Art of political satire at Tort Museum

WINSTED —  The American Museum of Tort Law held its second annual Spring Reawakening on Saturday, June 3.

The event was originally scheduled for April 1 but was postponed due to weather.

The museum, which is located at 654 Main St., opened in September 2015. It closes annually in December and remains closed during the winter season except for private tours and groups.

The June 3 event was entitled “If it Doesn’t Please the Court: Two Ink-Stained Wretches on the Art of Political Satire.”

Pulitzer Prize-winning cartoonist and illustrator Matt Wuerker, New Yorker magazine cartoonist Barry Blitt and museum founder Ralph Nader were featured.

The event was held next door to the museum at the Winsted United Methodist Church.

During the first part of the program, Wuerker and Blitt held a workshop where the two taught approximately 60 attendees about the art of political drawing.

The two showed how to draw political figures, including former President George W. Bush and current President Donald J. Trump.

Later on in the day, the two joined Nader at the church to talk about the art of satire and presented a history of their work to more than 100 attendees.

“It all comes down to the line and the mind,” Museum Director Rick Newman said at the introduction of the presentation. “It transmutes words and political goons, in a process of alchemy, into art that speaks to everyone.”

Nader, in his speech, said, “Believe it or not, I have a sense of humor.

“I don’t know where the stereotype [of not having humor] came from. I’ve been on ‘Saturday Night Live’ three times,” Nader said. “I was a member of the drama club at The Gilbert School. One time I spoke to the National Association of Editorial Cartoonists and they didn’t laugh once. It’s a very serious type of journalism for us in the consumer and environmental world for a lot of reasons. In humor, there is truth. You can’t be too loose with the humor because you would lose a lot of truth.”

In interviews during a break, both Blitt and Wuerker said that it was the first time they had traveled to Winsted.

“I think nowadays there are less political cartoons and less outlets for them,” Blitt said. “I think a lot of political cartoonists are suffering as far as outlets. They are still very important.”

Blitt, who has created more than 80 covers for The New Yorker since 1992, called the Trump presidency a “target-rich environment.”

“Aside from all of his very bad ideas, if you look at him you will see that he is already a drawn caricature,” Blitt said. “[Cartoonists] are always trying to be idealistic. Certainly, this museum is kind of a tribute to idealism and how things should be.”

Wuerker won the Pulitzer Prize for Editorial Cartooning in 2012. He is a founding member of the website www.politico.com.

He also contributed artwork for various exhibitions at the museum.

“I’ve been drawing cartoons since Jimmy Carter was president,” Wuerker said. “As they say, the clover or the hay has never been this high. Trump may be bad for the country and may be bad for the world, but he’s a wonderful gift to cartoonists in many ways. My work has never been easier. We’ve never had a president with a private Twitter account that comes unfiltered from The White House, where he tweets at midnight or 5 a.m. I literally have had days where I’m like oh, I’m not sure what I’m going to draw. And then I turn on Twitter, and there it is. Suddenly there is a whole new angle to the madness.”

Wuerker said that satire is critical in the makeup of today’s society.

“I think that one of the darker sides of the Trump phenomenon is the tribalism that is spreading across the country,” he said. “I think that approaching politics with good humor lessens that tribalism. I’m not sure satire should not bite, but if we can laugh at each other a little bit and make our political points with a little bit of wit and a little less vitriol, it would be important for the country.” 

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