Corny, Patriotic, Terrific

In “Captain America: The First Avenger” our hero is so determinedly square, so uber-patriotic, that you may yearn for the good old days when the country was united against real enemies, say Nazis, and not fighting itself over debt ceilings and Medicare. It is an unembarrassed throwback to those World War II B movies that favored corniness over irony and made heroes of ordinary soldiers. It is also a terrific film. Emerging from the seemingly bottomless vaults of Marvel Comics, Captain America is that most engaging, sympathetic and unlikely hero: the 98-pound weakling, bullied and beaten up on a regular basis, rejected five times at army enlistment centers, desperate to fight for his country, determined, tenacious; a good man seeking a good war. Steve Rogers, the scrawny kid from Brooklyn, catches the eye of a German scientist now working for the Americans (Stanley Tucci), who injects him with a serum that, Bam! turns him into a super-muscled, super-fast, super-soldier: Captain America (Chris Evans). Created by Marvel in 1941 before the United States entered the war, the Captain cold-cocked Hitler on his very first comic book cover. From the beginning he represented the kind of wisdom, bravery and self-effacing courage that Americans believed in then. Why does Rogers want to fight? “I don’t like bullies,” he says. “What makes you so special?” someone asks him later in the movie. “Nothin’,” he answers. Once the enemy is identified — actually a rogue Nazi, Red Skull (Hugo Weaving) with his own plans for world domination under the name Hydra — the film rushes forward with spectacular effects and moments of real suspense. Captain America assembles a team to fight the enemy, and, armed with his trusty round shield made of the world’s hardest metal and painted like a bullseye in red, white and blue – literally marches to meet his nemesis. The computer-generated imagery is eye-popping and even creepy, especially when Evans’s head rests so realistically on Rogers’ puny body before the transformation. And out of it comes Evans’s deep, serious voice. This wimp has gravitas and enormous heart. Scenes in snow-clad mountains are awesome. Battles are quick, loud, explosive. You can feel the pow! Director Joe Johnston has assembled a talented cast: In addition to Evans and Tucci, there is Hayley Atwell as Peggy Carter, a sexy British military liaison; Dominic Cooper as millionaire inventor Howard Stark (aka Iron Man’s dad,) and Tommy Lee Jones, as the crusty Col. Chester Phillips, who looks like a shar pei and delivers the film’s best and most amusing lines. Visually, the film is a treat: It feels weighty, even important. Sepia-toned, it has an art-deco look: fantastic cars, planes and submarines come directly from the pages of 1940s comic books. Lighting, costumes, splashes of color feel just right, especially the retro-red lipstick on Atwell and the stunning red dress she wears in a bar full of somberly-clad soldiers, an homage to Tarantino’s“Inglorious Basterds,” with whom Johnston shares an aesthetic. Of course, “Captain America” is the final super-hero film before next summer’s all-star blockbuster “The Avengers.” So there are brief scenes in the present time that bracket the movie and prepare for the Captain’s appearance in the coming movie. But I doubt he will be as appealing then as he is now as the glorious good guy: humane, untainted by arrogance or darkness or self-importance, out to save the world. He is especially welcome in the summer of our political discontent. “Captain America: The First Avenger” is playing at The Moviehouse in Millerton, Cinerom in Torrington and the Mallory Brook Cinema near Winsted. The film is rated PG-13 for intense sequences of science fiction violence and action.

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