Thank you!
Your support is sustaining the future of local news in our communities.

About Billy the Kid's lawyer: Part Two

This is the second part of a two-part series.

We attend an art exhibition with little or no thought given as to how it was gathered for the show. The registrar gathers, therefore she is. Work is borrowed from “lenders,� packed, shipped, insured. You could build a house with the wood used to crate one Picasso for shipment. Worth millions in the early years, billions in current value. The registrar meets with and arranges the shipping, gathering, meeting and getting along with (socially) some of the wealthiest folks on the planet.

In Venice, Italy, my friend, Cheri, who was the registrar for the Guggenheim Museum, was among the last people to meet the legendary Peggy Guggenheim and they got along famously; that’s where the idea to start a bidding war for Cheri’s services began. Two giants of the art museum world entered into a bidding war for the services of the actress kinfolk of Col.Albert Jennings Fountain.

It probably began when the director of the Guggenheim said, “I’d never before met anyone like Cheri, she’s well-liked by everyone.� So when the Museum of Modern Art was planning a massive exhibition of Picasso’s art they needed her talent and personality to gather the work.

They sent word of offers to get her away from the Guggenheim, doubled her money, something like that, bye bye Guggenheim, hello MOMA. She came, she arranged the Picasso exhibit, it was a successful exhibition and the Guggenheim got antsy again.

Under the secret pretext of hand carrying art to the Modern, curators slipped into her office with offers asking her to return to the Guggenheim with the title of “Chief Registrar.� OK, it worked briefly. She returned but not for long. Now a lifestyle change was in order.

So who could argue with the beautiful Pacific oceanfront town of Santa Barbara, California and The Santa Barbara Museum of Art. Cheri’s now their “Chief Registrar,� offering occasional lectures and consultation to other areas of the art world. A consulting situation at the University of Utah was a pleasant return to theater; she received a V.I.P. tour of the Sundance Film Festival.

I can’t help but wonder what Col. Fountain would’ve thought about art museums fighting over the services of his kinfolk. He seemed like a good guy in the Old West, representing an underdog the likes of William Bonney, accused of murder.

“Billy the Kid� was found guilty but he broke out of jail and was eventually gunned down by Sheriff Pat Garrett. Sad, true, legendary old western story. Cheri’s mother had dated Pat Garrett Jr., he supposedly gave her the gun that shot Billy. “That’s a fortune under the gavel at Sotheby’s,� I said.

“Where’s that gun now?� I asked. Cheri didn’t know, didn’t care, it was a gun that killed someone. The big bucks potential meant nothing to her. In a world of Wall Street felons that’d pluck the fillings from their dead grannies’ teeth she had no interest in the weapon that killed Billy the Kid. Ya really gotta love a lady like that. Character inherited from Colonel Albert Jennings Fountain.

Post Script: Recently the Las Cruces, N.M., Police Department contacted members of Col. Fountain’s family for DNA samples to match some bones that were found near a ranch located east of the Organ Mountains. If these are the bones of the colonel and his son Henry it will be a great historical moment of celebration statewide.

Also Note: After Pat Garrett killed Billy the Kid he wired the state governor’s office to receive the $500 reward. The governor was out of state. He was in New York plugging his book. Gov. Lew Wallace wrote “Ben Hur.�

New Mexico, remarkable place ....

Bill Lee lives in New York City and Sharon, and has been a professional cartoonist for decades.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.