Crescendo presents Bach’s Christmas Oratorio

Artistic Director Christine Gevert will lead more than 30 Crescendo singers in two concerts this holiday season.
Provided
Artistic Director Christine Gevert will lead more than 30 Crescendo singers in two concerts this holiday season.
Crescendo is an award-winning music organization based in Lakeville, Connecticut, which will present two concerts with festive Baroque holiday music for chorus, soloists, and orchestra on Dec. 28 and 29. The program brings comfort, joy, and a sense of wonder to listeners and celebrates unity, love, and hope through the power of music.
Johann Sebastian Bach’s Christmas Oratorio stands at the center of the program. Cantatas by his predecessors and contemporaries showcase the festive themes of Advent, Christmas, and the New Year.
The Crescendo Chorus of thirty singers is joined by soprano Paulina Francisco (Canada), countertenor Nicholas Tamagna (Germany), tenor Gene Stenger (Connecticut), bass-baritone Douglas Williams (Massachusetts), and Crescendo Period Instrument Orchestra with musicians from New York City and Boston. The performances are led by Crescendo’s founding artistic director, Christine Gevert.
“Baroque music appeals directly to our emotions. It is the foundation of most of the music we hear nowadays. These compositions incorporate melodies, rhythms, and even forms from folk music. The cantatas are full of dance rhythms, and familiar tunes, which makes them very accessible to our ears. Even without being a classical music fan or choral music lover, it is hard to not be cheered up by forty voices and fifteen instruments singing music that has great harmonic progressions, and beautiful melodies,” Gevert explained.
Crescendo’s concerts will take place at Trinity Episcopal Church in Lime Rock Dec. 28 and 29.Provided
“The natural trumpets and period timpani are played by experts, and their sound is very solemn and lively at the same time. The Christmas cantatas were composed for the most important moment in the church celebrations. The period instruments used in these works have a sound that is a bit more transparent, and perhaps differentiated than the instruments we hear in modern orchestras, and they also have very unique colors. That makes them perfect to accompany the human voice,” she added.
Gevert was raised in Chile and lived in Europe for twelve years. She had been thinking of moving to Boston in the early 2000s but found the Early Music scene there difficult to break into as a foreigner. Luckily for local audiences, she found her way to the Northwest Corner.
“I met the minister of Trinity Church Lime Rock at a meditation retreat in Rishikesh, India, and she let me know that the small Episcopal parish had many music-loving members, and that the music director position was opening up. I applied, and was hired in October of 2001. It took a bit to get the music program going, but I was able to constitute Crescendo here in the fall of 2003, and our audience, chorus and instrumentalists came immediately also from the adjacent areas in New York and Massachusetts. We became an independent 501 (c)(3) organization in 2006,” Gevert says.
Leading ensembles and producing events comes with its own set of challenges. Musicians are not typically educated or trained in management, marketing, and fundraising for arts organizations.
“You need to learn everything at the same time while leading the artistic part of the organization. Everything is done on a shoe-string budget. It was always my goal to bring the very best professionals to our programs, and to pay them a just fee. So most of our funds are used for that, and very little is left for management, marketing, and development. Understanding the functioning of a not-for-profit organization is a journey that has many unexpected challenges and obstacles. Learning to be a leader is not easy in any discipline,” Gevert explained.
“Adoration of the Magi,” by 17th century artist Artemisia Gentileschi. Provided
Gevert feels that society has changed since Covid, with many people still reluctant to attend live performances. The renewal of audience members, supporters, and amateur musicians is more important than ever.
“We have always offered free music education to students and young musicians at Crescendo, and currently have a program in place that functions besides our concert series, and benefits young local musicians who receive one-on-one training,” she added.
Crescendo has been in Lakeville for 21 years in large part because of the many music lovers in the area. Early Music colleagues from the East Coast have also been great supporters.
“We hope that we will be able to celebrate the beauty and power of live music for many more years to come,” said Gevert.
The concerts will take place on Saturday, Dec. 28, 2024 at 4 p.m. at Trinity Episcopal Church, 484 Lime Rock Rd., Lakeville, CT, and on Sunday, Dec. 29, 2024 at 4 p.m. at Saint James Place, 352 Main Street, Great Barrington, MA.
Tickets are available online at www.crescendomusic.org, or on a first come, first served basis at the door, 45 minutes prior to the concert.
The entrance to Torrington Transfer Station.
TORRINGTON — Municipalities holding out for a public solid waste solution in the Northwest Corner have new hope.
An amendment to House Bill No. 7287, known as the Implementor Bill, signed by Governor Ned Lamont, has put the $3.25 million sale of the Torrington Transfer Station to USA Waste & Recycling on hold.
The amendment was added after the formation of the Northwest Resource Recovery Authority in Torrington in late May. The text added to the bill reads, “any permit or license relating to the Torrington Transfer Station shall be deemed transferred to the Northwest Resource Recovery Authority, or its designee, and shall continue in full force and effect.”
The change halted the sale to USA, which was unanimously accepted by MIRA Dissolution Authority at its May 14 board meeting, and reopened negotiations with municipal leaders. Torrington is one of two transfer stations in Connecticut, the other being Essex, that are still operated by MIRA-DA. Combined, more than 20 towns currently utilize these facilities.
Members of the Northwest Hills Council of Governments have been working to establish a public option for solid waste management for more than a year. In February 2025, MIRA-DA entered into a term sheet for a regional waste authority to take over the Torrington Transfer Station to be used as a central hub for regional hauling. Those plans were nixed after MIRA-DA’s May decision to privately sell the facility, until the amendment to HB 7287.
The Implementor Bill is “an act concerning the state budget for the biennium ending June 30, 2027,” according to the state website. It was signed by Lamont in early June.
MIRA-DA reviewed the situation at its board meeting Wednesday, June 18. Conversation mostly took place in executive session, but several speakers participated in public comment.
Supporting a public option, Torrington Mayor Elinor Carbone said, “I’m advocating for the local taxpayers for return on the investment that they’ve made over the years through tipping fees.” She continued, “The best way to return that investment is to strongly consider that public option that has been submitted on behalf of the NRRA.”
Selectmen in Cornwall, Falls Village, Goshen, Norfolk, North Canaan, Salisbury and Sharon have all expressed interest in pursuing a public option. Each of these towns continue to haul to Torrington utilizing existing state service agreements, which are due to expire in 2027.
Ed Spinella, attorney representing USA, characterized the Implementor Bill text change as a “rat amendment” that does not affect USA’s proposal. He said he intends to enforce MIRA-DA’s previous acceptance of the sale.
“It’s an enforceable vote and I guarantee you I’m going to make it enforceable,” said Spinella. “We were going to buy the facility regardless of whether or not it had a permit.”
He urged MIRA-DA to produce the necessary paperwork to move forward with the sale.
“I want to sign the documents so we can finish this deal,” said Spinella. “Are you going to be defined by cowering to a rat implementor, rat amendment of the Implementor Bill?”
Following a lengthy executive session June 18 that continued the next day, MIRA-DA recessed without taking action. The meeting was scheduled to continue Monday, June 23, at noon.
In August of 1781, after spending thirty years as an enslaved woman in the household of Colonel John Ashley in Sheffield, Massachusetts, Elizabeth Freeman, also known as Mumbet, was the first enslaved person to sue for her freedom in court. At the time of her trial there were 5,000 enslaved people in the state. MumBet’s legal victory set a precedent for the abolition of slavery in Massachusetts in 1790, the first in the nation. She took the name Elizabeth Freeman.
Local playwrights Lonnie Carter and Linda Rossi will tell her story in a staged reading of “1781” to celebrate Juneteenth, ay 7 p.m. at The Center on Main in Falls Village, Connecticut.Singer Wanda Houston will play MumBet, joined by actors Chantell McCulloch, Tarik Shah, Kim Canning, Sherie Berk, Howard Platt, Gloria Parker and Ruby Cameron Miller. Musical composer Donald Sosin added, “MumBet is an American hero whose story deserves to be known much more widely.”
Houston has shared the stage with stars ranging from Barbra Streisand to Motown great Mary Wells. “I have had the honor of portraying Elizabeth Freeman for three years in “Meet Elizabeth Freeman” by Teresa Miller. Our first reading of “1781” is in celebration of Juneteenth, which is wonderfully symbolic and poignant.” Juneteenth celebrates the end of slavery. Two years after President Lincoln issued the Emancipation Proclamation in 1863, word of their freedom finally reached slaves in Texas on June 19, 1865.
Tombstone of Elizabeth Freeman in the “Sedgewick Pie” family burial ground in Stockbridge, Massachusetts. Lonnie carter
MumBet, born in 1742 to African enslaved parents, was purchased at age six months by Colonel John Ashley of Sheffield, Massachusetts, for whom she worked until her thirties. Ashley helped write the 1773 Sheffield Declaration which stated, “Mankind in a state of nature are equal, free, and independent of each other, and have a right to the undisturbed enjoyment of their lives, their liberty and property.” Rumor has it that MumBet overheard a reading of the document. After a traumatic household experience, MumBet left the Ashley home in Bartholomew’s Cobble, walked four miles to Sheffield, and asked attorney and abolitionist Theodore Sedgwick to help her gain her freedom.
Houston shared, “I live in Sheffield near where she was enslaved, in a house she would have passed on her walk from Ashley Falls to Sheffield. I am humbled by the fortitude and inner strength it must have taken for this woman to defy norms and take a stand for her own freedom.We Americans must still stand and fight for our rights to live free.”
Elizabeth Freeman spent her years as a free woman working for wages in the Sedgewick household, saving money to buy her own home in Stockbridge, where she was a midwife and healer. She died in 1829 and is buried in “Sedgewick Pie,” the family burial plot in Stockbridge. One of her great-grandchildren, W.E.B. DuBois, born in Great Barrington, was the first African American to earn a Ph.D. from Harvard. DuBois founded the NAACP.
Her tombstone reads: “She was born a slave and remained a slave for nearly thirty years. She could neither read nor write yet in her own sphere she had no superior or equal. She neither wasted time nor property. She never violated a trust nor failed to perform a duty. In every situation of domestic trial, she was the most efficient helper, and the tenderest friend. Good mother, farewell.”
The performance of “1781” will take place Thursday, June 19 at 7 p.m. at The Center on Main (103 Main St., Falls Village).Admission is free, donations gratefully accepted.
The new mural painted by students at Saint John Paul The Great Academy in Torrington, Connecticut.
Thanks to a unique collaboration between The Nutmeg Fudge Company, local artist Gerald Incandela, and Saint John Paul The Great Academy in Torrington, Connecticut a mural — designed and painted entirely by students — now graces the interior of the fudge company.
The Nutmeg Fudge Company owner Kristy Barto was looking to brighten her party space with a mural that celebrated both old and new Torrington. She worked with school board member Susan Cook and Incandela to reach out to the Academy’s art teacher, Rachael Martinelli.
“When Susan and Gerald brought this to me, I immediately saw it as a chance for my students to make something meaningful and lasting,” said Martinelli. “It wasn’t just about painting a wall, it was about teaching kids to serve their community through their art.”
Martinelli introduced the project as an after-school club for grades four through eight. “I wanted students who were truly committed,” she explained. Interest was so high that she had to divide participants into rotating grade-level groups, with occasional full-team days for collaboration. The mural became a long-term endeavor, stretching across a school year and a half.
The painting was created on canvas, a nearly 4’ x 27’ roll, donated by Incandela. The paint came courtesy of school principal Ed Goad. With materials secured, the students dove into research, studying maps, landmarks, and city history to inform their designs. “They worked to capture the spirit of Torrington,” Martinelli said. “But also, to match the whimsy of a candy shop.”
The result is a mural that features a playful “candyland” version of the city, where important buildings and landmarks are sized according to their importance to both the client and the community. “They created this hierarchy of bubbles and buildings, this joyful visual story,” Martinelli said. “It’s full of life.”
Beyond art skills, Martinelli witnessed her students develop qualities often harder to teach: teamwork, communication, resilience. “They learned to scale up sketches, mix large batches of paint for consistency, and adapt their work when it overlapped with someone else’s. They really respected each other’s contributions.”
The project also reflected the Academy’s Catholic STREAM (Science, Technology, Religion, Engineering, Arts, and Math) approach to education. “This was STREAM in action,” Martinelli explained. “They used technology to scale and transfer designs, applied math for proportions and spacing, and worked collaboratively to problem-solve. But they also lived their faith — through service, solidarity, and joy.”
Martinelli believes the mural speaks as much to the process as it does to the final product. “Some of the kids who worked on it have already graduated, but they’re coming back for the unveiling. That says something.”
The unveiling of the mural will take place at The Nutmeg Fudge Company on June 11, from 5:00 to 7:00 p.m., where families, friends, and community members are invited to celebrate the students’ achievement.
Asked what stood out most from the experience, Martinelli said, “For me, the most rewarding part was watching a diverse group of kids work together — different grades, different friend groups — all collaborating with respect, flexibility, and positivity. They created something beautiful, together.”