
Peter Kaufman’s new book addresses the challenges of “truthiness.”
Photo by Sophia Kaufman
In his new book, “The New Enlightenment and the Fight to Free Knowledge,” Peter Kaufman (an author who lives in Lakeville, Conn.) takes us deep into history to locate the moments when information was made accessible to the people — and the moments when making it accessible was a crime punishable by death.
Part history, part polemic, “The New Enlightenment” is a call to action to Make Knowledge Great Again (MKGA?). Kaufman draws inspiration from the 18th-century French Encyclopédie — the first comprehensive encyclopedia available to the masses, which sparked the original Enlightenment — and its modern equivalent, Wikipedia. He also looks longingly to the brief, but abortive, golden age of public television, when leading American thinkers envisioned a medium for, well, enlightenment.
Aligned against such progressive dreams is what Kaufman calls the “Monsterverse,” a complicated brew of both too much deregulation and too much private control of media, not to mention the rampant anti-intellectualism and counterfactual QAnon-ism of our present moment.
We interviewed Kaufman recently about his book, which was published Feb. 25.
Compass: You finished “The New Enlightenment” last year and wrote about the threat of literal violence from the unregulated circulation of ideas. Having seen the events of Jan. 6 and the storming of the Capitol, how do you feel about what you wrote now?
Peter Kaufman: The book ends with a vision of the nation beginning to tear itself in two, and violently, because of our information disorder. In fact, the health, economic and political crises we face are all due in large measure to this disorder. It surprises me we don’t talk about it more.
C: Explain what you call the “information disorder.”
PK: Mark Twain once said, “A lie will travel around the whole world while the truth is getting its boots on.” That’s especially true when the lie comes from literally the most powerful person on the planet. On one hand, you have this system of politicians echoing media networks and vice versa; Trump brought that into a new adulthood. On the other, the richest and deepest knowledge institutions — a Field Museum in Chicago, or a MOMA [Museum of Modern Art] in New York — deal in fact and what’s true. But they’re not empowered to counter the disinformation.
C: Isn’t the web the great equalizer and democratizer? Someone can find almost any information they want, or take a free online course. Isn’t that what the creators of the Encyclopédie were after? Why regulate that?
PK: These are great freedoms, just as I can walk to the Scoville Library and look at anything on the shelf, or to the Salisbury Pharmacy for a newspaper or magazine. What’s missing are good books, magazines and newspapers. The progressive forces in this country need to publish more. Or think about the original impetus for television and the screen as an educational apparatus. Things unfolded differently. The forces on the other side managed to hack away at regulations and restrictions on what can and can’t be seen. We should regulate for the same reason it’s not a good idea to allow drugs to be sold on a playground.
C: But what about Trump being banished from social media? If he could be banned, couldn’t you or I? A lot of people on the left are equally concerned. Who decides what’s allowable or not?
PK: You’re forgetting that Twitter and Facebook are private platforms. They’re not obliged by statute to follow public mandates. That’s why Wikipedia and other publicly owned assets, such as public radio and TV, are so important. Unfortunately, their market share today is a shadow and sliver of an afterthought compared to everything else. We need to revisit the original intentions of some of our media visionaries like [former FCC Chair] Newton Minow and Edward R. Murrow.
C: You talk a lot about universities, libraries and archives having a critical role in producing public knowledge.
PK: Listen, when 60% of Americans believe in angels, 40-50% don’t believe in evolution, and a large group of people believe Democrats are making Jewish space laser pizza babies, you have your work cut out for you. I work at MIT in an office that produces open courseware and runs the most popular dot-edu YouTube channel. We have over 3 million subscribers. But compared to what it could be? We need to put out a lot more [educational content]. I’m writing another book specifically to answer this question.
I will say that what’s needed is courage from educational leaders to counter so much misinformation. If we don’t speak out now, then when?
Bunny McGuire, at center holding the big scissors, surrounded by her family as she cuts the ribbon to the park that now bears her name in North Canaan on Saturday, June 7.
NORTH CANAAN — The park on Main Street in North Canaan was officially renamed Bunny McGuire Park at a ceremony beneath the pavilion Saturday, June 7.
Clementine “Bunny” McGuire was recognized for her lifelong commitment to volunteerism in town. Her civil contributions include work with the Beautification Committee, the Douglas Library, the historical society, a poll worker, an employee of North Canaan Elementary and Housatonic Valley Regional High Schools and a volunteer at her church.
“People like Bunny are the lifeblood of small towns and we should all be grateful for the bountiful benefits we have derived from having this vital and generous force in our midst,” said Kathryn Boughton, town historian.
First Selectman Brian Ohler described McGuire as, “A person whose name is truly synonymous with service, kindness, civility and generosity.”
First Selectman Brian Ohler praised McGuire for her impact on the town. "Bunny, you are so, so loved," Ohler said. "The outpouring of suppourt is not a surprise."Photo by Riley Klein
Ohler noted the impact McGuire has had on the town, as evidenced by the nearly 100 guests in attendance and the long list of donors who contributed to updating the facilities at the park.
“Bunny, you are so, so loved. The outpouring of support is not a surprise,” said Ohler.
Among the recent improvements include a new dog park fenced area, basketball hoops, updated playground, parking lot pavement, landscaping, new signage, paint and lighting for the pavilion.
“Everyone says I have done so much for the town, but this town has done so much for me,” said McGuire. “Just look around you, what we have,” she said tearfully. “A big thank you to all of you. I love you.”
SHARON — Angela Derrick Carabine, 74, died May 16, 2025, at Vassar Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.