The last pictures by Dorian Gray

Photo by Danny Fields
Duncan Hannah was cool his whole life, which is pretty impressive considering most people aren’t even cool for a year. He also stayed cool while living in Connecticut, which is a bit like breathing on the moon.
I first met Hannah on a snowy morning in 2018, during a bitterly long New England winter that would last through May. I was at his home in West Cornwall, a short walk from the covered bridge, to interview him on the release of “20th Century Boy,” a published collection of the personal diaries he kept from 1970 through 1981.
In old photos next to Debbie Harry and Andy Warhol, Hannah appears as the portrait of effortless youth; smooth chest, bedroom eyes, a cigarette dangling from his lip. When not painting, he lived it up among the luminaries of New York’s grimiest decade, bumping shoulders in the dirty downtown bathrooms of Max’s Kansas City, CBGB, The Mudd Club. “A great cross-section of lunatics and rock stars,” Hannah told me.
At 65, layered in a pink button-down, olive sweater vest, and corduroy suit, he had settled into the out-of-time style of the old prep establishment, just the kind he had bucked against. There was a playful wit to this later life style (perfectly captured in a 2019 Esquire Magazine spread) a puckish nod to an Anglo-mania academia dress code that doesn’t exist anymore — least of all in today’s prep school teachers.
We sat in striped club chairs against walls lined with hardbacks, Saki and The Secret History, Tom Wolfe and Tom Swift. Hannah showed me a fan letter he had received from a girl at Phillips Exeter Academy. She had read his diary excerpts printed in The Paris Review that autumn.
The entries start in 1970 when 17-year-old Hannah was a real life angel-faced Holden Caulfield, flung out of his private boys’ academy and into the hallways of a Minnesota public school. He grows out his hair and distributes his own dirty 'zine, records all he takes in: the concerts, the albums, the film — The Stooges, David Bowie, “Chloe in The Afternoon.” He gets into Bard and discovers de Kooning, gets hit on by Allen Ginsberg, loses 20 pounds and fakes a lurid gay life to dodge the draft, struggles with his art professor’s criticism, meets many girls, and has sex the way no one born after the mid-80s has sex anymore, which is to say, thoughtfully. "We get horizontal, a nudging cunnilingus, she tastes like the sea," he wrote in 1973.
“I was thinking, it’s so funny, " Hannah told me as we talked about the fan/love letter, "she knows better, but she thinks she’s writing to the 20-year-old kid.”
What’s so obvious to me now is exactly why the girl at Exeter was swept away by the diaries, that voyeuristic view into the inner life of the ghost of a boy long gone. No 21st Century boy could write the way Hannah did, because no one has a private life anymore. Our diaries exist online, soullessly and self-consciously curated, eager to be discovered by an audience as we posture and pretend. If you don't take photo of yourself reading Keats, did it happen? But in sharing so much, we have lost the personal connection to ourselves. The dangerous thrill the girl experienced was reading secret, literary, lively written by a boy her age, lustfully connected his life, to himself, to his inner world of screw-ups, eroticism, beat poetry, and artistic discovery, none of it ever meant to be shared.
“Duncan Hannah finds himself in the very modern predicament of painting pictures that seem infuriatingly attractive. He has been called “the Barry Manilow of the New Wave” and the prophet of “the Age of Valium,” Glenn O’Brien wrote in the Summer 1984 issue of ArtForum. “He makes beautiful paintings that, like beautiful boys and girls, look like they should be popular. If he’s the prophet of anything it’s that living and painting well is revenge enough.”
His titillating oil paintings were as sincere as his diaries, Hopper minus event a hint of loneliness, a subdued pastel playground of coy pleasure, gamine elegance, and an endless array of perfect breasts — the dreamworld of a dreamboat.
Hannah died this year of a heart attack at 69. When I heard, I opened my copy of “20th Century Boy” and found a piece of hotel stationery he had slipped in, telling me to go read Tim Dlugos.
Dlugos was an openly gay young poet in the 1970s New York scene who continued to write as he died of AIDS complications at the end of the 1980s. In his most famous work “G-9,” named after his hospital room, Dlugos writes, “Duncan Hannah visits, and we talk of out-of-body experiences. His was amazing.” He recalls Duncan’s drunk nightmare in his dormitory at Bard, waking to find an imagined naked boy sleeping on the floor. “He struggled out of bed, walked over to the youth, and touched his shoulder. The boy turned; it was Duncan himself.”
“Collected Works by the Late Duncan Hannah” is now on view at The Cornwall Library in Cornwall, Conn., through Nov. 27.
Photo by Danny Fields
Photo by Danny Fields
Photo by Danny Fields
SALISBURY — Joseph Robert Meehan the 2nd,photographer, college professor and nearly 50 year resident of Salisbury, passed away peacefully at Noble Horizon on June 17, 2025. He was 83.
He was the son of Joseph Meehan the 1st and his mother, Anna Burawa of Levittown, New York, and sister Joanne, of Montgomery, New York.
He is predeceased by his wife, Elsie Lynn Meehan who passed away in November of 2023.
He leaves behind a son, Joseph Cortese, of Upton Massachusetts, his wife Mary and grandchildren, Michaela (Cortese)Donabedian, her husband Sevag and his great grandson, Ari, of Hopkinton, Massachusetts.
His grandson, Joseph Cortese, of Barrington, Rhode Island, and his granddaughter, Jaclyn Cortese of Tamworth, New Hampshire.
He also leaves behind his daughter, Kathleen Cortese Zito and husband Dominic, their three children, Michael, Alessandra, and Mathew Zito of Broomall, Pennsylvania.
After teachingpsychology at Dutchess Community College in Poughkeepsie, starting in 1968, his40-year career in photography started in the mid to late 70’s and has included assignment work for a wide variety of commercial and editorial publications. Over a thousand of his photographs have appeared in newspapers, books, magazines and on web sites for clients such as Nikon, and Hasselblad cameras, SanDisk memory cards, Tiffen Filters, Fujifilm, Eastman Kodak, the U.S. Army, National Geographic, the Smithsonian Museum and the U.S. Department of the Interior.
His work ranged from the beauty of the Salisbury areato an expedition photographer for arctic animal studies in the high Canadian Arctic, photographing Inuit hunters in Northern Greenland to landscape work in other extreme locals such as Death Valley, California.
Portfolios of his work have featured in such magazines as Outdoor Photographer, Shutterbug, Rangefinder and Popular Photography and his style has been characterized by the New York Times as “…alive with color and sparkling with light.”
He also served as the technical editor of Photo District News for over a decade, writing about new technologies and products and was the former editor of the Photography Yearbook. He has authored over 20 books on photographic technique many of which have received “best book” awards and have been translated into several languages.
Born in New York City, he was a 1959 graduate of Levittown High School, Levittown, New York.
He received his baccalaureate degree with honors from Columbia and a Master of Arts degree from Manhattan College. He has taught photography on the college level in the U.S., England and at the National Academy of Arts in Taiwan and gave workshops at the Palm Beach Photographic Centre in West Palm Beach, Florida.
His eye always saw the beauty of the Salisbury area through alens and he captured those images in an area that he and his wife Lynn loved.
When they were not on/in and around the lake, he and Lynn didn’t miss any of their grandchildren’s big events.Joe took great pride in photographing all these memorable events.
His beautiful images will always be here for all to appreciate.
Funeral services are under the direction of Newkirk-Palmer funeral home and a graveside service will be held this Friday, June 27, 2025, at 11 a.m. at St. Mary’s Cemetery, 18 Cobble Road, Salisbury, Connecticut.
STANFORDVILLE, New York — It is with profound sadness that we announce the passing of Florence Olive Zutter Murphy, who went home to be with the Lord on June 16, 2025, at the age of 99.
She was born in Sharon, Connecticut on Nov. 20, 1925, and was a long time resident of the Dutchess County area.
She was a devoted mother, loving wife to James Francis Murphy, who passed on Oct. 11, 1971, and a dear friend to many.
Florence, who was also known as Flo, managed a dairy farm for many years on Carpenter Hill Road in Pine Plains, New York. She is remembered for her delicious home cooked meals.
After raising her children she became an avid square dancer, racketball and tennis player. She then discovered her love for bike riding. She enjoyed embarking on bike tours well into her mid 80’s. When Flo wasn’t out riding her bike she could be found taking care of her property. She loved gardening, clearing the woods and building rock walls one stone at a time.
Florence was an amazing woman of great integrity, strength and tenacity. She was adored, respected and greatly loved by her family and those who knew her.
Florence is survived by her seven children — Bonnie June Chase, James Albert Murphy, Donna Sue Strauss, Jackie Lynn Merwin Disher, Glenn William Murphy, Lori Lee Mora and Clint Evan Murphy as well as 16 grand children and 20 great grand children.
She will always be remembered and greatly missed.
The Kenny Funeral Home has care of arrangements.
Chore Service hosted 250 supporters at it’s annual Garden Party fundraiser.
On Saturday, June 21, Mort Klaus, longtime Sharon resident, hosted 250 enthusiastic supporters of Northwest Corner’s beloved nonprofit, Chore Service at his stunning 175-acre property. Chore Service provides essential non-medical support to help older adults and those with disabilities maintain their independence and quality of life in their own homes.
Jane MacLaren, Executive Director, and Dolores Perotti, Board President, personally welcomed arriving attendees. The well-stocked bar and enticing hors d’oeuvres table were popular destinations as the crowd waited for the afternoon’s presentations.
Jane MacLaren, Executive Director of Chore Service, and Mort Klaus, host of the Garden Party eventBob Ellwood
The Garden Party is Chore Service’s only major fundraising event of the year, so it was not only a wonderful social activity, but a vital support mechanism to keep our most vulnerable residents in their homes.
First to present was MacLaren, who underlined the organization’s mission, thanked all caregivers for their important work, and said, with gratitude, to all donors, “Our accomplishments are your accomplishments.”
Ellen Ebbs, a Litchfield resident and Chore client, delivered a powerful and deeply personal testimony, sharing how the organization’s services transformed her life after a serious fall left her “disabled, dependent, and depressed.” Her story resonated with the audience and highlighted the vital impact of Chore’s work.
Priscilla McCord, outgoing Board Chair of Chore Service and Patrick Roy, incoming Chair.Bob Ellwood
Patrick Roy, high-energy incoming Chair of the Board, as well as First Selectman of Roxbury and Chief of its police force, told the crowd of his “Fragile List” — those in the community a step away from losing their independence, and how he ensured that this group was adequately taken care of. Priscillia McCord, outgoing Board Chair after twelve years of unstinting service, asked for donations for Fund the Cause, urgently needed to support the recently-expanded transportation services before funding runs out in September. As Patrick Roy said, “In rural towns like ours, our clients depend on us for basic services — to get to their medical appointments, go grocery shopping, as well as life-enhancing activities like going to the library and getting a weekly lift to visit family and friends.” Both Roy and McCord emphasized the area of greatest current concern — that of an upcoming decrease in federal funding, something we will learn more about in August.
Chore Service supports the towns of Cornwall, Falls Village, Goshen, Kent, Litchfield, Morris, Norfolk, North Canaan, Roxbury, Salisbury/Lakeville, Sharon, Warren, and Washington.
For those interested in accessing services or providing them, please contact Chore Service at (860) 435-9177. To learn more about the organization or to donate, go to www.choreservice.org.
Sally Haver has lived in the Berkshires, on and off, since the mid-’70’s and her horse lives in Amenia.
The mission statement of the Berkshire Bach Society (BBS) reads: “Our mission is to preserve the cultural legacy of Baroque music for current and future audiences — local, national, and international — by presenting the music of J.S. Bach, his Baroque predecessors, contemporaries, and followers performed by world-class musicians.”
Its mission will once again be fulfilled by presenting a concert featuring Dane Johansen on June 28 at St. Paul’s Episcopal Church at 29 Main Street, in Stockbridge, Massachusetts.
Terrill McDade, Executive Director of BBS, said, “Dane is a supremely talented musician and a musical poet. Audiences will hear his cello speak in three different musical dialects: those of Bach, Gaspar Cassadó, and Benjamin Britten. They will experience and be able to find the idiom that means the most to them. The music is classical, contemporary, and modern. It is contemplative, energetic, lyrical, rhythmic, and, in the end, philosophical. The audience is in for that rare musical treat of an intimate recital of profound music interpreted by a solo player who gives them something to think about —whether consciously or sub-consciously.”
McDade added, “Berkshire Bach believes it is very important to present live performances of a variety of Baroque music throughout the season, especially in this time in our society. Music has restorative power, and when played by fine musicians, can provide moments of respite and reflection that do us good.”
Johansen’s recital on June 28 is a case in point. The sound of the cello — so close to that of the human voice —makes us feel better somehow — refreshed in our spirit, hopeful, better able to carry on in difficult times,” said McDade.
Johansen grew up in Fairbanks, Alaska. He graduated from Juilliard and is a member of the Cleveland Orchestra, which he joined in 2016. He has performed all over the world as a soloist, chamber, and orchestral musician. He was a member of the Escher String Quartet and a BBC Radio 3 New Generation Artist.
The concert will conclude Berkshire Bach’s thirty-fifth season, which opened with the film “Strangers on the Earth,” also featuring Johansen as he walked the Camino de Santiago — the ancient 600-mile pilgrimage route extending through France and Spain — with his cello strapped to his back in 2014. He stopped in towns along the way and played the six Bach Cello Suites in local churches.
The concert will begin at 5pm. Tickets are available at: www.bershirebach.org/events.