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For most Americans, Henry VIII is remembered for his six wives. But during Henry’s reign — 1509-1547, the state took on a new, oppressive meaning, beheadings and burnings signaled frequent shifts in royal interests, monasteries were closed and priests and nuns turned out to beg for survival. Against this background, English historian and lawyer C. J. Sansom has created five crime novels centered around Matthew Shardlake, a hunchback lawyer, whose skepticism, humanism and determined search for truth reflect the growing intellectual concerns of the period. In “Heartstone,” Sansom’s newest book, Queen Parr asks Shardlake to investigate the suicide of a young teacher, whose two pupils were orphans overseen by Henry’s notorious Court of Wards. Shardlake’s investigation takes place against the threat of a French naval invasion. Shardlake is splendid in his pursuit of justice: His body may be deformed, but he continues to climb John Donne’s “cragged and steep hill” where “truth stands.” In the Tudor world of duplicity, self-enrichment and state terror, he is singular. This is a terrific read. — Leon Graham We take the jet age for granted, forgetting how air travel has changed in our times, how not so long ago we climbed the exterior rolled-up stairways (as in clips of Western dignitaries visiting fledgling African states) to enter planes such as Lockheed’s beautiful Constellation, a huge and graceful plane with propellors and a triple tail that cruised at 300 bumpy miles an hour. But World War II drove jet technology into civilian life and Sam Howe Verhovek’s “Jet Age: The Comet, the 707 and the Race To Shrink the World”describes the people, the culture and the tragedies that shaped the way we fly today. The tale is packed with visonaries like Sir Frank Whittle, the British inventor of the jet engine (photographed examining his slide rule) and Boeing’s Tex Johnston, a skilled test pilot who sold the industry on his company’s 707 with daring stunts and cowboy charm. The story is hilarious, too, with an account of the first mile-high club duo, naked and unceremoniously dumped into icy waters, and considerable space is given to the ire of pilots’ wives at the notion of stewardesses accompanying their mates on every flight. Most dramatically, Verhovek follows the fateful course of the deHavilland Comet, the elegant and awfully flawed British jetliner that raised the hopes and the fears of adventurous and well-heeled travellers the world over. You may never fly again without thinking of these people and their vision and nerve. — Marsden Epworth

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

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Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

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Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

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Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

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Shinbone Alley brings spooky songs to Spencertown

Seeing isn’t always believing. Sometimes it’s the lack of a defined picture that can be the most compelling. And when Alex Harvey of Shinbone Alley sings his supernaturally charged sea shanties and street ballads, the unseen will be downright scary. On Oct. 30, the historically inclined storyteller and performer will create a spooky evening of forbidden tales and yarns through a carefully chosen series of songs at Spencertown Academy of Arts.

The repertoire for the performance is a bit fraught. Over the years, Shinbone Alley has explored the world of folklore through music. Though the group usually features two musicians, Harvey, a multi-instrumentalist and singer, will be performing solo. That is, of course, unless you include the spirits.

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Malian blues and Moroccan Gnawa meet in Sheffield
Vieux Farka Touré
Proivded

Desert winds rarely blow into the Berkshires, but on Nov. 5, they will carry the Malian blues and Moroccan Gnawa music to Race Brook Lodge.

That evening, Malian guitarist Vieux Farka Touré, often called “the Hendrix of the Sahara,” and Moroccan musician Samir LanGus will play at the lodge’s Event Barn in Sheffield, Massachusetts, at a benefit for the foundation Touré directs.

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