Horrifying Past, Muddled Present

This is two films, “Sarah’s Key.” One is about French collaboration with the Nazis during the Holocaust, the other is a tale of trans-Atlantic yuppie angst. Julia (Kristin Scott Thomas) is a magazine writer with a hell of a story to tell — how Parisian Jews were rounded up by the French authorities in the summer of 1942, herded into a sports arena, then into camps, and finally shipped east. Sarah (Mélusine Mayance), the daughter of the doomed Starzynski family, convinces her little brother to hide in the closet when the cops come, and she locks him in, making him promise to keep quiet. It’s obvious that nobody’s ever going back for any reason, and watching the horror mount as the family members are separated, as Sarah escapes with a friend and as the boy’s remains are discovered is a powerful piece of filmmaking. Director Gilles Paquet-Brenner deserves credit for handling this violent material with understatement and class. However, as one of the screenwriters (with Serge Joncour, based on a novel by Tatiana De Rosnay), he is also on the spot for foisting a fairly flabby tale of Julia’s husband’s family being the ones who took over the Starzynski apartment, who were there when young Sarah burst in looking for her brother and who have held on to this deep dark secret ever since. But what, exactly, is the secret? That this French family — the Tezacs — rented an apartment that had been occupied by a Jewish family? Why is this cause for generations of shame? Were they supposed to buck the Vichy French and, by extension, the Nazis? It’s not very clear. A far better question would have been, since the apartment smelled awful, and the closet was locked, why on earth didn’t the Tezac family break the door open? The flashbacks include brief sequences of French citizens mocking their Jewish neighbors as they are led off, and all the French cops look like de Gaulle, more or less. So maybe the idea is to point out different levels of guilt or responsibility. If so, it gets lost in the yuppie drama, as Julia, now obsessed with tracking down Sarah, jets all over the place and fights with her husband about whether or not to have an abortion. The flashback sequences are skillfully done and absolutely riveting. The present-day sequences suffer from a lack of focus. Is this a historical thriller, or is this a self-esteem exercise? Worth seeing for Thomas and Mayance alone, but the rest of the cast, also, is solid and convincing. Rated PG-13 for disturbing sequences about the Holocaust. “Sarah’s Key” is playing widely.

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Father Joseph Kurnath

LAKEVILLE — Father Joseph G. M. Kurnath, retired priest of the Archdiocese of Hartford, passed away peacefully, at the age of 71, on Sunday, June 29, 2025.

Father Joe was born on May 21, 1954, in Waterbury, Connecticut. He attended kindergarten through high school in Bristol.

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Travel league baseball came to Torrington Thursday, June 26, when the Berkshire Bears Select Team played the Connecticut Moose 18U squad. The Moose won 6-4 in a back-and-forth game. Two players on the Bears play varsity ball at Housatonic Valley Regional High School: shortstop Anthony Foley and first baseman Wes Allyn. Foley went 1-for-3 at bat with an RBI in the game at Fuessenich Park.

 

  Anthony Foley, rising senior at Housatonic Valley Regional High School, went 1-for-3 at bat for the Bears June 26.Photo by Riley Klein 

 
Siglio Press: Uncommon books at the intersection of art and literature

Uncommon books at the intersection of art and literature.

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Siglio Press is a small, independent publishing house based in Egremont, Massachusetts, known for producing “uncommon books at the intersection of art and literature.” Founded and run by editor and publisher Lisa Pearson, Siglio has, since 2008, designed books that challenge conventions of both form and content.

A visit to Pearson’s airy studio suggests uncommon work, to be sure. Each of four very large tables were covered with what looked to be thousands of miniature squares of inkjet-printed, kaleidoscopically colored pieces of paper. Another table was covered with dozens of book/illustration-size, abstracted images of deer, made up of colored dots. For the enchanted and the mystified, Pearson kindly explained that these pieces were to be collaged together as artworks by the artist Richard Kraft (a frequent contributor to the Siglio Press and Pearson’s husband). The works would be accompanied by writings by two poets, Elizabeth Zuba and Monica Torre, in an as-yet-to-be-named book, inspired by a found copy of a worn French children’s book from the 1930s called “Robin de Bois” (Robin Hood).

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Cyclists head south on the rail trail from Copake Falls.

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For those lucky enough to already possess their own bike, perhaps the routes described will inspire a new way to spend a Sunday afternoon. For more, visit lakevillejournal.com/tag/bike-route to check out two ride-guides from local cyclists that will appeal to enthusiasts of many levels looking for a varied trip through the region’s stunning summer scenery.

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