Like No Other

Musicals are fairy tales. Some are jolly, like “Annie.” Some are grim: “Urinetown, The Musical,” for one. Grim, perplexing, riveting. At its heart, “Urinetown,” about a drought-ridden city and the corporate takeover of all toilets, is one long potty joke surrounding a tale of political domination and urban struggle. “Let my people pee” is scrawled on one wall of the grimy and admirably baleful set in this Ghent Playhouse production. But the UGC, the Urine Good Company, is totally in charge, forcing people to stand, squirming, in line waiting to pay for the UGC latrine. This musical, which opened in 2001 at the New York Fringe Festival and then migrated to Broadway for 965 performances and a number of awards, is about theater, too, and how it works. As Officer Lockstock (Mark Schane-Lydon) cautions Little Sally (Eleah Peal) who strives to give the audience some background, “Nothing can kill a show like too much exposition.” The central conceit, the cop/narrator tells us, is about forcing people to pay to pee. Those who break the Public Health Act, who turn to the bushes, say, are hustled off to Urinetown. What makes this show work is a string of clever and vibrant dance and music numbers echoing revival meetings and shows like “West Side Story,” “Les Mis,” “Fiddler on the Roof.” Yes, there’s a romance between Bobby Strong (Michael Meier) — a public toilet attendant who asks the dangerous question here, “What if the law is wrong?” and leads a ragged peoples’ rebellion — and Hope Cladwell (Kaitlin Pearson) whose father heads UGC. This fellow, Caldwell B. Cladwell (Tony Pallone), is ruthlessly devoted to “the regulating mechanism of cash.” We get his operative, too, the powerful and heartless Penelope Pennywise, in charge of the public amenity No. 9 (played with flash and wit by Amy Fiebke). This character’s the sort who makes ideas work in spite of the fact that such ideas are not in her best interest (sound familiar?). It’s all very focused, and when Sally offers new ideas for the play, Officer Lockstock explains, “It’s better to concentrate on one big idea than a lot of little ones. Audiences like it better,” he explains, “and it’s easier to write.” In the end, the true meaning of Urinetown is discovered, our worst fears for the lovers, the environment and for our future as a democratic nation are founded and Little Sally is forced to ask, “What kind of musical is this?” One like you’ve never seen before. “Urinetown, The Musical,” written by Mark Hollman and Greg Kotis, and directed here by Sky Vogel, runs at The Ghent Playhouse in Ghent, NY, through Feb. 5. For tickets, call 518-392-6264.

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Club baseball at Fuessenich Park

Travel league baseball came to Torrington Thursday, June 26, when the Berkshire Bears Select Team played the Connecticut Moose 18U squad. The Moose won 6-4 in a back-and-forth game. Two players on the Bears play varsity ball at Housatonic Valley Regional High School: shortstop Anthony Foley and first baseman Wes Allyn. Foley went 1-for-3 at bat with an RBI in the game at Fuessenich Park.

 

  Anthony Foley, rising senior at Housatonic Valley Regional High School, went 1-for-3 at bat for the Bears June 26.Photo by Riley Klein 

 
Siglio Press: Uncommon books at the intersection of art and literature

Uncommon books at the intersection of art and literature.

Richard Kraft

Siglio Press is a small, independent publishing house based in Egremont, Massachusetts, known for producing “uncommon books at the intersection of art and literature.” Founded and run by editor and publisher Lisa Pearson, Siglio has, since 2008, designed books that challenge conventions of both form and content.

A visit to Pearson’s airy studio suggests uncommon work, to be sure. Each of four very large tables were covered with what looked to be thousands of miniature squares of inkjet-printed, kaleidoscopically colored pieces of paper. Another table was covered with dozens of book/illustration-size, abstracted images of deer, made up of colored dots. For the enchanted and the mystified, Pearson kindly explained that these pieces were to be collaged together as artworks by the artist Richard Kraft (a frequent contributor to the Siglio Press and Pearson’s husband). The works would be accompanied by writings by two poets, Elizabeth Zuba and Monica Torre, in an as-yet-to-be-named book, inspired by a found copy of a worn French children’s book from the 1930s called “Robin de Bois” (Robin Hood).

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Cycling season: A roundup of our region’s rentals and where to ride them

Cyclists head south on the rail trail from Copake Falls.

Alec Linden

After a shaky start, summer has well and truly descended upon the Litchfield, Berkshire and Taconic hills, and there is no better way to get out and enjoy long-awaited good weather than on two wheels. Below, find a brief guide for those who feel the pull of the rail trail, but have yet to purchase their own ten-speed. Temporary rides are available in the tri-corner region, and their purveyors are eager to get residents of all ages, abilities and inclinations out into the open road (or bike path).

For those lucky enough to already possess their own bike, perhaps the routes described will inspire a new way to spend a Sunday afternoon. For more, visit lakevillejournal.com/tag/bike-route to check out two ride-guides from local cyclists that will appeal to enthusiasts of many levels looking for a varied trip through the region’s stunning summer scenery.

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