On View This Weekend

At the opening of the group exhibition “Days I Have Held, Days I Have Lost” at Kenise Barnes Fine Art in Kent, Conn., Barnes lamented that her role as director prevented her from gallery-hopping to see all the other openings. In Manhattan’s Chelsea neighborhood, Barnes repined, you could pop into 10 shows in two hours. In the country, everything is a half hour away. She’s not wrong, and seeing everything that’s on view takes some planning. At KBFA, 5 x5 inch canvas by Sally Maca dazzle with nocturnal bursts of fireworks while the large-scale speedo-clad self-portrait by David Konigsberg is John Cheever brought to life in a Bombay Sapphire-colored swimming pool.

For darker waters, head to Carol Corey Fine Art, also in Kent, where Lisa Lebofsky’s oil on aluminum, “On The Horizon,” dips into Melville with foreboding ocean waves that lurch toward the viewer. Rick Shaefer’s liquid black-and-white charcoal work combines a painterly sensibility with a landscape photographer’s eye for contrast and composition.

Finally in Kent, Craven Contemporary celebrates its five-year anniversary highlighting works from powerhouses like Alex Katz and Damien Hirst and emerging talent like Canadian painter Bruno Leydet, who forgoes his usual male nudes against sherbet Italianate wallpaper in favor of a bold outdoor portrait where pistil-shaped sparklers explode over black like Dutch Old Master tulips.

Travel to the David M. Hunt Library’s ArtWall in Falls Village, Conn., and you’ll see work by the husband-and-wife duo Millree Hughes and Sharon, Conn., native Sarah Davis, on view through June 9. Davis’s dreamy landscapes cast an equally fond eye on solitary nature and urban neighborhood streets, while Hughes’s digital landscapes based on the mega-popular online multiplayer video game “World of Warcraft” seem to level criticism at the pixels we have not only turned our attention to, but fully immersed ourselves in.

Dave The Swimmer by David Konigsberg Photo by Alexander Wilburn

Trapani by Bruno Leydet Photo by Alexander Wilburn

Seascape After Squall by Rick Shaefer Photo by Alexander Wilburn

Dave The Swimmer by David Konigsberg Photo by Alexander Wilburn

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Classifieds - February 26, 2026

Classifieds - February 26, 2026

Help Wanted

PART-TIME CARE-GIVER NEEDED: possibly LIVE-IN. Bright private STUDIO on 10 acres. Queen Bed, En-Suite Bathroom, Kitchenette & Garage. SHARON 407-620-7777.

The Salisbury Association’s Land Trust seeks part-time Land Steward: Responsibilities include monitoring easements and preserves, filing monitoring reports, documenting and reporting violations or encroachments, and recruiting and supervising volunteer monitors. The Steward will also execute preserve and trail stewardship according to Management Plans and manage contractor activity. Up to 10 hours per week, compensation commensurate with experience. Further details and requirements are available on request. To apply: Send cover letter, resume, and references to info@salisburyassociation.org. The Salisbury Association is an equal opportunity employer.

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To save birds, plant for caterpillars

Fireweed attracts the fabulous hummingbird sphinx moth.

Photo provided by Wild Seed Project

You must figure that, as rough as the cold weather has been for us, it’s worse for wildlife. Here, by the banks of the Housatonic, flocks of dark-eyed juncos, song sparrows, tufted titmice and black-capped chickadees have taken up residence in the boxwood — presumably because of its proximity to the breakfast bar. I no longer have a bird feeder after bears destroyed two versions and simply throw chili-flavored birdseed onto the snow twice a day. The tiny creatures from the boxwood are joined by blue jays, cardinals and a solitary flicker.

These birds will soon enough be nesting, and their babies will require a nonstop diet of caterpillars. This source of soft-bodied protein makes up more than 90 percent of native bird chicks’ diets, with each clutch consuming between 6,000 and 9,000 caterpillars before they fledge. That means we need a lot of caterpillars if we want our bird population to survive.

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Stephanie Haboush Plunkett and the home for American illustration

Stephanie Haboush Plunkett

L. Tomaino
"The field of illustration is very close to my heart"
— Stephanie Plunkett

For more than three decades, Stephanie Haboush Plunkett has worked to elevate illustration as a serious art form. As chief curator and Rockwell Center director at the Norman Rockwell Museum in Stockbridge, Massachusetts, she has helped bring national and international attention to an art form long dismissed as merely commercial.

Her commitment to illustration is deeply personal. Plunkett grew up watching her father, Joseph Haboush, an illustrator and graphic designer, work late into the night in his home studio creating art and hand-lettered logos for package designs, toys and licensed-character products for the Walt Disney Co. and other clients.

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Free film screening and talk on end-of-life care
‘Come See Me in the Good Light’ is nominated for best documentary at this year’s Academy Awards.
Provided

Craig Davis, co-founder and board chair of East Mountain House, an end-of-life care facility in Lakeville, will sponsor a March 5 screening of the documentary “Come See Me in the Good Light” at The Moviehouse in Millerton, followed by a discussion with attendees.

The film, which is nominated for best documentary at this year’s Academy Awards, follows the poet Andrea Gibson and their partner Megan Falley as they are suddenly and unimaginably forced to navigate a terminal illness. The free screening invites audiences to gather not just for a film but for reflection on mortality, healing, connection and the ways communities support one another through difficult life transitions.

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