Thank you!
Your support is sustaining the future of local news in our communities.

Full steam ahead at the old-engines Spring Power-Up

KENT — Nearly 1,000 people, including members and volunteers, turned up for the 26th annual Spring Power-Up of the Connecticut Antique Machinery Association (CAMA), on Saturday, May 1.

The event marks the first time each year the group “powers up†its antique machines. Visitors get a chance to explore preserved and fully operational relics of agricultural and industrial machinery. There are also contests and a lumberjack show.

The Hawaii No. 5, a steam locomotive built in 1925, waited at the edge of the parking lot to take enthusiasts of all ages for rides down a short track. The locomotive was originally used to transport sugar cane in Hawaii. It is owned by Richard May of California but has been kept at the association’s Kent property for the past 10 years.

On the tours, Rider Strano, 8, of Ivoryton, Conn., operated the steam whistle, and Bob Hungerford of Chilmark, Mass., a member of CAMA, were two of the conductors.

“You can hear it, smell it, and as a museum exhibit, you can ride on it,†Hungerford said. “It’s the ultimate exhibit, and we hope to be successful in purchasing it from Dr. May.â€

While walking around the grounds, the sounds of combustion, diesel and steam engines could be heard everywhere. A deafening whistle drew attention to a billowing cloud of white smoke emanating from the roof of the Industrial Hall, which housed a stationary steam engine boasting a flywheel 14 feet in diameter.

Though it was seen moving at a break-neck speed of about 3 mph, a 1920 International 816 combustion tractor didn’t seem to strike fear in the attendees it passed, though the lugs protruding from the steel wheels, used for traction, looked menacing enough to take off a toe or two.

Gene Licursi, a 12-year CAMA director, said there was a larger turnout than usual this year for the Spring Power-Up with 320 paid admissions.

“The sun is out, and that brings a large crowd,†he said.

Originally founded in 1984 by 22 antique machinery enthusiasts, CAMA now has more than 800 members, all of whom are volunteers and full of information about the antique machines.

During the afternoon the University of Connecticut’s Timber Team, lead by coach Shannon Strong of Warren, put on an exhibition show. Events included the underhand chop, where the lumberjack stands on top of a log and chops through it with an axe, the single buck, in which competitors cut through a horizontal log with a saw longer than themselves, and the double buck, where two lumberjacks work together using a two-handled buck saw.

Other events were axe throwing, chain saw art and a strongest child race. Charlie Rosewell, 8, of Sandy Hook, Conn., and Chase Demato, 9, of New Milford competed by carrying a bundle of small logs, flipping over a tire three times and stacking split wood.

Strong and the team will perform a demonstration with the forestry club at the Wamogo High School in Litchfield May 21 and will be back for the Fall Festival at CAMA from Sept. 24 to 26.

Outside the Mining Museum, Justin Perlman of Sherman, a CAMA member and a professional sculptor, was making a figurative piece using mostly a hammer and chisel. He has been sculpting for 14 years and says it feels natural to be at CAMA.

“This place inspires me,†he said. “I grew up going to car shows with my dad and the things here are more art than machines to me. There’s so much knowledge here. Everyone you talk to knows more than the next and it’s never boring.â€

Toward the end of the event, a slow and steady chugging steam engine in low gear motored faithfully behind the Industrial Hall in the middle of the grounds. Lifetime members Bill Lion of Cornwall and Trevor Marshall of Westport stood on a plank of wood behind the wheel of the 1912 Frick Traction Steam Engine, pushing and pulling levers to keep it mobile.

The CAMA Fall Festival will be Sept. 24 to 26. Visit ctamachinery.com for  information.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.