Thank you!
Your support is sustaining the future of local news in our communities.

Invasive plants: now is the time to fight back

A walk along our country roads is not what it used to be. Instead of a diversity of plants along our way, we are often faced with a wall of vines and a monoculture of shrubs. We all know that these are invasive plants and we have seen exhibits, read articles and maybe attended lectures on the issue. Taking action to address the situation is another story.There is a long list of problem plants and that may be a problem in itself. It seems to me that it’s kind of like learning bird songs — there are so many that some people get overwhelmed and scared off. When teaching classes about bird songs we usually concentrate on a small subset of birds and build from there. This way, people learn gradually and enjoy the process.Many of the invasive plants we are now plagued with were actually planted as ornamentals for gardens, for erosion control or for privacy shields decades ago at the recommendation of horticulturalists and wildlife agencies. I have several pamphlets in my office from the 1960s and 1970s that recommend things like autumn olive, honeysuckle and Japanese barberry for their wildlife and soil stabilization value. We now know that these nonnative plants are extremely invasive, spread rapidly and take over native vegetation at an alarming rate.The offspring from these original plantings are largely what we see invading our roadways, hedgerows and backyards and they are making their way deeper and deeper into our forests. By becoming aware of what you have in your backyard and removing the invasive plants, you can help stop their spread. Of course identifying the 96 plants listed as invasive by the Connecticut Invasive Plant Working Group can be as overwhelming as learning bird songs — unless we focus on a suite of plants that would make a huge difference if kept at bay. Here are my top three: oriental bittersweet, a vine that eventually kills mature trees by choking them to death (so to speak); common barberry, a thorny shrub that provides a safe haven for mice that host deer ticks; and multiflora rose, an even thornier shrub with a nice white flower that is its only redeeming quality.Helping to abate these three plants will make a huge difference. There are many websites that have photos and describe appropriate control methods. I am not a fan of herbicides, so I prefer mechanical means of control: Dig them out! Sometimes this isn’t possible, especially in the case of large bittersweet vines that will simply resprout if cut. Cutting the vine and painting the stump with only the required amount of herbicide does the trick.The more we can reduce these three easily identifiable plants from our own yards, the closer we will come to slowing their spread. I am happy to help with identification, and more information can be found at the Connecticut Invasive Plant Working Group website, www.hort.uconn.edu/cipwg. Scott Heth is the director of Audubon Sharon and can be reached at sheth@audubon.org, (subject line: Nature Notes).

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.