The last pictures by Dorian Gray

Photo by Danny Fields
Duncan Hannah was cool his whole life, which is pretty impressive considering most people aren’t even cool for a year. He also stayed cool while living in Connecticut, which is a bit like breathing on the moon.
I first met Hannah on a snowy morning in 2018, during a bitterly long New England winter that would last through May. I was at his home in West Cornwall, a short walk from the covered bridge, to interview him on the release of “20th Century Boy,” a published collection of the personal diaries he kept from 1970 through 1981.
In old photos next to Debbie Harry and Andy Warhol, Hannah appears as the portrait of effortless youth; smooth chest, bedroom eyes, a cigarette dangling from his lip. When not painting, he lived it up among the luminaries of New York’s grimiest decade, bumping shoulders in the dirty downtown bathrooms of Max’s Kansas City, CBGB, The Mudd Club. “A great cross-section of lunatics and rock stars,” Hannah told me.
At 65, layered in a pink button-down, olive sweater vest, and corduroy suit, he had settled into the out-of-time style of the old prep establishment, just the kind he had bucked against. There was a playful wit to this later life style (perfectly captured in a 2019 Esquire Magazine spread) a puckish nod to an Anglo-mania academia dress code that doesn’t exist anymore — least of all in today’s prep school teachers.
We sat in striped club chairs against walls lined with hardbacks, Saki and The Secret History, Tom Wolfe and Tom Swift. Hannah showed me a fan letter he had received from a girl at Phillips Exeter Academy. She had read his diary excerpts printed in The Paris Review that autumn.
The entries start in 1970 when 17-year-old Hannah was a real life angel-faced Holden Caulfield, flung out of his private boys’ academy and into the hallways of a Minnesota public school. He grows out his hair and distributes his own dirty 'zine, records all he takes in: the concerts, the albums, the film — The Stooges, David Bowie, “Chloe in The Afternoon.” He gets into Bard and discovers de Kooning, gets hit on by Allen Ginsberg, loses 20 pounds and fakes a lurid gay life to dodge the draft, struggles with his art professor’s criticism, meets many girls, and has sex the way no one born after the mid-80s has sex anymore, which is to say, thoughtfully. "We get horizontal, a nudging cunnilingus, she tastes like the sea," he wrote in 1973.
“I was thinking, it’s so funny, " Hannah told me as we talked about the fan/love letter, "she knows better, but she thinks she’s writing to the 20-year-old kid.”
What’s so obvious to me now is exactly why the girl at Exeter was swept away by the diaries, that voyeuristic view into the inner life of the ghost of a boy long gone. No 21st Century boy could write the way Hannah did, because no one has a private life anymore. Our diaries exist online, soullessly and self-consciously curated, eager to be discovered by an audience as we posture and pretend. If you don't take photo of yourself reading Keats, did it happen? But in sharing so much, we have lost the personal connection to ourselves. The dangerous thrill the girl experienced was reading secret, literary, lively written by a boy her age, lustfully connected his life, to himself, to his inner world of screw-ups, eroticism, beat poetry, and artistic discovery, none of it ever meant to be shared.
“Duncan Hannah finds himself in the very modern predicament of painting pictures that seem infuriatingly attractive. He has been called “the Barry Manilow of the New Wave” and the prophet of “the Age of Valium,” Glenn O’Brien wrote in the Summer 1984 issue of ArtForum. “He makes beautiful paintings that, like beautiful boys and girls, look like they should be popular. If he’s the prophet of anything it’s that living and painting well is revenge enough.”
His titillating oil paintings were as sincere as his diaries, Hopper minus event a hint of loneliness, a subdued pastel playground of coy pleasure, gamine elegance, and an endless array of perfect breasts — the dreamworld of a dreamboat.
Hannah died this year of a heart attack at 69. When I heard, I opened my copy of “20th Century Boy” and found a piece of hotel stationery he had slipped in, telling me to go read Tim Dlugos.
Dlugos was an openly gay young poet in the 1970s New York scene who continued to write as he died of AIDS complications at the end of the 1980s. In his most famous work “G-9,” named after his hospital room, Dlugos writes, “Duncan Hannah visits, and we talk of out-of-body experiences. His was amazing.” He recalls Duncan’s drunk nightmare in his dormitory at Bard, waking to find an imagined naked boy sleeping on the floor. “He struggled out of bed, walked over to the youth, and touched his shoulder. The boy turned; it was Duncan himself.”
“Collected Works by the Late Duncan Hannah” is now on view at The Cornwall Library in Cornwall, Conn., through Nov. 27.
Photo by Danny Fields
Photo by Danny Fields
Photo by Danny Fields
The legal case, if approved by the court, would nullify a 2024 zoning regulation change that allows hotels in the RR1 zone via special permit application.
LAKEVILLE — At nearly 11 p.m. on Monday night, Oct. 20, Salisbury’s Planning and Zoning Commission voted 4-1 to approve, with conditions, Aradev LLC’s controversial application to redevelop the Wake Robin Inn.
The decision came more than 4 hours after the meeting began at 6:30 p.m., and more than a year since Aradev submitted its first application to expand the longstanding country inn. The approved plans call for a new 2,000-square-foot cabin, an event space, a sit-down restaurant and fast-casual counter, a spa, library, lounge, gym and seasonal pool.
Aradev withdrew its first application in December 2024 after P&Z indicated it would likely deny it based on concerns about sewer approval, noise levels and the general size and intensity of the proposed development. During a pre-application meeting held with Aradev in January 2025, the Commission informed the developer that those three topics were the cruxes of both P&Z’s and the public’s objection to the first proposal.
The nine-page, 40-condition draft resolution that was ultimately approved on Monday night states that in the revised application, those “three major areas of concern have been addressed.” The document, which is available for public viewing on P&Z’s “Meeting Documents” web page, lists a number of changes that have eased doubts: a reduction in the number of auxiliary cabins, a tightening of the central campus that brings external elements like the spa and pool closer to the core of the development, a thorough sound analysis and noise pollution mitigation plan, approval from the town’s Water Pollution Control Authority, and moving the “event barn,” once planned to be a free-standing structure, into the main inn building expansion.
In the Commission’s deliberations following the closure of the public hearing for the revised application in September, several commissioners expressed their satisfaction with Aradev’s responsiveness to the commission’s and community’s concerns. During the first deliberation session on Oct. 7, Chair Michael Klemens said he found the new plans to be “much better designed this go around,” though he did qualify that the proposed development was “still large.”
At the same meeting, commissioner Allen Cockerline voiced his approval of the renewed application’s technical details, such as its sound survey, a robust stormwater management plan, and relocating the event facility inside the main building, which he described as a “very, very positive move.”
Vice Chair Cathy Shyer, though, felt differently. “The bottom line is, this is a big development,” she said during the Oct. 7 discussion. “It’s as big as the last one.”
During the seven public hearing sessions that took place in August and September, cries that the revised application had not mitigated in any meaningful way its most invasive components — namely, the “inappropriate” size and scale of the development in a rural residential (zoned RR1) neighborhood — were a common refrain from neighbors of the inn.
Over the course of those seven meetings, and an additional six during the hearing process for Aradev’s first application last year, P&Z heard hours of testimony from the community, the vast majority of it in opposition to the project.
Shyer echoed those sentiments at the Oct. 20 meeting: “Some things just don’t belong in some places.”
She expressed her frustration at the Commission for its debate over conditioning the approval to remove three of the four cottages in the site plans, which she felt was a red herring towards the broader issue. “This project is so big and so intense that taking three keys away is not making any difference.”
The meeting eventually took a 45-minute recess to allow Land Use Director Abby Conroy to draft a new resolution that included the stipulation to remove the three cottages, leaving only one still included in the plan. Upon resuming the meeting at 10:30 p.m., Klemens asked for a motion to approve the resolution, which was followed by a lengthy silence before Cockerline eventually offered it up. The vote passed 4-1, with Shyer voting no.
The moment marked the end of an application process that has seen heightened emotions, community organizing that includes two petitions against the project with hundreds of signatures each, and litigation against P&Z for a regulation change that allowed the proposal to see review in the first place.
The legal case, if approved by the court, would nullify a 2024 zoning regulation change that allows hotels in the RR1 zone via special permit application. Klemens said that, because of this, “the applicant is proceeding totally at its own risk.”
P&Z’s attorney Charles Andres stated that he believed it was unlikely Aradev would even be able to begin construction in the next several months as the case sees court review: “It’s highly unrealistic that they will proceed while that is still pending.”
SALISBURY — Amanda Cannon, age 100, passed away Oct. 15, 2025, at Noble Horizons. She was the wife of the late Jeremiah Cannon.
Amanda was born Aug. 20, 1925, in Brooklyn, New York the daughter of the late Karl and Ella Husslein.
She was widowed at the age of 31 and worked as a bookkeeper for the Standard Oil Company and other oil companies in New York City until she retired at age 72.
Amanda moved to Noble Horizons in 2013 to live near her daughter Diane and son-in-law (the late) Raymond Zelazny.
She enjoyed her time in the Northwest Corner and was an avid nature lover, albeit considered herself a native New Yorker as she was born and resided in NYC for 88 years.
She was a faithful parishioner of St. Mary’s Church in Lakeville and attended Mass regularly until the age of 99.
Amanda was the grandmother of (the late) Jesse Morse and is survived by her daughter, Diane Zelazny, her grandsons, Adam Morse, Raymond Morse and his wife Daron and their daughter and her great granddaughter Cecelia Morse.
A Mass of Christian Burial will take place on Thursday, Oct. 23, 11 a.m. at St Mary’s Church in Lakeville, Connecticut.
Memorial donations may be made to St. Mary’s Church.
The Kenny Funeral Home has care of arrangements.
LAKEVILLE — Barbara Meyers DelPrete, 84, passed away Tuesday, Sept. 30, 2025, at her home. She was the beloved wife of George R. DelPrete for 62 years.
Mrs. DelPrete was born in Burlington, Iowa, on May 31, 1941, daughter of the late George and Judy Meyers. She lived in California for a time and had been a Lakeville resident for the past 55 years.
Survivors, in addition to her husband, George, include son, George R. DelPrete II, daughter, Jena DelPrete Allee, and son Stephen P. DelPrete. Grandchildren; Trey, Cassidy, and Meredith DelPrete, Jack, Will and Finn Allee, and Ali and Nicholas DelPrete.
A Funeral Mass was held at St. Mary’s Church, Lakeville, on Saturday, Oct. 4. May she Rest in Peace.
Ryan Funeral Home, 255 Main St., Lakeville, is in care of arrangements.
To offer an online condolence, please visit ryanfhct.com
SHARON — Shirley Anne Wilbur Perotti, daughter of George and Mabel (Johnson) Wilbur, the first girl born into the Wilbur family in 65 years, passed away on Oct. 5, 2025, at Noble Horizons.
Shirley was born on Aug. 19, 1948 at Sharon Hospital.
She was raised on her parents’ poultry farm (Odge’s Eggs, Inc.).
After graduating from Housatonic Valley Regional High School, she worked at Litchfield County National Bank and Colonial Bank.
She married the love of her life, John, on Aug. 16, 1969, and they lived on Sharon Mountain for more than 50 years.
Shirley enjoyed creating the annual family Christmas card, which was a coveted keepsake.She also enjoyed having lunch once a month with her best friends, Betty Kowalski, Kathy Ducillo, and Paula Weir.
In addition to John, she is survived by her three children and their families; Sarah Medeiros, her husband, Geoff, and their sons, Nick and Andrew, of Longmeadow, Massachusetts, Shelby Diorio, her husband, Mike, and their daughters, Addie, Lainey and Lyla, of East Canaan, Connecticut,Jeffrey Perotti, his wife, Melissa, and their daughters, Annie, Lucy and Winnie, of East Canaan. Shirley also leaves her two brothers, Edward Wilbur and his wife Joan, and David Wilbur; two nieces, three nephews, and several cousins.
At Shirley’s request, services will be private.
Donations in her memory may be made to the Sharon Woman’s Club Scholarship Fund, PO Box 283, Sharon, CT 06069.
The Kenny Funeral Home has care of arrangements.