Jacob’s Pillow Summer Preview

Summer in the Berkshires wouldn’t be complete without at least a few trips to Jacob’s Pillow. Just about an hour from Lakeville, in Becket, Mass., the Pillow’s lovely campus, multiple stages, exhibitions, restaurant and cafe, and rich history make for a satisfying all-day outing, well worth the drive.

The 2018 season features more than 200 free performances, pre-show talks, photo and art exhibits, community events, and even classes open to anyone. Ticketed events at the Pillow’s two theaters, the small and intimate Doris Duke and the large and airy Ted Shawn, are accompanied by free performances on the Inside/Out outdoor stage.  Now these free performances continue even in bad weather, in the newly constructed Perles Family Studio.  

Whether your taste is classical ballet, edgy modern, something from a country you may never get to visit, or something that makes you want to leap out of your seat and join in, you’ll find something to love. There are both crowd-pleasers like Pilobolus and Dorrance Dance (Michelle Dorrance recently won the MacArthur “genius” award for her high energy tap dancing), and off- the-beaten-path choreographers like Sidi Larbi Cherkaoui, who is presenting a work inspired by the political philosophy of Noam Chomsky with Korean, Indian, Congolese, and Japanese musical influences.

Here are my entirely personal choices, performances I hope not to miss this summer. Your mileage may vary! And by the way, you can watch clips of every company on the Jacob’s Pillow website to get a taste before you buy your tickets.

Jose Limón is the first modern dance company I ever saw live, sometime in the late ‘70s. The teacher I studied with as a child had herself studied with Limón, so I had a particular affinity for his dramatic choreography and techniques of fall and recovery. The program for the early August performances hasn’t been announced yet but will draw on Limón’s five decades of work.

  I’m very intrigued by the description of Netta Yerushalmy, who is described as deconstructing iconic works from choreographers such as Alvin Ailey, George Balanchine, and Bob Fosse, which she stages and presents alongside “scholarly contributions that situate them in larger contexts.”  I don’t really know what that means but can’t wait to find out ­— she performs August 8-12.  

I also hope to make it to Cie Art Move Concept, (July 18-22), a French troupe that blends hip-hop and contemporary dance. From the videos I’ve seen, it’s intricate, sophisticated, intensely physical and high-energy, and very exciting.

In all my years of attending the Pillow and Inside/Out shows, I’ve never seen any of the school performances. Each week the school has a different theme, and the students, who are highly advanced students and young professionals age 16 through early 20s, rehearse 8 hours a day and attend performances at night, leading up to weekend performances.  I wish I could see all of them but I’m going to make a special effort to attend Gaga, based on the movement style created by Ohad Naharin. (About which: See the film, “Mr. Gaga,” on Netflix. It has nothing to do with Lady Gaga.)  

The Inside/Out stage will host performances representing countries not always associated with dance, including the folk traditions of Georgia and the Crimean peninsula. Other countries represented include India, Mexio, Cuba and Spain.  The Pillow’s new Pittsfield Moves! Program, funded by a major grant from the Ford Foundation, will also be seen on the I/O stage. 

My award for best company name this summer goes to a group called Arrogant Elbow, whose performance will start at the I/O stage and then move throughout the Pillow grounds.

As always most of the mainstage performances will feature live music, and free pre-show talks will illuminate the choreographic process and make the performances more accessible.

As Ohad Naharin says, “Physical pleasure from physical activity [is] part of being alive.” Sometimes we forget that dance is as much a human imperative as singing or playing music, but spending a day or a week at Jacob’s Pillow reminds us that the human body loves to dance.

 

Tickets and performance information available at www.jacobspillow.org, or by calling 413.243.9919.

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