A Film that Distills the Essence of Herb Alpert (With and Without the Tijuana Brass)

If all you know about Herb Alpert is the Tijuana Brass … well, that’s probably OK, because the iconic 1960s band sure made some exuberant swingy jazz that still sounds fresh today and still gets your toes tapping and your hips swinging.

But the handsome leader of one of the top-selling musical combos of the era (outselling the Beatles at several points) is much more than just a charismatic entertainer and exceptionally skilled trumpet player. 

He was also the co-founder in 1962 (with Jerry Moss) of A&M Records, which has been called the most successful independent music company in history.

The partners sold their label to Polygram in 1989 but continued to run the company until 1993. They signed dozens of rock bands, musicians and composers in a wide range of musical styles, most of whom (like the Tijuana Brass) continue to be interesting today. The list is diverse and includes Burt Bachrach, Quincy Jones, Sting and the Police, Supertramp, Styx, Joan Baez, Cat Stevens/Yusuf, Sergio Mendes & Brasil ‘66 and, briefly, the Sex Pistols. 

Alpert continued to play and perform into the 1990s, but (thanks in part to a lawsuit against Polygram that earned him and Moss $200 million), he stopped working and devoted himself to painting, sculpture and philanthropy — and to being the interesting focal point of several podcasts, interviews and, now, a documentary film called, “Herb Alpert Is …”. Shortly before the film was released in early October, a new box set of Alpert’s music was also released. 

Tri-state region residents can view the documentary (and the fun trailer, to whet your appetite) through the Pittsfield, Mass., Jewish Film Festival’s winterFlicks series. 

One might wonder why the trumpet-playing leader of a salsa-style band is featured in a Jewish Film Festival. 

Joel Curran, an organizer of the festival, said that, “Films are selected by a subcommittee from American and international sources and include any subject or content pertinent to the Jewish community.”

Alpert, it turns out, was a son of Jewish immigrants, Tillie (Goldberg) and Louis Leib Alpert. He was raised in Los Angeles, Calif., and began playing the trumpet at age 8. After starting his own band in the 1960s he went on to earn nine Grammy Awards and (with Moss) a berth at the Rock and Roll Hall of Fame.

All the interesting nooks and crannies of Alpert’s life can only be hinted at in a short newspaper article. For a deeper dive, check out “Herb Alpert Is …,” which has been available for download since Oct. 31 and can still be seen until Nov. 30. 

For more information on this and other films in the winterFlicks series of the Berkshire Jewish Film Festival, and to buy tickets at $10 each, go to www.berkshirejewishfilmfestival.org or call 413-445-4872, ext. 10.

The long and constantly surprising life of 85-year-old music legend Herb Alpert (remember the Tijuana Brass?) is the subject of a documentary filmcalled “Herb Alpert Is …” that is being screened online this month as part of the winterFlicks film series of the Berkshire Jewish Film Festival. Photos from ‘Herb Alpert Is…”​

Photos from ‘Herb Alpert Is…”​

The long and constantly surprising life of 85-year-old music legend Herb Alpert (remember the Tijuana Brass?) is the subject of a documentary filmcalled “Herb Alpert Is …” that is being screened online this month as part of the winterFlicks film series of the Berkshire Jewish Film Festival. Photos from ‘Herb Alpert Is…”​

Latest News

All are welcome at The Mahaiwe

Paquito D’Rivera performs at the Mahaiwe in Great Barrington on April 5.

Geandy Pavon

Natalia Bernal is the Mahaiwe Performing Arts Center’s education and community engagement manager and is, in her own words, “the one who makes sure that Mahaiwe events are accessible to all.”

The Mahaiwe’s community engagement program is rooted in the belief that the performing arts should be for everyone. “We are committed to establishing and growing partnerships with neighboring community and arts organizations to develop pathways for overcoming social and practical barriers,” Bernal explained. “Immigrants, people of color, communities with low income, those who have traditionally been underserved in the performing arts, should feel welcomed at the Mahaiwe.”

Keep ReadingShow less
Living with the things you love:
a conversation with Mary Randolph Carter
Mary Randolph Carter teaches us to surround ourselves with what matters to live happily ever after.
Carter Berg

There is magic in a home filled with the things we love, and Mary Randolph Carter, affectionately known as “Carter,” has spent a lifetime embracing that magic. Her latest book, “Live with the Things You Love … and You’ll Live Happily Ever After,” is about storytelling, joy, and honoring life’s poetry through the objects we keep.

“This is my tenth book,” Carter said. “At the root of each is my love of collecting, the thrill of the hunt, and living surrounded by things that conjure up family, friends, and memories.”

Keep ReadingShow less
Beloved classic film ‘The Red Shoes’ comes to the big screen for Triplex benefit
Provided

On Saturday, April 5, at 3 p.m., The Triplex Cinema in Great Barrington and Jacob’s Pillow, the dance festival in Becket, Massachusetts, are presenting a special benefit screening of the cinematic masterpiece, “The Red Shoes,” followed by a discussion and Q&A. Featuring guest speakers Norton Owen, director of preservation at Jacob’s Pillow, and dance historian Lynn Garafola, the event is a fundraiser for The Triplex.

“We’re pitching in, as it were, because we like to help our neighbors,” said Norton. “They (The Triplex) approached us with the idea, wanting some input if they were going to do a dance film. I thought of Lynn as the perfect person also to include in this because of her knowledge of The Ballets Russes and the book that she wrote about Diaghilev. There is so much in this film, even though it’s fictional, that derives from the Ballets Russes.” Garafola, the leading expert on the Ballets Russes under Serge Diaghilev, 1909–1929, the most influential company in twentieth-century theatrical dance, said, “We see glimpses of that Russian émigré tradition, performances we don’t see much of today. The film captures the artifice of ballet, from the behind-the-scenes world of dressers and conductors to the sheer passion of the audience.”

Keep ReadingShow less