
Photo by Peter Neely
SALISBURY – State and local health officials are warning people to avoid exposure to potentially toxic algae blooms in Litchfield County lakes and ponds, fueled by a recent confluence of unusually hot weather, flash downpours and drought.
“It’s the perfect storm,” said Robert Rubbo, director of the Torrington Area Health District (TAHD) which received notice in late August from the Twin Lakes Association (TLA) of concerning algae clumps massing in shallow coves around East and West Twin Lakes in Salisbury.
The lake association had preliminary samples analyzed and found that the masses contain traces of cyanobacteria, also known as blue-green algae. While cyanobacteria is harmless at low levels, at elevated levels certain toxins it emits can be harmful to pets, especially dogs, and to humans, particularly children.
“Ingestion is the biggest thing with blue-green algae, especially with pets, who drink a lot of water when they go in, and it could be deadly to them,” said Rubbo. “The toxins are dangerous even to humans if they are swimming and ingest a certain amount of water.”
According to health officials, blue-green algae blooms have raised concerns in Connecticut and across the nation because the organisms can produce an array of neurotoxins, liver toxins, cell toxins and skin irritants.
More testing needed to determine toxin types, levels
On Aug. 30, Grant Bogle, president of the Twin Lakes Association, said he was awaiting results of testing being conducted in conjunction with the association’s lake management company “to understand more about the specific level and type of toxins that may be present.”
In the meantime, said Bogle, as a precaution, the lakes association has alerted appropriate officials in Salisbury, the TAHD, and the state Department of Environmental Protection and Energy (DEEP).
“They were smart enough to test and sample and report it. This is a growing issue,” noted Larry Marsicano, a limnologist with AER, the lake management company hired by Twin Lakes Association.
“We’re seeing the filament more this year than we have in past years. There are lakes out there that are constantly trying to manage cynobacteria even in open waters.”
“It’s a fine line,” between trying to inform the public and not causing panic, said Chris Bellucci, assistant director of DEEP’s water planning and management division. He said his office received notification of the Twin Lakes blooms through samples and images submitted by TLA association member Peter Neely.
“We know about it and have reviewed the pictures, which indicate there are indeed signs of cyanobacteria,” the DEEP official confirmed in an Aug. 31 phone interview.
Should cell counts and testing determine high toxin levels at a body of water, particularly public swimming areas, then DEEP will post health alert advisories.
Always present, sometimes harmful
Blue-green algae blooms are not unique to Twin lakes. Every lake, said AER’s Marsicano, contains cyanobacteria. “It’s not like the new plague.”
“The Twin lakes and Lake Wononscopomuc [in Lakeville] are lakes that support different kinds of algae populations. You might be out there and see this big cloud of green algae, and there would be no issue associated with that and it’s usually done by late July,” Marsicano explained.
Marsicano said while the Twin Lakes are known to be “pretty clear,” particularly out in the open waters, “now we are suddenly confronted with this shift where blue-green algae masses are accumulating in the coves.”
No issues at Lake Wononscopomuc
Bill Littauer, president of the Lake Wononscopomuc Association, said blue-green algae has posed no problems at Lakeville Lake this summer.
“So far there has been hardly any, and of course we are a much deeper lake,” he noted. “It’s been windy almost all summer, so the wind breaks up algae and doesn’t allow it to accumulate on the shoreline.”
Nutrients from humans exacerbate the problem
Cyanobacteria, which often resemble scum, foam or a thin layer of paint on the surface of water and range in hues from green to bronze, are more likely when water is warm, slow-moving and full of nutrients, such as nitrogen or phosphorous. Nutrients enter the water when runoff from properties washes into lakes and ponds.
“It hasn’t rained in quite a while, and you have everything on the surfaces of lawns that have not washed away in quite some time. And then you get a big flash of rain and all of a sudden,” DEEP’s Bellucci said, an influx of nutrients flows into the lake, fueling blooms.
According to Rubbo at TAHD, heavy rains also contribute to increased bacteria levels, like E.coli.
SHARON — Angela Derrick Carabine, 74, died May 16, 2025, at Vassar Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.
Scott Reinhard, graphic designer, cartographer, former Graphics Editor at the New York Times, took time out from setting up his show “Here, Here, Here, Here- Maps as Art” to explain his process of working.Here he explains one of the “Heres”, the Hunt Library’s location on earth (the orange dot below his hand).
Map lovers know that as well as providing the vital functions of location and guidance, maps can also be works of art.With an exhibition titled “Here, Here, Here, Here — Maps as Art,” Scott Reinhard, graphic designer and cartographer, shows this to be true. The exhibition opens on June 7 at the David M. Hunt Library at 63 Main St., Falls Village, and will be the first solo exhibition for Reinhard.
Reinhard explained how he came to be a mapmaker. “Mapping as a part of my career was somewhat unexpected.I took an introduction to geographic information systems (GIS), the technological side of mapmaking, when I was in graduate school for graphic design at North Carolina State.GIS opened up a whole new world, new tools, and data as a medium to play with.”
He added, “When I moved to New York City, I continued that exploration of cartography, and my work eventually caught the attention of the New York Times, where I went to work as a Graphics Editor, making maps and data visualizations for a number of years.”At the New York Times, his work contributed to a number of Pulitzer Prize winning efforts.
In his work, Reinhard takes complex data and turns it into intriguing visualizations the viewer can begin to comprehend immediately and will want to continue to look into and explore more deeply.
One method Reinhard uses combines historic United States Geological survey maps with “current elevation data (height above sea level for a point on earth) to create 3-D looking maps, combining old and new,” he explained.
For the show at Hunt Library Reinhard said, “I knew that I wanted to incorporate the place into the show itself. A place can be many things.The exhibition portrays the exact spot visitors are from four vantage points: the solar system, the earth, the Northwest Corner, and the library itself.” Hence the name, “Here, Here, Here, Here.”
He continued, “The largest installation, the Northwest Corner, is a mosaic of high-resolution color prints and hand-printed cyanotypes — one of the earliest forms of photography. They use elevation data to portray the landscape in a variety of ways, from highly abstract to the highly detailed.”
This sixteen-foot-wide installation covers the area of Millerton to Barkhamsted Reservoir and from North Canaan down to Cornwall for a total of about 445 square miles.
For subjects, he chooses places he’s visited and feels deeply connected to, like the Northwest Corner.“This show is a thank you to the community for the richness that it has brought to my life. I love it here,” he said.
The opening reception for the show is on June 7 from 5 to 7 p.m. On Thursday, June 12, Reinhard will give a talk about his work from 5:30 to 7 p.m. at the library.“Here, Here, Here, Here” will be on display until July 3.
Scott Reinhard’s 16-foot-wide piece of the Northwest Corner is laid out on the floor prior to being hung for the show. L. Tomaino