Spongy moth potentially a threat again next year

This is a flightless female spongy moth, who has laid her eggs on the trunk of an oak and covered them with a felted mat of her own hairs.
Photo by Willard Wood
It wasn’t unusual, driving in the Northwest Corner this summer, to see whole hillsides with their trees stripped of foliage, the trunks and branches clearly visible where weeks before there had been an even canopy of leaves.
Over 45,000 acres of forest in Litchfield County were defoliated by spongy moth in 2022, according to a recent tabulation by the Connecticut Agricultural Extension Service (CAES). This followed a 40,000-acre defoliation in 2021 over much of the same area, centering on Sharon and Cornwall. Many of the trees hit hard by spongy moth two years in a row are likely to die.
The hardwoods most severely affected, mainly oaks but also red maple and beech, can generally regrow their leaves once, although they become more susceptible to drought and disease. But the double punch is often fatal.
Jeffrey Ward, who recently retired from CAES, has been following a forest stand on Sharon Mountain where the oaks were defoliated in 2021 and 2022. He noted that 70% of them had recovered less than a quarter of their foliage by late summer.
“From experience and the literature,” said Ward, “this indicates that approximately 70% of oaks in those areas will be dead within a couple of years.”
The culprits of spongy moth defoliation are the caterpillars, which hatch in the spring as tiny, quarter-inch crawlers and climb to the canopy to start feeding on leaves. Over the spring and early summer, they will molt through four or five stages (instars), finally reaching about two to three inches in length.
It’s the voracious appetite of the later instars that we typically notice, both because of the leafless trees above and the obnoxious frass or droppings below.
In late June or early July, the caterpillars will stop feeding and pupate, emerging either as a dark male moth or the flightless white female moth that lays her eggs in tight clusters, by preference on the trunks of oaks, and cover them with a tan-colored felt made from her own hairs. Where infestations are heavy, egg masses can also be found on the trunks of beech and white birch, and even on the sides of houses and in the wheel wells of cars.
Each year, the CAES performs a winter survey of spongy moth egg masses across Connecticut, and when the counts are alarmingly high, as they were last spring in western Litchfield County, the state entomologist, Victoria Smith, will put out a bulletin.
The main check against spongy moth infestation is an introduced fungus, Entomophagia maimagia, now endemic in the Northeast. When spring rains are abundant, the fungus becomes activated and invades the bodies of late-instar spongy moth caterpillars, killing them. These can be seen hanging motionless on the trunks of trees, a grisly but welcome sight that signals the end of an infestation.
Some caterpillars manage to pupate despite the fungus, develop into moths, and lay their eggs for next spring’s crop.
To get a rough sense of the spongy moth presence in your area, locate ten or twelve large oaks and examine the trunks attentively for the tan, felt-like patches of the spongy moth egg masses. If you see none or only one or two on each tree, chances are you will escape a heavy infestation next year.
The CAES ranks anything less than 200 egg masses per acre as a light infestation. If you see four or five egg masses on many trees or, as sometimes happens, clusters of twenty or more, you might think of taking action.
A licensed arborist will have a variety of options for treating a backyard tree or woodlot for spongy moth, and the programs will range from benign to aggressive. The CAES website has a thorough and well-illustrated section on the pest.
If you decide to take matters into your own hands, you can either spray the egg masses with an agricultural oil or insecticidal soap, soaking them completely, or you can scrape them into a container and dispose of them (scraping the eggs onto the ground doesn’t work).
Will it protect your trees? Well, the first-instar caterpillars trail a fine filament behind them as they climb and use it to balloon in the wind, traveling up to 150 yards.
But each egg mass can contain up to 1,000 eggs. And they do make a satisfying crackle when tossed into the fire.
Aradev LLC’s plans to redevelop Wake Robin Inn include four 2,000-square-foot cabins, an event space, a sit-down restaurant and fast-casual counter, a spa, library, lounge, gym and seasonal pool. If approved, guest room numbers would increase from 38 to 57.
LAKEVILLE — The public hearing for the redevelopment of Wake Robin Inn is over. Salisbury Planning and Zoning Commission now has two months to make a decision.
The hearing closed on Tuesday, Sept. 9, after its seventh session.
Michael Klemens, chair of P&Z, had warned at the opening of the proceedings that “this might be a long night” due to a last-minute influx of material from experts hired by Wells Hill Road residents William and Angela Cruger to oppose the project, but this turned out not to be the case.
These 11th hour submissions set a sour tone to the start of the meeting, with commissioner Robert Riva stating that it was “not very professional to pull this stunt on this Commission.” Riva said he had diligently reviewed the already substantial documentation provided by both the applicant and the opposing experts, and was surprised to find a “dump” of additional information submitted just hours before the meeting’s start time at 6 p.m.
Tensions were quickly eased, however, when William Cruger offered his concise summation of his platform’s opposition to the expansion, which is the second iteration of the project after an earlier version was withdrawn late last year.
“It’s important for you all to hear from me that there was never any disrespect intended to the Commission, the commissioners, and to the process,” Cruger said. He defended the last-minute submissions as an effort on the part of the experts to be thorough in their analysis: “Our intention… has been and remains to do our best to get whatever we think will be helpful in your deliberations into the record.”
The Crugers formally entered the hearing process as intervenors for the first application from Aradev LLC, the applicant, in the fall of 2024, meaning they and their hired consultants had full party status in the hearing proceedings. During this cycle, however, they chose not to petition for intervenor status, yet during this round of hearings their role has been similar. Klemens described them as having “almost intervenor status — not quite.”
William Cruger summarized the consultant’s findings for Aradev’s revised application, noting they found it to be “virtually identical in scale to the previous proposal.”
“Our position is that the proposed expansion would absolutely negatively impact the usefulness, enjoyment and value of the surrounding properties,” he said.
Aradev’s attorney Joshua Mackey countered by saying that the special permit conditions would elevate the currently non-conforming hotel in the zone, describing it as a “community asset that is improved, regulated, and safeguarded for generations to come.” He characterized Aradev as “the next steward of this storied property.”
After Mackey and Aradev co-founder Steven Cohen concluded their remarks, Klemens closed the hearing with no public comment, which he had stated would be the case at last week’s hearing session on Thursday, Sept. 4. Klemens said that P&Z will begin deliberating the proposal in early October after the commissioners have had the chance to review the information in the record.
A total of 45 letters, including the Crugers’ experts’ testimony, were submitted since the Sept. 4 meeting alone, alongside hundreds of pages of application materials and additional testimony.
As the Commission deliberates and reviews, all of this information is available for public viewing on the “Meeting Documents” subpage under P&Z’s section on the town website, www.salisburyct.us.
The Commission must issue a decision on the application by Nov. 13, the end of the statutorily defined deliberation window.
The Weavery is Stanton Home’s oldest activity space, featuring a collection of vintage and modern floor looms. It offers opportunities for building dexterity, creative expression, and social connection through fiber arts.
Stanton Home is holding its annual Harvest Roast fundraiser on Saturday, Sept. 13 in Great Barrington, an evening of farm-to-table dining, live swing music, and community connection.
For nearly 40 years, Stanton Home has supported adults with intellectual and developmental disabilities through residential programs, therapeutic services and skill-building activities.
“Here in the Berkshires, adults with diverse abilities often face barriers like limited housing, tricky transportation, and fewer opportunities for meaningful work,” said Executive Director Peter Stanton. “Stanton Home flips that script. Our mission is to partner with adults to pursue healthy, self-determined lives.”
The Harvest Roast features locally grilled meats, roasted vegetables from Stanton’s own gardens, warm apple crisp with SoCo Creamery ice cream, and beverages —all set to the swing and gypsy jazz rhythms of the Lucky 5 Band.
“The Harvest Roast is a celebration of what makes our community strong, inclusive, and vibrant,” Stanton said. “Every ticket and sponsored table supports programs that make a lasting difference.”
Guests will begin in the gardens with a signature cocktail before gathering at long farm tables for a shared meal and celebration.
“Though this night matters, the work is year-round,” Stanton added. “People can help by shopping locally at the farm store or buying handmade weavery goods, pitching in with time or skills, gardening, lending a hand at events or by partnering with Stanton’s programs like composting or sourcing local goods. Folks can also speak up for inclusion in their workplace or community circle. Even the smallest action helps keep the mission alive.”
Tickets are $125 per person. Proceeds support Stanton Home’s inclusive programs. Reserve at donorbox.org/events/771775/steps/choose_tickets or call 413-441-0761.
Following the memorable benefit reading last season of Charles Busch’s Tony-nominated Broadway hit, “The Tale of the Allergist’s Wife,” the Sharon Playhouse will present a one-night-only staged reading of his riotous comic melodrama “Die Mommie Die!” on Friday, Sept. 12 at 7 p.m.
The production —a deliciously over-the-top homage to classic Hollywood mid-century thrillers — continues the Playhouse’s artistic partnership with Busch, who reprises his iconic role of the glamorous yet troubled songstress Angela Arden.
The playwright and performer is no stranger to the Playhouse and, luckily, he’s supported by a truly stellar powerhouse cast of top-notch comic actors — some returning to the Playhouse stage, and some making their debut. The cast includes Richard Kind; two-time Tony Award nominee Kristine Nielsen, who was part of the original New York cast; Tony Award winner Celia Keenan-Bolger; Andrew Keenan-Bolger; and Claybourne Elder.
The production also marks a fortuitous alignment of talent and history. It is directed by Sharon Playhouse Artistic Director Carl Andress, who performed in the play’s Los Angeles premiere in 1999.
“I have a long and happy history with this particular show,” Andress said. “At the Sharon Playhouse, we’re thrilled to offer unforgettable, one-of-a-kind live experiences. With Charles Busch and this phenomenal cast, ‘Die Mommie Die!’ will surely light up the Olsen Stage with laughter, wit and glamour.”
The original music is by Lewis Flinn, whose score for the 2007 Off-Broadway production is being adapted specially for this event.
The play is a classic Charles Busch concoction that, like all his work, lovingly and intelligently spoofs some of the greatest talents and tropes of stage and screen. The original production was praised by critics as his “funniest, most accomplished and, without question, raunchiest work.”
In 2003, Busch won the Best Performance award at the Sundance Film Festival for the film version of “Die Mommie Die!” His indelible contributions to American theater have been recognized with countless awards and he was recently inducted into the Theater Hall of Fame.
The event promises to be an unforgettable night of laughter, glamour and theatrical fun, with all proceeds going to benefit Sharon Playhouse’s productions and educational programs. The funds will help ensure that the Playhouse continues to thrive as a cultural destination for audiences and artists alike.
For tickets, visit: sharonplayhouse.org. Running time: 90 minutes.
Richard Feiner and Annette Stover have worked and taught in the arts, communications, and philanthropy in West Berlin, Paris, Tokyo, and New York. Passionate supporters of the arts, they live in Salisbury and Greenwich Village.