Who Wrote the Bible and Why the Answer Matters

        A lively talk by a Biblical scholar on Zoom last week explored the many facets and the complex origins of the Bible. Bible photo from unsplash
    

As a general rule, if you want to know who wrote a book, you can refer to the spine with more detail found just inside the cover.
Not so with the Bible, and yet it endures as one of the most widely read, consulted and even memorized resources there has ever been. Even Siri, the virtual wiz, says that the Bible was written by “Various.” While that is technically correct, it seems vague.
The Cornwall Library in Cornwall, Conn., tackled the question by offering a program titled, “Who Wrote the Bible and Why the Answer Matters,” on Sunday, April 10, led by local favorite Franny Taliaferro, retired from the faculty at New York City’s Brearley School, and her former 12th-grade student, Martien Halvorson-Taylor.
Both are part-time Cornwall residents.
Their conversation whisked their Zoom audience through millennia of history and scholarly inquiry. The program attracted 164, including a number of area theologians who kept the chat box flowing with off-stage debate.
Ancient storytellers numbering probably in the millions over generations and their honed stories continue to communicate profoundly with individual modern readers to lessen fears, shape lives and kindle hope, Halvorson-Taylor said.
Her talk focused mainly on what Christians call the Old Testament, although Amenia, N.Y., Rabbi Jon Heddon’s entry into the chat box noted that the Jews do not call it the Old Testament nor do they call G-d by name.
The structure of the Bible has intrigued scholars over the ages, Halverson-Taylor said. A case in point is Genesis, the story of the Creation in two chapters with differing approaches telling the same story, but likely to have been written in different times. A 19th-century scholar, Julius Wellhausen, put forth the argument that the Bible was written over the course of centuries.
The dual narrative approach, she explained, is different from a linear narrative. Ancient storytelling (before writing was thought of) was circular, often repetitive. Those ancient storytellers were pre-literate, with each community of people modifying the stories at will.
“The old stories of the oral tradition were malleable, unrigid, fluid,” Halvorson-Taylor said.
But, along came a new technology, the written word, viewed by many with suspicion about the change it would bring to the world.
Halvorson-Taylor likened the advent of writing to a technology in the way that the modern age viewed computers with alarm at first for the harm they might do to society.
As scribes began to write these stories down on newly developed scrolls, these newly written words were memorialized for future generations, but they were also fixed and frozen in place, Halvorson-Taylor said.
The scribes had no sense of personal ownership of the product; they were merely conduits for the past to be preserved for the future, she added.
“We hear their voices because scribes fed from the old traditions, editing and reframing, trying to make them relevant to their day,” Halvorson-Taylor said.
Offering an analogy, Halvorson-Taylor brought to mind the Zoom listeners’ old family stories that have passed through generations, amusing or instructing younger generations and often repeated to define the experiences of lifetimes. Such family stories give a sense of origins and memories that we claim as our own to form an eternal past.
“We all make choices about which stories we want to retain and carry on, or forget,” she said. “The Bible is a collection of such family stories.”
The question of how those texts became sacred was posed by Taliaferro. “Rabbis actively debated that question well into the Common Era and beyond,” Halverson-Taylor replied.
To contact Halvorson-Taylor directly and to learn more about her Audible course on the subject, go to www.WritingTheBible.org. The link also leads to her website.
WOODBURY — Nonnewaug High School claimed twin titles in the Berkshire League soccer tournament finals.
The school's girls and boys teams were named league champions after finishing the regular season with the best win/loss records. Winning the tournaments earned each team a plaque and added to the program's success in 2025.
Both of Nonnewaug's varsity teams faced off against their counterparts from Housatonic Valley Regional High School in the tournament finals in Woodbury Tuesday, Oct. 28.
The boys game was played first. Housatonic took a quick 2-0 lead with goals from Gustavo Portillo and Jackson McAvoy. Nonnewaug responded in the second half with three consecutive goals: first from Cash Medonis then two from Vincenzo Rose. The Nonnewaug boys won 3-2.
 
The girls game followed. Nonnewaug and Housatonic traded goals early on and the score was tied 2-2 at halftime. Nonnewaug scored twice more in the second half to win 4-2. Housatonic's goals were scored by Ava Segalla. Rosie Makarewicz scored twice for Nonnewaug and Hailey Goldman and Aubrey Doran scored once.
Connecticut Interscholastic Athletic Conference soccer tournaments begin Oct. 31. Both Housatonic teams qualified for the Class S tournament and both Nonnewaug teams qualified for the Class M tournament.
TORRINGTON — Joan Jardine, 90, of Mill Lane, passed away at home on Oct. 23, 2025. She was the loving wife of David Jardine.
Joan was born Aug. 9, 1935, in Throop, Pennsylvania, daughter of the late Joseph and Vera (Ezepchick) Zigmont.
Joan graduated from Harding High School.
She was a working artist for much of her adult life, starting her career studying plein air impressionist oil painting at the Cape Cod School of Art. Her work evolved to include a more representational style, and eventually a large body of abstract pieces. Her award-winning work has been shown in galleries and juried art shows throughout southern New England.
She is survived by her daughter Leslie and her husband George, brothers Joseph, Victor, and their families, nephews Gregory, Christopher, and their families, daughter-in- law Huong, and the extended Jardine family. She was predeceased by her son Douglas, and brother Michael.
A memorial service will be held at All Saints of America Orthodox Church, 313 Twin Lakes Road, Salisbury, Connecticut on Thursday, Oct. 30, at 10 a.m. Memorial contributions may be made to the All Saints of America Orthodox Church, PO Box 45, Salisbury, CT 06068.
The Kenny Funeral Home has care of arrangements.
The ofrenda at Race Brook Lodge.
On Saturday, Nov. 1, the Race Brook Lodge in Sheffield will celebrate the Mexican Day of the Dead: El Día de los Muertos.
Mexican Day of the Dead takes place the first weekend of November and honors los difuntos (the deceased) with ofrendas (offerings) on an altar featuring photos of loved ones who have passed on. Elements of earth, wind, fire and water are represented with food, papel picada (colorful decorative paper), candles and tequila left for the beloved deceased. The departed are believed to travel from the spirit world and briefly join the living for a night of remembrance and revelry.
Music and events programmer Alex Harvey has been producing Día de los Muertos at Race Brook for the past three years, and with the closing of the venue looming, the festival takes on a deep and personal meaning.
“The anchoring gesture of Race Brook, long before I arrived on the scene, has always been to cultivate a space that thins the veil between the worlds. Something otherworldly is hiding in the mountain’s towering shadow: the whispering spring-fed stream, the dense lineage that founder Dave Rothstein brings, the woodsmoke that rises every night of the year from the firepits. This space communes with the spirits,” said Harvey.
“And so we cradle a special ache in our hearts as the leaves turn and the beautiful dance of Race Brook’s project of cultural pollination draws to a close. Fitting, then, to return for one last activation — Día de Los Muertos — a celebration of the end of things. A remembrance of those who’ve made the transition we are all destined for, but also a time when we honor many types of loss. And while we will all mourn those who aren’t there in the flesh, we will also, with humility, come as mourners for the space itself,” Harvey continued.
The event will be a night to remember, to celebrate and to release with ritual, music, and communal remembrance. Participants are invited to bring photos, talismans and offerings for the ofrenda (offering), as well as songs, poems or toasts to share in tribute to loved ones who have passed.
Mexican American musicians Maria Puente Flores, Mateo Cano, Víctor Lizabeth, Oviedo Horta Jr. and Andrea from Pulso de Barro, an ensemble rooted in the Veracruz tradition of son jarocho, will be performing.
Translating to “Pulse of the Clay,” their name reflects a deep connection to the earth and to the living heartbeat of culture itself. Through a synthesis of Mexican, Cuban, Venezuelan and Puerto Rican traditions, Pulso de Barro merges poetry, rhythm and communal song as pathways to coexistence with nature. Their performances feature the jarana and leona (stringed instruments), quijada, cajón, maracas, and marimba (percussion), the tarima (percussive dance platform) and a call-and-response of folk and original versadas.
The evening begins at 6 p.m. in the Barn Space with a Fandango de los Muertos featuring Pulso de Barro, a Race Brook favorite. At 8 p.m., the Open Mic for the Dead invites guests to speak directly into the spirit world — through word, music or memory. The night culminates at 10:30 p.m. with a Fandango for the Dead, a participatory music and dance celebration. Bring your instruments, your voices and your dancing shoes.
Race Brook Lodge is a unique rustic getaway destination for relaxation, hiking, live music, workshops, weddings and more. Sadly, it will be closing for good later in 2026, ending a storied chapter of Berkshire music, art, culture and well-being.
Come experience an evening that honors lost loved ones and the end of a Berkshire institution. The cycle of life endures. Surely, resurrection is in the cards for Race Brook Lodge.
For Tickets and info, visit: rblodge.com