Thank you!
Your support is sustaining the future of local news in our communities.

Despite rain, bugs, they walked to help those who must walk

FALLS VILLAGE — Drenching rain was forecast for Sunday afternoon. So what did the CROP Hunger Walk participants do? They gathered their rain gear and headed out anyway.

Nothing was going to stop this crowd, which turned out to be as big as it usually is.

It was raining lightly as the walkers were registering at Housatonic Valley Regional High School. Just as they gathered at the start line, the sun peeked out from behind dark clouds.

“We walk because they walk!� a group of 20 South Kent School students chanted, repeating the CROP Walk motto.

It’s all about helping those who don’t have easy access to food and water, and the tools to supply their own. CROP Walk is a national annual event sponsored by  Church World Service.

Kathy Burton, the Tri-state coordinator for CROP Walk, was here for the first time in the Northwest Connecticut walk’s 25-year history. She goes to a lot of walks, but said she was truly amazed by the turnout here.

Before she cut the ribbon to start the event, the approximately 300 walkers listened to local students read stories from those who have benefited from CROP Walk funds — from those in Third World countries to hurricane victims in the American South.

Organizer Carl Franson also read some impressive numbers.

In its first 24 years, the local walk raised $539,240, with 6,794 total walkers (and that doesn’t even include the many dogs who come along).

Franson asked for a show of hands from walkers who are 25 years and younger. It was a good portion of the crowd.

“I hope that will continue so we have people to take over for those of us who are getting on in years,� Franson said. He retired this year as pastor at the Sharon United Methodist Church.

Franson expressed his concern about maintaining a sufficient staff to organize and work the walk. Most have been at it for the last 25 years, including Edith Blodgett and Shirley Rogers, who work the registration table. Then they head out and do the walk.

There are people like Mike Fitting, who always shows up to monitor the 5-mile route, haul water and do whatever is needed of him. This year, 500 water bottles bearing the CROP Walk logo and commemorating the 25th anniversary were given to walkers. No one knew they were donated by Fitting.

Reinstated this year was a challenge to anyone willing to run the last mile. Five dollars would be added to the donations in each name. The source of the added donation is a secret. There were quite a few who successfully took up the challenge.

With the enthusiasm displayed Sunday, one would think there were plenty of future organizers in the crowd.

Ellie and Hannah Stewart and Erika Knapp, all of Lakeville, had to be prompted by a parent about why they walk. But the prompt was telling. They were urged to talk about what they had learned about CROP in Sunday school that morning.

When asked if they were going to be able to make the entire 5 miles, 5-year-old Hannah said very matter-of-factly, “I don’t know,� and seemed unfazed by the whole thing. Perfect attitude for an organizer.

As it turned out, the “rain� was more of a mist that fell occasionally, helping to cool walkers who were dealing with high humidity.

It also helped a bit with the gnats and mosquitoes, which were about as bad as anyone could remember.  For those who kept moving (and waving arms) it was just bearable.

A special word of thanks goes out to the Junior Youth Group at North Canaan Congregational Church. They set up a table with water and oranges at the halfway point, on River Road.

The bugs launched an all-out assault, but they toughed it out and helped keep the walkers going.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.