The True Story  of A Fabricated Life
Mark Chiusano 
Photo by Charlotte Alter

The True Story of A Fabricated Life

Mark Chiusano, a journalist who has written for NPR, The Atlantic, and The Paris Review, will read from his new biography, “The Fabulist: The Lying, Hustling, Grifting, Stealing, and Very American Legend of George Santos,” at The Colonial Theatre in North Canaan, Conn., on Sunday, Dec. 10. He discussed his new book during a phone interview from his home in Brooklyn, N.Y.

Alexander Wilburn: I could not have dreamed of a more suitable day to dive into George Santos. To give readers context, it’s Thursday, Nov. 16, and just hours ago the House of Ethics Committee unveiled a 56 page report outlining a litany of alleged misconduct involving, of course, accusations of embezzling funds from his campaign, as well as, and I’m going to quote The Washington Post here, “deceiving donors about how contributions would be used, creating fictitious loans, and engaging in fraudulent business dealings.” Have you had a chance to look at the report, and did anything surprise you?

Mark Chiusano: Nothing surprised me, because this is kind of what my whole book is about: the kind of grifty, schemy behavior he’s been engaged in for a really long time. My book includes some of the mooching and scamming he did off his grandmother and his aunt. He’s been doing these low level things for a long time. What I think is so great about this report, though, is that they had subpoena power, and they were able to get bank records. So they nailed down some things that we only wondered about or assumed or questioned, right? So they were able to see where the money actually went as opposed to where Santos said it went or where it came from.

AW: Speaking of where the money went, The Financial Times discussed his use of campaign dollars for expenses like Botox, shopping at Sephora and Hermes, and then thousands of dollars used on OnlyFans. Obviously, I don’t have to explain what Botox is to Connecticut readers, but for those who don’t know, OnlyFans is an online social-media-slash-commerce platform where users pay a monthly subscription to view media content from freelance sex workers. Is George Santos’ payments to OnlyFans the making of a sex scandal or just another strange detail?

MC: Another strange detail. I would say that he’s been spending money on strange and sort of luxurious things that he that he enjoys for a long time, like he kind of has lived this… I think the report called it “a high roller lifestyle” for a long time. So this is like one more thing there that he decided to shell out for.

AW: Do you see any difference between his funding here and the spending of another disgraced gay Republican, Aaron Schock, who was notable for spending funds on his private jets and Downton Abbey inspired office?

MC: I think that what sort of sets Santos apart from a lot of these other people is that he… like the sort of brazenness and the kind of laziness and covering his own tracks, you know? There was a lot of stuff in here that raised questions  well before he was elected and well before he was know famous for being a liar. I wrote stories about his FEC filings during his first campaign. So did other journalists, but unfortunately we didn’t pull it all together and didn’t understand the largeness of what he was doing.

AW: He took to X today, formerly Twitter, to say that “becoming a public figure was never [his] goal.” Is this his biggest lie? 

MC: I mean, let’s put it this way: he’s definitely been interested in politics in a very serious way since the Trump era, since 2016 era. So that’s a pretty long time. I don’t know if it was a childhood dream of his, but he’s been into this for a while. As part of my book, I went through a lot of his social media, including a look at a lot of his deleted tweets from early in life. Back then he was very interested in celebrities, the kind of Paris Hilton figures, and was interested in being famous and being a celebrity. So I think that a little bit of that translated over into politics, especially after 2016, when politics was like, the hot thing that everyone was interested in. He quickly kind of made that jump from interest in celebrity to interest in celebrity politics.

AW: You wrote that he had this group text with his family where he stated that his main platform was going to be illegal immigration. Yet that never really transpired into his public platform. Does he have any set politics?

MC: There’s a really great line that was in the report that a bunch of his campaign staff did on him a while back where they uncovered this line where he said something to the effect of, “I’m no right winger.” And then he was running as a very intense right winger, like one of the more extreme candidates of that cycle. So he says many things in different settings. He’s flip-flopped on abortion, he’s flip-flopped on COVID precautions. I think his governing thesis is just say whatever makes sense in the room,  “I’m in.” And so it makes it kind of hard to trace what does he actually believe politically.

AW: He represent of two groups put together. On one hand, as a gay Republican, as a Republican who is a child of immigrants, it’s really nothing new. We’ve seen right-leaning figures who campaign against the self-interest of the groups that they supposedly represent. We’ve also seen a lot of people who fabricate backgrounds to get ahead. But he combines these two. Do you think that’s essentially what makes him such an interesting figure or is it some third ephemeral thing? 

MC: I think it’s a little bit of those two things. And I think it’s just his absolute gratuitousness. His story is a real version of the somewhat fictional story that the “Catch Me If You Can” guy told about himself, you know. Frank Abagnale pretended to be a pilot and did all these other cons. Santos is living this wild, wild, chameleon-like life, where he pretended to be many, many things over the years. I think, to me, it’s a little bit of a sad story that he felt the need to kind of go to these lengths in order to get ahead. I think it says a lot about where we are in this country, that someone who was ambitious, who wanted to be famous and wealthy, felt that this was the only route available to them. Finally, he’s been very threatening to victims of his and has certainly done a lot of nasty things in his life that I report on in the book. But he, as far as we know anyway, he hasn’t been violent, he’s not a warlord or something. So I think that’s another reason that people can feel okay being fascinated in this guy, because he’s a liar, but in some ways he’s mostly hurting himself.

AW: On the other hand, he has attempted very sloppily to capitalize on these extreme tragedies by citing that his mother died in 9/11, that his grandparents survived the Holocaust.

MC: He isn’t an immediately sympathetic figure. I write in the book about how there was this veteran, a dog owner, who Santos scammed. People probably heard this story before. I spent a lot of time with that gentleman, Rich. The night after Santos was sort of uncovered, Rich the dog owner called Santos and just kind of like ripped into him. And Santos picks up the call and they have this very bizarre conversation. That just struck me as very sad. Here’s Santos alone, picking up the phone, getting sort of yelled at by one of his victims. It’s almost like The Ghost of Christmas Past.

AW: I wanted to read a quote from the book, on page 111, where you write, “Politics has always provided a cover for alienated people, for those who feel a little like they don’t fully belong. That microphone can be a shield before it is a weapon. And there’s an intoxication that comes from the sound of your voice that commands a total and respectful silence.” 

MC: I do think that sometimes we kind of assume that people running for office — well, we either ignore them entirely or we think that they’re so much better than us, so special that we can’t criticize them. I think none of those things are true. They are us. It’s representative democracy and we should be like thinking very critically about these people and think of them as peers. That’s their point as representatives. 

AW; Are we as the public culpable of not being more scrutinizing of George Santos before he got as far as he did? 

MC: I would not say this is the voters’ fault. I think that there’s a large nexus of reasons for why Santos was able to slip through. There were lots of people who made small mistakes including reporters like myself who like didn’t bring the whole picture to bear. The voters didn’t have the chance to sort of see how sleazy he was at the time. That’s a factor of just the lack of strength of local media now. There’s not as many outlets and reporters as there used to be in a lot of places. There has been a change in the way candidates campaign. It used to be that there would be tons of these debates, there would be lots of in-person interviews where it’s often actually very easy to tell if someone’s lying. And so it’s a shame. I think that the voters didn’t really… they didn’t have all the information in front of them.

AW: He announced today that he’s not going to be running in 2024, so not in the political arena, but in the larger culture, is there a path to redemption, even a sort of like ironic “Dancing with the Stars” redemption for George Santos?

MC: I think for sure, that’s what this country is, you know. There’s always kind of a second act. “Dancing with the Stars” is definitely one I’ve thought of too. I could totally see him doing that. Because again, I mean, barring us finding out new information, he hasn’t been sort of violent in his crimes. I mean, tons of people who have done arguably worse things than he has, have come back into public light. So I think that’s on his mind as well, like “what is my second act?”

To register for this free event go to www.canaancolonial.com

Congressman George Santos at a pro-Trump supporters rally at New York criminal court on April 4, 2023, during appearance by Former President Donald Trump. Photo by Lev Radin/Shutterstock

Latest News

Student recital returns for 43rd year

Jazz and classical ensembles from Salisbury School and Indian Mountain School, and solo pianists and a cellist, will perform for the 43rd annual student recital at the United Congregational Church in Salisbury on Sunday, Feb. 23.

Photo by Nathan Miller

The annual student recital is returning for its 43rd year at Salisbury Congregational Church at 30 Main St.

This year’s performance is set for Sunday, Feb. 23, at 3 p.m.

Keep ReadingShow less
McCarron wins silver at state meet

Indoor track BL champs

Provided

Housatonic Valley Regional High School senior Kyle McCarron’s 1600-meter time of 4:30.31 earned him second place in this year’s indoor state meet. He was within two seconds of first-place finisher Matthew Kraszewski from Nathan Hale-Ray High School.

McCarron was one of eight runners to represent HVRHS in the 2025 Connecticut Interscholastic Athletic Conference Class S indoor track meet at Floyd Little Athletic Center in New Haven Feb. 15. In addition to his 1600-meter silver medal, McCarron placed sixth in the 3200-meter run.

Keep ReadingShow less
Joy Brown’s retrospective celebrates 50 years of women at Hotchkiss

Joy Brown installing work for her show at the Tremaine Art Gallery at Hotchkiss.

Natalia Zukerman

This year, The Hotchkiss School is marking 50 years of co-education with a series of special events, including an exhibition by renowned sculptor Joy Brown. “The Art of Joy Brown,” opening Saturday, Feb. 22, in the Tremaine Art Gallery, offers a rare retrospective of Brown’s work, spanning five decades from her early pottery to her large-scale bronze sculptures.

“It’s an honor to show my work in celebration of fifty years of women at Hotchkiss,” Brown shared. “This exhibition traces my journey—from my roots in pottery to the figures and murals that have evolved over time.”

Keep ReadingShow less
Special screening of ‘The Brutalist’ at the Triplex Cinema
Yale professor Elihu Rubin led discussions before and after “The Brutalist” screening at Triplex Cinema on Feb. 2. He highlighted how the film brings architecture into focus, inviting the audience to explore Brutalism as both a style and a theme.
L. Tomaino

A special screening of “The Brutalist” was held on Feb. 2 at the Triplex Cinema in Great Barrington. Elihu Rubin, a Henry Hart Rice Associate Professor of Architecture and Urban Studies at Yale, led discussions both before and after the film.

“The Brutalist” stars Adrien Brody as fictional character, architect Laszlo Toth, a Hungarian-born Jewish architect. Toth trained at the Bauhaus and was interred at the concentration camp Buchenwald during World War II. The film tells of his struggle as an immigrant to gain back his standing and respect as an architect. Brody was winner of the Best Actor Golden Globe, while Bradley Corbet, director of the film, won best director and the film took home the Golden Globe for Best Film Drama. They have been nominated again for Academy Awards.

Keep ReadingShow less