, the festival takes on a deep and personal meaning.
“The anchoring gesture of Race Brook, long before I arrived on the scene, has always been to cultivate a space that thins the veil between the worlds. Something otherworldly is hiding in the mountain’s towering shadow: the whispering spring-fed stream, the dense lineage that founder Dave Rothstein brings, the woodsmoke that rises every night of the year from the firepits. This space communes with the spirits,” said Harvey.
“And so we cradle a special ache in our hearts as the leaves turn and the beautiful dance of Race Brook’s project of cultural pollination draws to a close. Fitting, then, to return for one last activation — Día de Los Muertos — a celebration of the end of things. A remembrance of those who’ve made the transition we are all destined for, but also a time when we honor many types of loss. And while we will all mourn those who aren’t there in the flesh, we will also, with humility, come as mourners for the space itself,” Harvey continued.
The event will be a night to remember, to celebrate and to release with ritual, music, and communal remembrance. Participants are invited to bring photos, talismans and offerings for the ofrenda (offering), as well as songs, poems or toasts to share in tribute to loved ones who have passed.
Mexican American musicians Maria Puente Flores, Mateo Cano, Víctor Lizabeth, Oviedo Horta Jr. and Andrea from Pulso de Barro, an ensemble rooted in the Veracruz tradition of son jarocho, will be performing.
Translating to “Pulse of the Clay,” their name reflects a deep connection to the earth and to the living heartbeat of culture itself. Through a synthesis of Mexican, Cuban, Venezuelan and Puerto Rican traditions, Pulso de Barro merges poetry, rhythm and communal song as pathways to coexistence with nature. Their performances feature the jarana and leona (stringed instruments), quijada, cajón, maracas, and marimba (percussion), the tarima (percussive dance platform) and a call-and-response of folk and original versadas.
The evening begins at 6 p.m. in the Barn Space with a Fandango de los Muertos featuring Pulso de Barro, a Race Brook favorite. At 8 p.m., the Open Mic for the Dead invites guests to speak directly into the spirit world — through word, music or memory. The night culminates at 10:30 p.m. with a Fandango for the Dead, a participatory music and dance celebration. Bring your instruments, your voices and your dancing shoes.
Race Brook Lodge is a unique rustic getaway destination for relaxation, hiking, live music, workshops, weddings and more. Sadly, it will be closing for good later in 2026, ending a storied chapter of Berkshire music, art, culture and well-being.
Come experience an evening that honors lost loved ones and the end of a Berkshire institution. The cycle of life endures. Surely, resurrection is in the cards for Race Brook Lodge.
For Tickets and info, visit: rblodge.com