Sharon’s past comes alive on cemetery stroll

Jake Fricker points out the symbology of the columns on this stone belonging to Isaac Hunt (d. 1822), which indicate Masonic affiliation.
Alec Linden

Jake Fricker points out the symbology of the columns on this stone belonging to Isaac Hunt (d. 1822), which indicate Masonic affiliation.
SHARON — Cemeteries are complicated places. Some head for the gravestones to mourn, others to enjoy a weekend stroll, and still others use them as scenic locales to contemplate time and history. They are somber, joyous, meditative and beautiful places, but they are also more than that, as Housatonic Heritage Walk through Sharon’s picturesque Hillside Cemetery on Saturday, Sept. 20 decisively demonstrated.
Studying cemetery inscriptions, and the story of the people behind them, is an act of respecting the history of a place, said Sharon Burying Ground (as it was formerly known) board member and veteran grave cleaner Jake Fricker. Fricker said the grave cleaning team, wryly called the “Hillside Stoners,” has cleaned somewhere between 1,500 and 2,000 stones, with some 3,000 left to go. Each one, Fricker said, is “a way to honor the dead and remember the dead.”
Saturday’s tour, which took place during stunning fall weather, was a veritable journey through the lives of Sharon’s long departed. The Historical Society’s curator Cooper Sheldon, assisted by Hillside Stoners and Historical Society board members Myra Plescia, Marel Rogers, BZ Coords and Fricker, led the group from headstone to headstone, recounting the lives both happy and sad, prosperous and poor of the residents of yore, some well-documented and others whose stories have been mostly lost to time.
The first stop took the group to the elegant stone of Rev. Cotton Mather Smith (d. 1806), who was ordained the third minister of Sharon Congregational Church in 1755. He went on to found the Sharon Literary Club in 1777, which is believed to have been the first club of its kind in the country.
Further ambling took the group to Dr. Jerome Chaffee’s burial site, who founded Sharon Hospital in 1909, before the procession arrived at Judson Bostwick’s stone.
“There you have Mr. Mousetrap,” said Myra Plescia as she idly picked lichen of the grave, which sat pale and proud under dappled shade from one of the cemetery’s many towering Norway spruces towering above.
Bostwick led a short but industrious life, dying from typhoid fever at the age of 42 in 1859. His most lasting contribution to Sharon — and the world — was an early version of a mousetrap that would enclose the animal in a wooden cage of sorts before it was presumably released later elsewhere.
This surprisingly humane version of the now-ubiquitous pest control contraption was the first to be manufactured and marketed broadly in the world, the members of the Historical Society claimed. While this is difficult to substantiate, a quick google search yields that the earliest patent dates for the far-crueler spring-loaded traps only start appearing years after Bostwick died.
Further down the hill, a cluster of gravesites hosting the Marckres family shows George’s stone, who was probably Sharon’s first resident photographer and founded a jewelry store.
A more somber interlude of the journey was a visit to a shady, nondescript portion of the cemetery far downhill, arrayed with a smattering of small, barely visible and headstones that each bear only a number. Sheldon explained that this section is marked simply as “paupers” in a layout map from the 1800s, and scant information regarding its inhabitants exists. One stone, which apparently marks a child’s grave, is overlaid with toys.
“It’s not much to look at but it’s one of the saddest parts of the cemetery,” said Sheldon.
A later stop brought the group to Sarah Juckett’s gravesite, who was an ailing wife and mother on West Woods Road and who apparently also “churned a heck of a lot of butter.” She lived a painful life, often resorting to the pain-killing qualities of laudanum before dying at 43 years old in 1888. She kept a detailed journal between 1878 and 1881 about farm life, which has been a valuable resource for the historical society.
“She rests in peace here,” said Rogers.
Grave cleaning is a constant, meticulous and delicate task, the members of the Hillside Stoners explained, but it helps keep the vibrant and surprising history of the town alive. The team uses lichen-eating biologic cleaners to do the brunt of the work, then do the fine tuning with a gentle brush.
The only type of brush that’s allowed, Fricker said, is one “that would clean your Lamborghini.”
With three thousand headstones to go, and older cleans needing updating, the group has a big task ahead. “We’re doing this until we become members of this place,” said Fricker with a chuckle.
WOODBURY — Nonnewaug High School claimed twin titles in the Berkshire League soccer tournament finals.
The school's girls and boys teams were named league champions after finishing the regular season with the best win/loss records. Winning the tournaments earned each team a plaque and added to the program's success in 2025.
Both of Nonnewaug's varsity teams faced off against their counterparts from Housatonic Valley Regional High School in the tournament finals in Woodbury Tuesday, Oct. 28.
The boys game was played first. Housatonic took a quick 2-0 lead with goals from Gustavo Portillo and Jackson McAvoy. Nonnewaug responded in the second half with three consecutive goals: first from Cash Medonis then two from Vincenzo Rose. The Nonnewaug boys won 3-2.

The girls game followed. Nonnewaug and Housatonic traded goals early on and the score was tied 2-2 at halftime. Nonnewaug scored twice more in the second half to win 4-2. Housatonic's goals were scored by Ava Segalla. Rosie Makarewicz scored twice for Nonnewaug and Hailey Goldman and Aubrey Doran scored once.
Connecticut Interscholastic Athletic Conference soccer tournaments begin Oct. 31. Both Housatonic teams qualified for the Class S tournament and both Nonnewaug teams qualified for the Class M tournament.
TORRINGTON — Joan Jardine, 90, of Mill Lane, passed away at home on Oct. 23, 2025. She was the loving wife of David Jardine.
Joan was born Aug. 9, 1935, in Throop, Pennsylvania, daughter of the late Joseph and Vera (Ezepchick) Zigmont.
Joan graduated from Harding High School.
She was a working artist for much of her adult life, starting her career studying plein air impressionist oil painting at the Cape Cod School of Art. Her work evolved to include a more representational style, and eventually a large body of abstract pieces. Her award-winning work has been shown in galleries and juried art shows throughout southern New England.
She is survived by her daughter Leslie and her husband George, brothers Joseph, Victor, and their families, nephews Gregory, Christopher, and their families, daughter-in- law Huong, and the extended Jardine family. She was predeceased by her son Douglas, and brother Michael.
A memorial service will be held at All Saints of America Orthodox Church, 313 Twin Lakes Road, Salisbury, Connecticut on Thursday, Oct. 30, at 10 a.m. Memorial contributions may be made to the All Saints of America Orthodox Church, PO Box 45, Salisbury, CT 06068.
The Kenny Funeral Home has care of arrangements.
The ofrenda at Race Brook Lodge.
On Saturday, Nov. 1, the Race Brook Lodge in Sheffield will celebrate the Mexican Day of the Dead: El Día de los Muertos.
Mexican Day of the Dead takes place the first weekend of November and honors los difuntos (the deceased) with ofrendas (offerings) on an altar featuring photos of loved ones who have passed on. Elements of earth, wind, fire and water are represented with food, papel picada (colorful decorative paper), candles and tequila left for the beloved deceased. The departed are believed to travel from the spirit world and briefly join the living for a night of remembrance and revelry.
Music and events programmer Alex Harvey has been producing Día de los Muertos at Race Brook for the past three years, and with the closing of the venue looming, the festival takes on a deep and personal meaning.
“The anchoring gesture of Race Brook, long before I arrived on the scene, has always been to cultivate a space that thins the veil between the worlds. Something otherworldly is hiding in the mountain’s towering shadow: the whispering spring-fed stream, the dense lineage that founder Dave Rothstein brings, the woodsmoke that rises every night of the year from the firepits. This space communes with the spirits,” said Harvey.
“And so we cradle a special ache in our hearts as the leaves turn and the beautiful dance of Race Brook’s project of cultural pollination draws to a close. Fitting, then, to return for one last activation — Día de Los Muertos — a celebration of the end of things. A remembrance of those who’ve made the transition we are all destined for, but also a time when we honor many types of loss. And while we will all mourn those who aren’t there in the flesh, we will also, with humility, come as mourners for the space itself,” Harvey continued.
The event will be a night to remember, to celebrate and to release with ritual, music, and communal remembrance. Participants are invited to bring photos, talismans and offerings for the ofrenda (offering), as well as songs, poems or toasts to share in tribute to loved ones who have passed.
Mexican American musicians Maria Puente Flores, Mateo Cano, Víctor Lizabeth, Oviedo Horta Jr. and Andrea from Pulso de Barro, an ensemble rooted in the Veracruz tradition of son jarocho, will be performing.
Translating to “Pulse of the Clay,” their name reflects a deep connection to the earth and to the living heartbeat of culture itself. Through a synthesis of Mexican, Cuban, Venezuelan and Puerto Rican traditions, Pulso de Barro merges poetry, rhythm and communal song as pathways to coexistence with nature. Their performances feature the jarana and leona (stringed instruments), quijada, cajón, maracas, and marimba (percussion), the tarima (percussive dance platform) and a call-and-response of folk and original versadas.
The evening begins at 6 p.m. in the Barn Space with a Fandango de los Muertos featuring Pulso de Barro, a Race Brook favorite. At 8 p.m., the Open Mic for the Dead invites guests to speak directly into the spirit world — through word, music or memory. The night culminates at 10:30 p.m. with a Fandango for the Dead, a participatory music and dance celebration. Bring your instruments, your voices and your dancing shoes.
Race Brook Lodge is a unique rustic getaway destination for relaxation, hiking, live music, workshops, weddings and more. Sadly, it will be closing for good later in 2026, ending a storied chapter of Berkshire music, art, culture and well-being.
Come experience an evening that honors lost loved ones and the end of a Berkshire institution. The cycle of life endures. Surely, resurrection is in the cards for Race Brook Lodge.
For Tickets and info, visit: rblodge.com