This Bunny Is Not Just For Kids

As rabbits go, Peter must be considered the “Methuselah” of the species. Born in 1902 on the pages of “The Tales of Peter Rabbit” by prolific author/illustrator Beatrix Potter, Peter has survived generations of short attention span readers, tsunamis of technology and competition from stories that feature superheroes, interplanetary flight and nuclear explosions. He hops on, starring in ‘Peter Rabbit,’ a film now in wide release.

To be fair, Will Gluck’s production of ‘Peter Rabbit’ does have an explosion or two, there is some natural flight of birds and vaudevillian flight of humans, but the heroes are refreshingly human … even if some of them have long ears and cotton tails and a penchant for eating carrots.

The wonders of C.G.I. ­­— computer-generated imagery – make films like “Peter Rabbit” possible by combining carefully designed and skillfully animated creatures and placing them in complete interaction with the live-action “real” world of the rest of us.  

Rose Byrne, winsomely charming as “Bea,” matches hop for hop with Peter, voiced by the amazingly talented James Corden. She is an aspiring artist whose abstract paintings are reminiscent of a kindergarten art fair but whose illustrations of her cherished rabbits are straight out of Beatrix Potter. He is the ring leader of a family of rabbits – sisters “Flopsy,” “Mopsy” and “Cottontail” and cousin Benjamin Bunny – who overrun the garden and house of Old Mr. McGregor after the curmudgeon’s untimely death.

Their wild party, hosting hedgehogs, deer, squirrels, birds and miscellaneous other local denizens is abruptly interrupted by the appearance of Mr. Thomas McGregor, the old man’s distant relative and a disgruntled former employee of Harrod’s in London. Domhnall Gleeson as the young McGregor is a perfect foil for the animals and a charming study in how a confirmed city boy fares in the country and falls in love with the girl next door.

The scheming and battles that escalate between young Mr. McGregor and Peter’s gang are comically played off against the courting of Bea until  … well, it wouldn’t be fair to discuss the dynamite, the falling tree, the sale of the McGregor home and the heart-felt truce that leads nicely into the closing credits. You’ll just have to see that for yourselves.

If the debate in your home is whether or not to have adults attend this “kid’s movie,” let us offer a three-generational observation. Producers and script writers like Gluck and his writing partner Rob Lieber have skillfully inserted crisp dialogue, generational humor and story twists that entertain across all members of the audience. “Peter Rabbit” is fun. Go see it. This winter needs some warmth and laughter. 

“Peter Rabbit” is rated PG. It is playing widely.

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