
An adaptation of Jon Krakauer’s 2003 book, “Under the Banner of Heaven,” on Hulu, uses the murder of a woman and her daughter as a means to examine the Church of Jesus Christ of Latter-day Saints. Photo from IMDB
In 1984, Brenda Lafferty, a member of the Church of Jesus Christ of Latter-day Saints (LDS) in American Fork, Utah, and her 15-month-old daughter, Erica, were brutally murdered with a 10-inch boning knife. Her husband, Allen Lafferty, found their bodies and reported the crime to the police.
Author Jon Krakauer wrote about the murder in his 2003 nonfiction book, “Under the Banner of Heaven.”
Krakauer begins with an examination of the Lafferty family, who are like “the Kennedys of Utah.” The facade of their perfect Mormon family radically unravels as the narrative progresses.
The shift starts with pushback against tax laws and grows to the point where the Lafferty brothers create their own laws, using Mormon fundamental beliefs to buttress their actions.
They carry out and justify the murder of the mother and daughter as blood atonement — the fundamentalist belief calling for the murder of a sinner.
Hulu adapted Krakauer’s novel into a television series of the same name, which was released April 28. The show’s writer, Dustin Lance Black, grew up in the Church of Jesus Christ of Latter-day Saints. About three decades ago, he left the faith and came out as gay, a courageous decision to make in a community that is known for homophobia.
Black (who also wrote the Oscar-winning film “Milk”) introduces a fictional character to the story: Jeb Pyre, a devout LDS member and the lead policeman investigating the small-town double murder.
Krakauer uses the deaths of mother and daughter as a portal to an examination of the culture of Mormonism and the Church of Jesus Christ of Latter-day Saints.
In this new filmed version, Pyre (played by Andrew Garfield) pieces through the mystery and uncovers hidden hypocrisies in the religion and community he grew up in. He struggles to keep his faith, and to find justice for Brenda and Erica at the same time.
At the beginning of the series, Pyre is fully devout, calling other members of his church “brother” and “sister” with a gentle tone and praying with his daughters, wife and mother. The opening scene shows him outside on his carefully tended front lawn, playing with his two daughters outside a suburban house glowing in the early evening light.
The Mormon faith is complex, and controls its members even to the foods they eat. Coffee, alcohol and chocolate are considered unhealthy, and are forbidden. To eat at McDonald’s verges on committing a sin.
Pyre’s morality and devotion seem unbreakable — but with a goofy smile he bashfully accepts a French fry from his atheist police partner, Bill Taba (played by Gil Birmingham, star of the popular show “Yellowstone”).
Pyre and Taba begin their investigation of the murder with Allen Lafferty, who shares details of Mormon history and memories of his apparently picture-perfect family. But the dark edges of the family’s life begin to show as Lafferty reveals the deep sexism that forms the foundation of a religion in which equality between sexes is impossible because of the stringent patriarchal system.
Allen reveals that his wife disapproved of some accepted behavior in their community, ranging from sexism to polygamy and incest. She had been encouraged in these beliefs by her father, James Wright, a Mormon bishop with a more modern belief system.
In one scene, Wright pushes a bar of chocolate toward his son-in-law. Lafferty initially rejects it, trained by his religion to be disgusted by it … but then he takes a bite, and agrees it is delicious.
But there are more factors at play with Lafferty’s rigid observance of Mormon rules. And like other characters who struggle with battling extremes in the religion, it’s tremendously trying for him to take a lesson in chocolate as a reason to step back from his brothers’ rambling, traditionalist motives.
“Under the Banner of Heaven” is captivating because of the way it shows how religion can be a dangerous fuel for men seeking power and control.
The murder of Brenda and Erica Lafferty is shown as a form of madness and extremism, in a religion with highly complex and stringent rules. Not all Mormons are murdering fanatics; but Krakauer’s book and this new series on Hulu hint at a culture with a disturbing history.
“Under the Banner of Heaven” is available on Hulu.
Bunny McGuire, at center holding the big scissors, surrounded by her family as she cuts the ribbon to the park that now bears her name in North Canaan on Saturday, June 7.
NORTH CANAAN — The park on Main Street in North Canaan was officially renamed Bunny McGuire Park at a ceremony beneath the pavilion Saturday, June 7.
Clementine “Bunny” McGuire was recognized for her lifelong commitment to volunteerism in town. Her civil contributions include work with the Beautification Committee, the Douglas Library, the historical society, a poll worker, an employee of North Canaan Elementary and Housatonic Valley Regional High Schools and a volunteer at her church.
“People like Bunny are the lifeblood of small towns and we should all be grateful for the bountiful benefits we have derived from having this vital and generous force in our midst,” said Kathryn Boughton, town historian.
First Selectman Brian Ohler described McGuire as, “A person whose name is truly synonymous with service, kindness, civility and generosity.”
First Selectman Brian Ohler praised McGuire for her impact on the town. "Bunny, you are so, so loved," Ohler said. "The outpouring of suppourt is not a surprise."Photo by Riley Klein
Ohler noted the impact McGuire has had on the town, as evidenced by the nearly 100 guests in attendance and the long list of donors who contributed to updating the facilities at the park.
“Bunny, you are so, so loved. The outpouring of support is not a surprise,” said Ohler.
Among the recent improvements include a new dog park fenced area, basketball hoops, updated playground, parking lot pavement, landscaping, new signage, paint and lighting for the pavilion.
“Everyone says I have done so much for the town, but this town has done so much for me,” said McGuire. “Just look around you, what we have,” she said tearfully. “A big thank you to all of you. I love you.”
SHARON — Angela Derrick Carabine, 74, died May 16, 2025, at Vassar Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.