Big Smiles, Great Dancing At the Mac-Haydn Theatre

The first thing Millie Dillmount does when she arrives in New York City is tear up her ticket back home to Salina, KS. 

And so begins “Thoroughly Modern Millie,” a Tony Award-winning musical that started life as a movie and is a popular show in regional theater.

Next, some ruffian steels her handbag, all her cash and her shoe, which is a good thing because that’s how she meets Jimmy (Conor Fallon), the fella who tells her to take the next train back to Kansas and turns into her adorable suitor.

 Millie (Bridget Elise Yingling), of course, stays, otherwise we would have missed some terrific dance numbers, appealing actors, glittery togs and a story that telegraphs every step it’s about to take.

 Millie gets a job in the typing pool working for one Trevor Graydon (Gabe Belyeu) upon whom Millie sets her sites because she plans to marry for money. Not love. That, the script tells us, is what modern women in 1922 did. And the tap number with all the typists typing and tapping is terrific. All the dancing is terrific. So is the singing.

 The subplot, however, involving Asian white- slave traders and disappearing female orphans fresh from other places like Salina, is cringe-making. We even get two Chinese laundrymen singing “Mammy,” made famous by Al Jolson in blackface in the 1930s.

 Push that aside and you will get what the Mac-Haydn always does best: putting eager young actors in the bright lights to spend the summer singing and dancing and grinning. 

 And most memorable here is Yvette Clark, a pro playing Muzzy, a grand woman with a big voice and a way on stage that just takes over.

 “Thoroughly Modern Millie” runs at the Mac-Haydn Theater in Chatham, NY, through Sept. 6. The cast must be rehearsing their skating this week because next up is “Xanadu,” Sept. 11 - 20.

 For tickets and information, call 518-392-9292 or go to www.machaydntheatre.org.

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