Northwest Corner artists unite for Clay Way Tour Oct. 19-20

Pottery of all sorts will be on display at the Clay Way Tour, featuring 26 area artists.

Provided

Northwest Corner artists unite for Clay Way Tour Oct. 19-20

Now in its 8th year, The Clay Way Studio Tour is an annually held event featuring some of Connecticut’s best potters. Twenty six artists will show their work among nine studios.

The Tour takes place in Litchfield County Connecticut and Wingdale, New York Oct.19 and 20 from 10 a.m to 5 p.m. Potter and organizer Jane Herald explained the origin of the tour.

“Clay Way was the brainchild of a potter named Linda Boston, who started it with Alison Palmer about eight years ago. Originally, they aimed to gather a following for potters in the Woodbury area. For some reason it didn’t take off there, but the response was enthusiastic in the Northwest Corner. So here we are,” Herald said.

The tour is free and a great way to enjoy a weekend in beautiful Litchfield and Dutchess Counties during peak fall foliage season. The tour will take place rain or shine.

“Clay Way is a cooperative effort by the nine host potters and their guests. Ann Heywood and Jane Herold have been chairing it the last few years. By inviting guests to show with us we are able to offer a wide range of pottery in a fairly concentrated area. Quite a few regular attendees make a weekend of it, and go to all nine studios,” Herald explained.

Regarding the abundance of potters in the area, Herald said,

“Rural areas have always attracted potters, in part because they are able to afford properties that can be adapted to workshops and studios. A number of the potters on the Clay Way Tour fire wood kilns, which requires a team effort, which has probably contributed to the growth of a pottery culture here. Some of us use locally found materials including kaolin and limestone. And there’s a pottery supply shop right in Sheffield, Massachusetts.”

As to the role Clay Way Tour plays in promoting clay arts and the regional arts community in general, Herald said,

“A number of our exhibitors teach classes in the area, or host workshops, in addition to wood firing. There is a huge interest in learning to throw. I get asked about classes at least once a week at my showroom in Cornwall. I’m very happy that 5 Points Arts Center (an arts space in Torrington) now has a well equipped pottery studio where I can send people. Drew Montgomery teaches classes at his studio in Wingdale. Alison Palmer hosts about 12 workshops a year at her studio in Kent, bringing people from all over to teach and participate. The benefit to the communities extends to local inns and restaurants as well. The northwest corner is beginning to be known as a welcoming place for potters. We hope this can extend to other craft-based businesses as well.”

As a potter herself, Herold makes pots that are “useful” including dishes.

“But holding food is not what makes them useful. The most important task of a useful pot is to generate caring. Most of modern life does not generate this emotion. Things many of us think of as useful or even essential – cell phones, automobiles, computers, fast food, microwaves – don’t generate real caring at all. We could live very well without many of these things. But we can’t live good lives at all if we are callous and uncaring. Being indifferent, unconscious, unawake is not something that you can turn on and off at will. We must either find ways of living that encourage awareness or face a loss of sensibility that is likely to seep into all areas of our lives.”

The Clay Way Studio Tour is free and takes place rain or shine, much of it outdoors if the weather cooperates. For more information including examples of each artist’s work and a printable map, go to: www.ClayWay.net

Latest News

All are welcome at The Mahaiwe

Paquito D’Rivera performs at the Mahaiwe in Great Barrington on April 5.

Geandy Pavon

Natalia Bernal is the Mahaiwe Performing Arts Center’s education and community engagement manager and is, in her own words, “the one who makes sure that Mahaiwe events are accessible to all.”

The Mahaiwe’s community engagement program is rooted in the belief that the performing arts should be for everyone. “We are committed to establishing and growing partnerships with neighboring community and arts organizations to develop pathways for overcoming social and practical barriers,” Bernal explained. “Immigrants, people of color, communities with low income, those who have traditionally been underserved in the performing arts, should feel welcomed at the Mahaiwe.”

Keep ReadingShow less
Living with the things you love:
a conversation with Mary Randolph Carter
Mary Randolph Carter teaches us to surround ourselves with what matters to live happily ever after.
Carter Berg

There is magic in a home filled with the things we love, and Mary Randolph Carter, affectionately known as “Carter,” has spent a lifetime embracing that magic. Her latest book, “Live with the Things You Love … and You’ll Live Happily Ever After,” is about storytelling, joy, and honoring life’s poetry through the objects we keep.

“This is my tenth book,” Carter said. “At the root of each is my love of collecting, the thrill of the hunt, and living surrounded by things that conjure up family, friends, and memories.”

Keep ReadingShow less
Beloved classic film ‘The Red Shoes’ comes to the big screen for Triplex benefit
Provided

On Saturday, April 5, at 3 p.m., The Triplex Cinema in Great Barrington and Jacob’s Pillow, the dance festival in Becket, Massachusetts, are presenting a special benefit screening of the cinematic masterpiece, “The Red Shoes,” followed by a discussion and Q&A. Featuring guest speakers Norton Owen, director of preservation at Jacob’s Pillow, and dance historian Lynn Garafola, the event is a fundraiser for The Triplex.

“We’re pitching in, as it were, because we like to help our neighbors,” said Norton. “They (The Triplex) approached us with the idea, wanting some input if they were going to do a dance film. I thought of Lynn as the perfect person also to include in this because of her knowledge of The Ballets Russes and the book that she wrote about Diaghilev. There is so much in this film, even though it’s fictional, that derives from the Ballets Russes.” Garafola, the leading expert on the Ballets Russes under Serge Diaghilev, 1909–1929, the most influential company in twentieth-century theatrical dance, said, “We see glimpses of that Russian émigré tradition, performances we don’t see much of today. The film captures the artifice of ballet, from the behind-the-scenes world of dressers and conductors to the sheer passion of the audience.”

Keep ReadingShow less