Familiar Technique, With Texture Added

John Greene is the only artist I know who worked on Wall Street by day and painted in a West Village studio by night. Long retired and living in Pine Plains, NY, Greene still makes art, and a small exhibition of his luminous color field paintings is now in the Warner Gallery of the Holbrook Arts Center at Millbrook School.

Color field was an artistic movement of the 1950s and ’60s. Characterized by large, flat swathes of color, it was manipulated in many different ways by artists such as Mark Rothko, Barnett Newman, Helen Frankenthaler, Robert Motherwell and Jackson Pollock, among others. Color field influence showed up in the work of later artists as well, and it is still felt in some 21st-century art.

Greene’s pictures at Millbrook are different in methodology from traditional color field artists: he spritzes his layers of encaustic color onto black gessoed board instead of brushing or even spraying them. Working quickly as he must — encaustic is melted beeswax mixed with pure pigment — he gives his work a highly textured, pebble-like quality that adds the depth much color field does not have. (The encaustic also allows occasional, pleasing drips down the board.)

As layer upon layer of different colors are spritzed on sections of a painting, subtle gradations of color appear, the gradations you see in natural landscapes or even minerals. Yet these are not pictures about anything: they are paintings about feeling, about the memory of color. The beeswax gives each picture an inner glow, a luminescence that is sensual. You find yourself looking at each work longer than you expected, even turning back for another look.

The 12 pictures in Greene’s show are mostly large. As you enter the gallery, four big works nearly scream Rothko. Only closer viewing reveals Greene’s pebbly texture with a depth Rothko never sought. Nearby are some pictures in which the color field is bracketed above and below by narrow, brush-painted, multicolored borders. There is a gorgeous painting of oranges and apricots and browns that seems to capture the intensity of a sunny, July day. And one of intense blues over black that recalls the depth of blue minerals.

Synthesis, Works by John Greene, continues at Warner Gallery of the Millbrook School through April 25. (With luck, the show will be extended.) The gallery is open every day but Sunday. Follow signs to the arts center and gallery when you drive into the campus. For information, contact Bill Hardy at bhardy@millbrook.org or Sarah Mac Wright at smacwright@millbrook.org.

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