The True Story of A Fabricated Life

Mark Chiusano
Photo by Charlotte Alter


Mark Chiusano, a journalist who has written for NPR, The Atlantic, and The Paris Review, will read from his new biography, “The Fabulist: The Lying, Hustling, Grifting, Stealing, and Very American Legend of George Santos,” at The Colonial Theatre in North Canaan, Conn., on Sunday, Dec. 10. He discussed his new book during a phone interview from his home in Brooklyn, N.Y.
Alexander Wilburn: I could not have dreamed of a more suitable day to dive into George Santos. To give readers context, it’s Thursday, Nov. 16, and just hours ago the House of Ethics Committee unveiled a 56 page report outlining a litany of alleged misconduct involving, of course, accusations of embezzling funds from his campaign, as well as, and I’m going to quote The Washington Post here, “deceiving donors about how contributions would be used, creating fictitious loans, and engaging in fraudulent business dealings.” Have you had a chance to look at the report, and did anything surprise you?
Mark Chiusano: Nothing surprised me, because this is kind of what my whole book is about: the kind of grifty, schemy behavior he’s been engaged in for a really long time. My book includes some of the mooching and scamming he did off his grandmother and his aunt. He’s been doing these low level things for a long time. What I think is so great about this report, though, is that they had subpoena power, and they were able to get bank records. So they nailed down some things that we only wondered about or assumed or questioned, right? So they were able to see where the money actually went as opposed to where Santos said it went or where it came from.
AW: Speaking of where the money went, The Financial Times discussed his use of campaign dollars for expenses like Botox, shopping at Sephora and Hermes, and then thousands of dollars used on OnlyFans. Obviously, I don’t have to explain what Botox is to Connecticut readers, but for those who don’t know, OnlyFans is an online social-media-slash-commerce platform where users pay a monthly subscription to view media content from freelance sex workers. Is George Santos’ payments to OnlyFans the making of a sex scandal or just another strange detail?
MC: Another strange detail. I would say that he’s been spending money on strange and sort of luxurious things that he that he enjoys for a long time, like he kind of has lived this… I think the report called it “a high roller lifestyle” for a long time. So this is like one more thing there that he decided to shell out for.
AW: Do you see any difference between his funding here and the spending of another disgraced gay Republican, Aaron Schock, who was notable for spending funds on his private jets and Downton Abbey inspired office?
MC: I think that what sort of sets Santos apart from a lot of these other people is that he… like the sort of brazenness and the kind of laziness and covering his own tracks, you know? There was a lot of stuff in here that raised questions well before he was elected and well before he was know famous for being a liar. I wrote stories about his FEC filings during his first campaign. So did other journalists, but unfortunately we didn’t pull it all together and didn’t understand the largeness of what he was doing.
AW: He took to X today, formerly Twitter, to say that “becoming a public figure was never [his] goal.” Is this his biggest lie?
MC: I mean, let’s put it this way: he’s definitely been interested in politics in a very serious way since the Trump era, since 2016 era. So that’s a pretty long time. I don’t know if it was a childhood dream of his, but he’s been into this for a while. As part of my book, I went through a lot of his social media, including a look at a lot of his deleted tweets from early in life. Back then he was very interested in celebrities, the kind of Paris Hilton figures, and was interested in being famous and being a celebrity. So I think that a little bit of that translated over into politics, especially after 2016, when politics was like, the hot thing that everyone was interested in. He quickly kind of made that jump from interest in celebrity to interest in celebrity politics.
AW: You wrote that he had this group text with his family where he stated that his main platform was going to be illegal immigration. Yet that never really transpired into his public platform. Does he have any set politics?
MC: There’s a really great line that was in the report that a bunch of his campaign staff did on him a while back where they uncovered this line where he said something to the effect of, “I’m no right winger.” And then he was running as a very intense right winger, like one of the more extreme candidates of that cycle. So he says many things in different settings. He’s flip-flopped on abortion, he’s flip-flopped on COVID precautions. I think his governing thesis is just say whatever makes sense in the room, “I’m in.” And so it makes it kind of hard to trace what does he actually believe politically.
AW: He represent of two groups put together. On one hand, as a gay Republican, as a Republican who is a child of immigrants, it’s really nothing new. We’ve seen right-leaning figures who campaign against the self-interest of the groups that they supposedly represent. We’ve also seen a lot of people who fabricate backgrounds to get ahead. But he combines these two. Do you think that’s essentially what makes him such an interesting figure or is it some third ephemeral thing?
MC: I think it’s a little bit of those two things. And I think it’s just his absolute gratuitousness. His story is a real version of the somewhat fictional story that the “Catch Me If You Can” guy told about himself, you know. Frank Abagnale pretended to be a pilot and did all these other cons. Santos is living this wild, wild, chameleon-like life, where he pretended to be many, many things over the years. I think, to me, it’s a little bit of a sad story that he felt the need to kind of go to these lengths in order to get ahead. I think it says a lot about where we are in this country, that someone who was ambitious, who wanted to be famous and wealthy, felt that this was the only route available to them. Finally, he’s been very threatening to victims of his and has certainly done a lot of nasty things in his life that I report on in the book. But he, as far as we know anyway, he hasn’t been violent, he’s not a warlord or something. So I think that’s another reason that people can feel okay being fascinated in this guy, because he’s a liar, but in some ways he’s mostly hurting himself.
AW: On the other hand, he has attempted very sloppily to capitalize on these extreme tragedies by citing that his mother died in 9/11, that his grandparents survived the Holocaust.
MC: He isn’t an immediately sympathetic figure. I write in the book about how there was this veteran, a dog owner, who Santos scammed. People probably heard this story before. I spent a lot of time with that gentleman, Rich. The night after Santos was sort of uncovered, Rich the dog owner called Santos and just kind of like ripped into him. And Santos picks up the call and they have this very bizarre conversation. That just struck me as very sad. Here’s Santos alone, picking up the phone, getting sort of yelled at by one of his victims. It’s almost like The Ghost of Christmas Past.
AW: I wanted to read a quote from the book, on page 111, where you write, “Politics has always provided a cover for alienated people, for those who feel a little like they don’t fully belong. That microphone can be a shield before it is a weapon. And there’s an intoxication that comes from the sound of your voice that commands a total and respectful silence.”
MC: I do think that sometimes we kind of assume that people running for office — well, we either ignore them entirely or we think that they’re so much better than us, so special that we can’t criticize them. I think none of those things are true. They are us. It’s representative democracy and we should be like thinking very critically about these people and think of them as peers. That’s their point as representatives.
AW; Are we as the public culpable of not being more scrutinizing of George Santos before he got as far as he did?
MC: I would not say this is the voters’ fault. I think that there’s a large nexus of reasons for why Santos was able to slip through. There were lots of people who made small mistakes including reporters like myself who like didn’t bring the whole picture to bear. The voters didn’t have the chance to sort of see how sleazy he was at the time. That’s a factor of just the lack of strength of local media now. There’s not as many outlets and reporters as there used to be in a lot of places. There has been a change in the way candidates campaign. It used to be that there would be tons of these debates, there would be lots of in-person interviews where it’s often actually very easy to tell if someone’s lying. And so it’s a shame. I think that the voters didn’t really… they didn’t have all the information in front of them.
AW: He announced today that he’s not going to be running in 2024, so not in the political arena, but in the larger culture, is there a path to redemption, even a sort of like ironic “Dancing with the Stars” redemption for George Santos?
MC: I think for sure, that’s what this country is, you know. There’s always kind of a second act. “Dancing with the Stars” is definitely one I’ve thought of too. I could totally see him doing that. Because again, I mean, barring us finding out new information, he hasn’t been sort of violent in his crimes. I mean, tons of people who have done arguably worse things than he has, have come back into public light. So I think that’s on his mind as well, like “what is my second act?”
To register for this free event go to www.canaancolonial.com
Alec Linden
A blue SUV remains in a ditch after an early-morning crash along Segar Mountain Road in Kent May 27.
KENT – A driver escaped with minor injuries after an SUV crashed into a utility pole and water line before rolling into a ditch along Segar Mountain Road early Wednesday morning, May 27, disrupting traffic for much of the day and affecting water service to a nearby residence.
The single-vehicle crash occurred around 4:30 a.m. near 36 Segar Mountain Road, just under half a mile east of the intersection with South Kent Road. State police said the blue SUV struck the pole, went over a guardrail and came to stop in a roadside ditch.
The driver was transported to Danbury Hospital with minor injuries, according to police.
The damage to a utility pole forced crews to shut down parts of the road and reduce traffic to a single lane throughout the day. First Selectman Eric Epstein announced that traffic would be impacted as utility companies make repairs. Motorists were advised to avoid the area until the work is complete.
As of 2 p.m., traffic at the scene was reduced to alternating single lane travel. Employees from Eversource Energy, Aquarion Water Company and the state Department of Transportation were at the site making repairs to the utility pole and wiring. They have yet to provide an estimate for when the repairs will finish.
The car was still in the ditch as of mid-afternoon, officials on the scene said.
In an email to Kent residents, which was sent at approximately 12:40 p.m., Epstein reported that a water line connected to one residence in the area was also damaged, but clarified that it was not the line supplying the town.

Lakeville Journal
EAST CANAAN — Pauline K. (King) Garfield, 94 of 77 South Canaan Rd. formerly of East Canaan, died Sunday May 24, 2026, at Geer Village.She was the wife of the late Duane Garfield who passed August 14, 2017. Pauline was born April 3, 1932 in North Canaan, CT in the former Geer Hospital. She was the daughter of the late Charles and Rose (Van Vlack) King.
Pauline spent her career at Becton Dickinson in Canaan, after being a stay-at-home mother for many years.She was employed at Becton Dickinson for 23 years. She enjoyed bus trips with her late husband Duane to the Casinos, spending time with her family watching the grandchildren grow up. Recently she made a comment to care givers that was “wait until I see that husband of mine for leaving me here, I am going to read him the riot act.” Over the years she enjoyed many crafts, but her favorite was crocheting gifts for everyone.
Pauline is survived by her daughter Paula Ducharme and husband Tom of York, Pennsylvania. Her son Michael Garfield and wife Joann of Winchester Center, Connecticut. Her granddaughter Koren Garfield and her great grandchildren, Alyssa Jade, Addison Jacob and Brennden Leo of Colebrook, Connecticut.
Pauline is also survived by her sister, Althea Marshall and her husband Corky of North Canaan, Connecticut. She was predeceased by her brothers, Everett and Alan King.
A Celebration of Pauline’s life will be held on Monday June 1, 2026, at 10:00 a.m. in the North Canaan Congregational Church 172 Lower Road East Canaan, CT 06024.Burial will follow at Hillside Cemetery in East Canaan, CT. Memorial Donation can be sent to the North Canaan Volunteer Ambulance Corps P.O. Box 178 North Canaan, CT 06018. Arrangements are under the care of the Newkirk-Palmer Funeral Home 118 Main St. Canaan, CT 06018.
Natalia Zukerman
For many pet owners, animals are family. On Saturday, May 30, that bond will be celebrated in a uniquely practical and heartfelt way when the Blessing of the Animals returns to Third Lutheran Evangelical Church in Rhinebeck alongside a free rabies vaccination clinic hosted by Hudson Valley Animal Rescue & Sanctuary.
The event, scheduled from noon to 4 p.m., is free for Dutchess County residents and open to dogs, cats and domestic ferrets three months and older. While the clinic itself provides an important public health service, organizers say the day has become about much more than vaccinations.
“It’s a very simple afternoon of kindness,” said event curator Rosemary Joyce. “I think of it like a gardener — you go someplace, you learn how to plant seeds and then you take those seeds home and grow them in your own community. Except these are the seeds of kindness.”
The annual blessing is now entering its fourth year, with each event honoring a different theme. This year’s celebration pays tribute to renowned primatologist and animal behaviorist Jane Goodall.
“Most people know her from her work with primates,” Joyce said, “but she also taught us to understand that animals are sentient creatures — they feel like we feel.”
Joyce pointed to recent scientific studies that scanned dogs’ brains using MRI technology.
“When dogs are presented with the scent of the people they love, the part of their brain that lights up is the exact same part of our brain that responds to love,” she said. “So not only do they love us — dogs love the way we love.”
Unlike larger ceremonial blessings often held around the feast of St. Francis, Rhinebeck’s blessing is much more personalized.
“This is not where everyone gathers and gets blessed all at once,” Joyce said. “This is individual and hands-on. You walk up to Pastor Jim Miller, and he talks to you and your animal.”
Past participants have brought everything from dogs and cats to chickens, parrots, reptiles and even an iguana “draped around someone like a scarf,” Joyce recalled.
The event also features more than a dozen rescue and animal welfare groups, each bringing “ambassador animals” for visitors to meet.
Among the most anticipated returning guests is Lazarus, a 9-year-old Eurasian eagle owl with a six-foot wingspan.
“He’s the wow factor,” Joyce said. “I watched a father hustling his two boys to leave last year because they had another appointment. I told him, ‘If you haven’t seen what’s over there, you haven’t seen this event.’ He walked over, looked at Lazarus, and his mouth just dropped open. The little boy came out in him.”
Other participants include rescue horses from the Southlands Foundation, adoptable dogs from Animal Farm Foundation, reptiles from Two by Two Animal Haven, small animals from 4-H and rescued farm animals from Hope Farm Animal Sanctuary, including Rosie, a 200-pound potbellied pig.
Joyce said one of her favorite aspects of the event is watching it create unexpected connections.
“I’m always amazed that people who would never talk to each other on the street are suddenly sitting on the lawn talking like old friends,” she said. “Animals are great catalysts for human connection.”
This year’s rabies clinic, provided by HVARS, adds a critical public service component.
Rabies vaccinations are required by New York state law for all dogs, cats and domestic ferrets by four months of age. Owners who fail to comply can face fines of up to $200.
“A lot of people don’t realize that,” Joyce said. “And they also don’t realize how affordable this clinic makes it.”
Vaccinations are free for Dutchess County residents with proof of residency and $15 per pet for non-residents. Vaccines are valid for three years with proof of prior vaccination, or one year without it.
Microchipping will also be available for $45, and one-year distemper vaccines for $25.
“It’s the size of a grain of rice,” Joyce said of the microchips. “It’s tiny, safe, affordable and permanent. If your pet is lost or stolen, all someone has to do is scan it.”
She noted that the service can be especially important as pet thefts have risen in recent years.
The clinic was made possible through a donation from the Estate of Charles Svatek, whom Joyce described as someone “known for true acts of kindness and a loving desire to make the world better for all living creatures.”
For Joyce, the event reflects a larger message about compassion — for animals and for each other.
“If this event does anything,” she said, “I hope it reminds people that kindness ripples outward.”
Pre-registration is strongly encouraged at hvars.org, though walk-ins will be accepted as space permits. Dogs must be leashed; cats and ferrets must be in carriers. The event will be held rain or shine.

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Robin Roraback
Filmmaker Yonah Sadeh on a shoot last year in New York City.
When I was around 12, a family friend showed me how to use my family’s computer...from that point on, it was pretty much all movies. — Yona Sadeh
Filmmaker Yonah Sadeh of Falls Village left May 8 for China, where he will shoot a short documentary.
“I got into a documentary film intensive program where we have two weeks to shoot, edit and screen a 10-minute documentary about a topic of our choosing,” he said.“I’ll be in Changsha, Hunan, making a film about a fifth-generation shadow puppet master.”
It is an exciting opportunity for Sadeh, who has built his own business, Sadeh Studios, by working with small area businesses and nonprofits, “helping to tell their stories through film,” he said.
Some of his projects have included projects for local affordable housing organizations and area nonprofits such as Berkshire Busk, Berkshares, Naturalis Healing, local after-school programs and the Falls Village Fire Department. Current projects are for Berkshire Mountain Bakery and a documentary about Great Barrington’s revitalization in the 1990s.
Sadeh discovered early in life that he wanted to make films and began to develop his process and distinct style.
“It started with puppet shows and musical performances, and then, when I was around 12, a family friend showed me how to use my family’s computer to record and edit short homemade videos using iMovie. From that point on, it was pretty much all movies. I would set up my mom’s computer on a stack of books and record with the webcam.”
An early influence was Wes Anderson’s “Fantastic Mr. Fox,” which, “inspired my Claymation videos when I was 10 and remains one of my favorite films.”
He said getting his first camera made a big difference in his filmmaking.
“I was no longer stuck filming wherever I could set up the laptop. I could move with the camera and be more intentional about how things looked.”
Finding some of the technical aspects challenging, he watched YouTube to learn.
“I would imagine these big scenes, like fight sequences with lighting and effects, and then have to figure out how to actually make them. That process pushed me to learn. I spent a lot of time watching people like Casey Neistat, Film Riot and Corridor Digital, and just trying things out.”
Knowing the path he wanted to take, he pursued his high school education at Bard College at Simon’s Rock in Great Barrington, MA. The school has since relocated to Barrytown, New York.
“Simon’s Rock was not a film school in a traditional sense, but it had incredible faculty that I was able to work with one-on-one throughout my years there,” he said. “It gave me the flexibility and time to make films both in and outside of class, and to start my production business while still in school.”
He was able to take college-level film courses while still in high school.
“It seemed like the perfect opportunity. I loved it so much that I stayed at Simon’s Rock after graduating from the academy for my bachelor’s degree.”

After graduating, he focused full time on his freelance business.
“Most of my professional work is in documentary, where I am a one-man crew overseeing every aspect of the process, from meeting with clients to develop the idea to planning, filming and editing it all together. I love working in this way, with my hands in every part of the project.”
In addition to documentaries, he also works on narrative films.
“The script I am working on now is set over the summer solstice and follows two kids over a short but formative period of time. I feel like this idea of land and place, and the passing of time, is a pretty consistent theme in all of my work, both narrative and documentary.”
Narrative films involve working with a crew, and he said writing and directing have presented different challenges.
“By the time I get to production, I’ve usually been sitting with the story for a while and have a pretty clear picture of how I want each scene to feel. So a lot of directing is about communicating that vision to the actors and crew. It can definitely be stressful, especially with the pressure of being on set. But I’ve been lucky to work with people I really trust and enjoy collaborating with, which makes a big difference.”
The finished film, Sadeh said, “becomes something built by everyone involved.”
Eager to share his love of filmmaking, Sadeh recently took on the role of curator of the VideoWall at the Hunt Library in Falls Village.
“I would love the VideoWall to become a place that showcases the work of local filmmakers, and I hope that other creatives in the area will submit their work to be shown.”
Reflecting on his chosen path, Sadeh said, “I feel really excited and creatively fulfilled to be doing the work I love in the place I grew up.”
Learn more at sadehstudios.com
Natalia Zukerman
Silvano Monasterios thrilled a sold out audience in Cornwall.
Grammy-nominated pianist, composer and producer Silvano Monasterios performed works from his upcoming “Solo in Paris,” his seventh album, on Sunday, May 23 at Cornwall Town Hall to a packed audience. Presented by Music Mountain in partnership with the Cornwall Town Hall and Cornwall Library, the concert showcased Monasterios’ signature fusion of sophisticated jazz harmonies and vibrant Latin rhythms. Throughout the performance, he moved seamlessly between intricate compositions and spontaneous improvisation. The concert built excitement for Music Mountain’s upcoming summer jazz series, which will bring an array of acclaimed performers to the historic venue. For more information, visit musicmountain.org
Jennifer Almquist
Norfolk Library celebrates the release of Courtney Maum’s latest novel, “Alan Opts Out,” with a book launch party Tuesday, June 2, at 5:30 p.m. The author will speak about her book in conversation with WAMC radio producer Sarah LaDuke.
A graduate of Brown University with a degree in comparative literature, Maum is an acclaimed author of five books, including the romantic comedy “Touch,” a New York Times Editors’ Choice and NPR Best Book of the Year; “Costalegre;” and “I’m Having So Much Fun Without You.” Her memoir, “The Year of the Horses,” was chosen by the TODAY show as top pick for Mental Health Awareness Month. Vanity Fair listed her author’s guidebook “Before and After the Book Deal,” as a best resource for writers, and she has an eponymous Substack newsletter.
“This is a story of an advertising executive whose rogue rejection of capitalism inspires waves of reprioritization throughout his neighborhood,” said Maum of her new novel.
When asked about her inspiration for “Alan Opts Out,” Maum mused, “There is a reminder in the lyrics of the Justin Moore song ‘Time’s Ticking’ to ‘make a memory, not just money,’ that sums up the emotional experience I aimed for with this novel. The suspicion that I was living to work instead of working to live was — like for so many of us — one that became especially pronounced during the COVID-19 pandemic.”
She continued, “I found myself enjoying the enforced change of pace where priorities shifted to health, time with loved ones and deep, honest gratitude for what I already had, because I sure as heck didn’t know what tomorrow would deliver. Was the pandemic offering me a chance to opt out of the rat race?” Maum began to wonder what would happen if she did. “I took these sentiments, cranked up the volume on them to explore the existential ‘aha moment’ of somebody who did, in fact, opt out.”
In his advance praise for the book, author Carl Hiaasen writes, “Like all good satire, ‘Alan Opts Out’ is vivid, lacerating, and funny, but also presents uncommon empathy for those it skewers.”
Literary Hub describes the book as “the eat-the-rich farce we need, from one of our funniest writers.”
Maum lives in Norfolk and is married to filmmaker Diego Ongaro. She states simply “I write, and I help writers write,” and describes herself as a “human fighting for my wildness.”
Founder of The Cabins, a collaborative arts retreat, Maum also runs a writer’s workshop in New Mexico combining her 20 years in advertising with her love of craft. Maum is a brand strategist, publishing expert, writing coach and creative consultant. She says she wants to “help people hold on to the joy of art making.”
To register for the event, go to norfolklibrary.org. Those who pre-order from Oblong Books (oblongbooks.com) will also receive a lobster sticker.

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