The True Story of A Fabricated Life

The True Story  of A Fabricated Life
Mark Chiusano 
Photo by Charlotte Alter

Mark Chiusano, a journalist who has written for NPR, The Atlantic, and The Paris Review, will read from his new biography, “The Fabulist: The Lying, Hustling, Grifting, Stealing, and Very American Legend of George Santos,” at The Colonial Theatre in North Canaan, Conn., on Sunday, Dec. 10. He discussed his new book during a phone interview from his home in Brooklyn, N.Y.

Alexander Wilburn: I could not have dreamed of a more suitable day to dive into George Santos. To give readers context, it’s Thursday, Nov. 16, and just hours ago the House of Ethics Committee unveiled a 56 page report outlining a litany of alleged misconduct involving, of course, accusations of embezzling funds from his campaign, as well as, and I’m going to quote The Washington Post here, “deceiving donors about how contributions would be used, creating fictitious loans, and engaging in fraudulent business dealings.” Have you had a chance to look at the report, and did anything surprise you?

Mark Chiusano: Nothing surprised me, because this is kind of what my whole book is about: the kind of grifty, schemy behavior he’s been engaged in for a really long time. My book includes some of the mooching and scamming he did off his grandmother and his aunt. He’s been doing these low level things for a long time. What I think is so great about this report, though, is that they had subpoena power, and they were able to get bank records. So they nailed down some things that we only wondered about or assumed or questioned, right? So they were able to see where the money actually went as opposed to where Santos said it went or where it came from.

AW: Speaking of where the money went, The Financial Times discussed his use of campaign dollars for expenses like Botox, shopping at Sephora and Hermes, and then thousands of dollars used on OnlyFans. Obviously, I don’t have to explain what Botox is to Connecticut readers, but for those who don’t know, OnlyFans is an online social-media-slash-commerce platform where users pay a monthly subscription to view media content from freelance sex workers. Is George Santos’ payments to OnlyFans the making of a sex scandal or just another strange detail?

MC: Another strange detail. I would say that he’s been spending money on strange and sort of luxurious things that he that he enjoys for a long time, like he kind of has lived this… I think the report called it “a high roller lifestyle” for a long time. So this is like one more thing there that he decided to shell out for.

AW: Do you see any difference between his funding here and the spending of another disgraced gay Republican, Aaron Schock, who was notable for spending funds on his private jets and Downton Abbey inspired office?

MC: I think that what sort of sets Santos apart from a lot of these other people is that he… like the sort of brazenness and the kind of laziness and covering his own tracks, you know? There was a lot of stuff in here that raised questions  well before he was elected and well before he was know famous for being a liar. I wrote stories about his FEC filings during his first campaign. So did other journalists, but unfortunately we didn’t pull it all together and didn’t understand the largeness of what he was doing.

AW: He took to X today, formerly Twitter, to say that “becoming a public figure was never [his] goal.” Is this his biggest lie? 

MC: I mean, let’s put it this way: he’s definitely been interested in politics in a very serious way since the Trump era, since 2016 era. So that’s a pretty long time. I don’t know if it was a childhood dream of his, but he’s been into this for a while. As part of my book, I went through a lot of his social media, including a look at a lot of his deleted tweets from early in life. Back then he was very interested in celebrities, the kind of Paris Hilton figures, and was interested in being famous and being a celebrity. So I think that a little bit of that translated over into politics, especially after 2016, when politics was like, the hot thing that everyone was interested in. He quickly kind of made that jump from interest in celebrity to interest in celebrity politics.

AW: You wrote that he had this group text with his family where he stated that his main platform was going to be illegal immigration. Yet that never really transpired into his public platform. Does he have any set politics?

MC: There’s a really great line that was in the report that a bunch of his campaign staff did on him a while back where they uncovered this line where he said something to the effect of, “I’m no right winger.” And then he was running as a very intense right winger, like one of the more extreme candidates of that cycle. So he says many things in different settings. He’s flip-flopped on abortion, he’s flip-flopped on COVID precautions. I think his governing thesis is just say whatever makes sense in the room,  “I’m in.” And so it makes it kind of hard to trace what does he actually believe politically.

AW: He represent of two groups put together. On one hand, as a gay Republican, as a Republican who is a child of immigrants, it’s really nothing new. We’ve seen right-leaning figures who campaign against the self-interest of the groups that they supposedly represent. We’ve also seen a lot of people who fabricate backgrounds to get ahead. But he combines these two. Do you think that’s essentially what makes him such an interesting figure or is it some third ephemeral thing? 

MC: I think it’s a little bit of those two things. And I think it’s just his absolute gratuitousness. His story is a real version of the somewhat fictional story that the “Catch Me If You Can” guy told about himself, you know. Frank Abagnale pretended to be a pilot and did all these other cons. Santos is living this wild, wild, chameleon-like life, where he pretended to be many, many things over the years. I think, to me, it’s a little bit of a sad story that he felt the need to kind of go to these lengths in order to get ahead. I think it says a lot about where we are in this country, that someone who was ambitious, who wanted to be famous and wealthy, felt that this was the only route available to them. Finally, he’s been very threatening to victims of his and has certainly done a lot of nasty things in his life that I report on in the book. But he, as far as we know anyway, he hasn’t been violent, he’s not a warlord or something. So I think that’s another reason that people can feel okay being fascinated in this guy, because he’s a liar, but in some ways he’s mostly hurting himself.

AW: On the other hand, he has attempted very sloppily to capitalize on these extreme tragedies by citing that his mother died in 9/11, that his grandparents survived the Holocaust.

MC: He isn’t an immediately sympathetic figure. I write in the book about how there was this veteran, a dog owner, who Santos scammed. People probably heard this story before. I spent a lot of time with that gentleman, Rich. The night after Santos was sort of uncovered, Rich the dog owner called Santos and just kind of like ripped into him. And Santos picks up the call and they have this very bizarre conversation. That just struck me as very sad. Here’s Santos alone, picking up the phone, getting sort of yelled at by one of his victims. It’s almost like The Ghost of Christmas Past.

AW: I wanted to read a quote from the book, on page 111, where you write, “Politics has always provided a cover for alienated people, for those who feel a little like they don’t fully belong. That microphone can be a shield before it is a weapon. And there’s an intoxication that comes from the sound of your voice that commands a total and respectful silence.” 

MC: I do think that sometimes we kind of assume that people running for office — well, we either ignore them entirely or we think that they’re so much better than us, so special that we can’t criticize them. I think none of those things are true. They are us. It’s representative democracy and we should be like thinking very critically about these people and think of them as peers. That’s their point as representatives. 

AW; Are we as the public culpable of not being more scrutinizing of George Santos before he got as far as he did? 

MC: I would not say this is the voters’ fault. I think that there’s a large nexus of reasons for why Santos was able to slip through. There were lots of people who made small mistakes including reporters like myself who like didn’t bring the whole picture to bear. The voters didn’t have the chance to sort of see how sleazy he was at the time. That’s a factor of just the lack of strength of local media now. There’s not as many outlets and reporters as there used to be in a lot of places. There has been a change in the way candidates campaign. It used to be that there would be tons of these debates, there would be lots of in-person interviews where it’s often actually very easy to tell if someone’s lying. And so it’s a shame. I think that the voters didn’t really… they didn’t have all the information in front of them.

AW: He announced today that he’s not going to be running in 2024, so not in the political arena, but in the larger culture, is there a path to redemption, even a sort of like ironic “Dancing with the Stars” redemption for George Santos?

MC: I think for sure, that’s what this country is, you know. There’s always kind of a second act. “Dancing with the Stars” is definitely one I’ve thought of too. I could totally see him doing that. Because again, I mean, barring us finding out new information, he hasn’t been sort of violent in his crimes. I mean, tons of people who have done arguably worse things than he has, have come back into public light. So I think that’s on his mind as well, like “what is my second act?”

To register for this free event go to www.canaancolonial.com

Congressman George Santos at a pro-Trump supporters rally at New York criminal court on April 4, 2023, during appearance by Former President Donald Trump. Photo by Lev Radin/Shutterstock

Latest News

Classifieds - February 26, 2026

Classifieds - February 26, 2026

Help Wanted

PART-TIME CARE-GIVER NEEDED: possibly LIVE-IN. Bright private STUDIO on 10 acres. Queen Bed, En-Suite Bathroom, Kitchenette & Garage. SHARON 407-620-7777.

The Salisbury Association’s Land Trust seeks part-time Land Steward: Responsibilities include monitoring easements and preserves, filing monitoring reports, documenting and reporting violations or encroachments, and recruiting and supervising volunteer monitors. The Steward will also execute preserve and trail stewardship according to Management Plans and manage contractor activity. Up to 10 hours per week, compensation commensurate with experience. Further details and requirements are available on request. To apply: Send cover letter, resume, and references to info@salisburyassociation.org. The Salisbury Association is an equal opportunity employer.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

To save birds, plant for caterpillars

Fireweed attracts the fabulous hummingbird sphinx moth.

Photo provided by Wild Seed Project

You must figure that, as rough as the cold weather has been for us, it’s worse for wildlife. Here, by the banks of the Housatonic, flocks of dark-eyed juncos, song sparrows, tufted titmice and black-capped chickadees have taken up residence in the boxwood — presumably because of its proximity to the breakfast bar. I no longer have a bird feeder after bears destroyed two versions and simply throw chili-flavored birdseed onto the snow twice a day. The tiny creatures from the boxwood are joined by blue jays, cardinals and a solitary flicker.

These birds will soon enough be nesting, and their babies will require a nonstop diet of caterpillars. This source of soft-bodied protein makes up more than 90 percent of native bird chicks’ diets, with each clutch consuming between 6,000 and 9,000 caterpillars before they fledge. That means we need a lot of caterpillars if we want our bird population to survive.

Keep ReadingShow less
Stephanie Haboush Plunkett and the home for American illustration

Stephanie Haboush Plunkett

L. Tomaino
"The field of illustration is very close to my heart"
— Stephanie Plunkett

For more than three decades, Stephanie Haboush Plunkett has worked to elevate illustration as a serious art form. As chief curator and Rockwell Center director at the Norman Rockwell Museum in Stockbridge, Massachusetts, she has helped bring national and international attention to an art form long dismissed as merely commercial.

Her commitment to illustration is deeply personal. Plunkett grew up watching her father, Joseph Haboush, an illustrator and graphic designer, work late into the night in his home studio creating art and hand-lettered logos for package designs, toys and licensed-character products for the Walt Disney Co. and other clients.

Keep ReadingShow less
Free film screening and talk on end-of-life care
‘Come See Me in the Good Light’ is nominated for best documentary at this year’s Academy Awards.
Provided

Craig Davis, co-founder and board chair of East Mountain House, an end-of-life care facility in Lakeville, will sponsor a March 5 screening of the documentary “Come See Me in the Good Light” at The Moviehouse in Millerton, followed by a discussion with attendees.

The film, which is nominated for best documentary at this year’s Academy Awards, follows the poet Andrea Gibson and their partner Megan Falley as they are suddenly and unimaginably forced to navigate a terminal illness. The free screening invites audiences to gather not just for a film but for reflection on mortality, healing, connection and the ways communities support one another through difficult life transitions.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.