Spongy moth potentially a threat again next year

This is a flightless female spongy moth, who has laid her eggs on the trunk of an oak and covered them with a felted mat of her own hairs.
Photo by Willard Wood

It wasn’t unusual, driving in the Northwest Corner this summer, to see whole hillsides with their trees stripped of foliage, the trunks and branches clearly visible where weeks before there had been an even canopy of leaves.
Over 45,000 acres of forest in Litchfield County were defoliated by spongy moth in 2022, according to a recent tabulation by the Connecticut Agricultural Extension Service (CAES). This followed a 40,000-acre defoliation in 2021 over much of the same area, centering on Sharon and Cornwall. Many of the trees hit hard by spongy moth two years in a row are likely to die.
The hardwoods most severely affected, mainly oaks but also red maple and beech, can generally regrow their leaves once, although they become more susceptible to drought and disease. But the double punch is often fatal.
Jeffrey Ward, who recently retired from CAES, has been following a forest stand on Sharon Mountain where the oaks were defoliated in 2021 and 2022. He noted that 70% of them had recovered less than a quarter of their foliage by late summer.
“From experience and the literature,” said Ward, “this indicates that approximately 70% of oaks in those areas will be dead within a couple of years.”
The culprits of spongy moth defoliation are the caterpillars, which hatch in the spring as tiny, quarter-inch crawlers and climb to the canopy to start feeding on leaves. Over the spring and early summer, they will molt through four or five stages (instars), finally reaching about two to three inches in length.
It’s the voracious appetite of the later instars that we typically notice, both because of the leafless trees above and the obnoxious frass or droppings below.
In late June or early July, the caterpillars will stop feeding and pupate, emerging either as a dark male moth or the flightless white female moth that lays her eggs in tight clusters, by preference on the trunks of oaks, and cover them with a tan-colored felt made from her own hairs. Where infestations are heavy, egg masses can also be found on the trunks of beech and white birch, and even on the sides of houses and in the wheel wells of cars.
Each year, the CAES performs a winter survey of spongy moth egg masses across Connecticut, and when the counts are alarmingly high, as they were last spring in western Litchfield County, the state entomologist, Victoria Smith, will put out a bulletin.
The main check against spongy moth infestation is an introduced fungus, Entomophagia maimagia, now endemic in the Northeast. When spring rains are abundant, the fungus becomes activated and invades the bodies of late-instar spongy moth caterpillars, killing them. These can be seen hanging motionless on the trunks of trees, a grisly but welcome sight that signals the end of an infestation.
Some caterpillars manage to pupate despite the fungus, develop into moths, and lay their eggs for next spring’s crop.
To get a rough sense of the spongy moth presence in your area, locate ten or twelve large oaks and examine the trunks attentively for the tan, felt-like patches of the spongy moth egg masses. If you see none or only one or two on each tree, chances are you will escape a heavy infestation next year.
The CAES ranks anything less than 200 egg masses per acre as a light infestation. If you see four or five egg masses on many trees or, as sometimes happens, clusters of twenty or more, you might think of taking action.
A licensed arborist will have a variety of options for treating a backyard tree or woodlot for spongy moth, and the programs will range from benign to aggressive. The CAES website has a thorough and well-illustrated section on the pest.
If you decide to take matters into your own hands, you can either spray the egg masses with an agricultural oil or insecticidal soap, soaking them completely, or you can scrape them into a container and dispose of them (scraping the eggs onto the ground doesn’t work).
Will it protect your trees? Well, the first-instar caterpillars trail a fine filament behind them as they climb and use it to balloon in the wind, traveling up to 150 yards.
But each egg mass can contain up to 1,000 eggs. And they do make a satisfying crackle when tossed into the fire.
Chris Ohmen (left) held the flag while Chris Williams welcomed Salisbury residents to a Veterans Day ceremony at Town Hall Tuesday, Nov. 11.
SALISBURY — About 30 people turned out for the traditional Veterans Day ceremony at Salisbury Town Hall on a cold and snowy Tuesday morning, Nov. 11.
Chris Ohmen handled the colors and Chris Williams ran the ceremony.
Rev. John Nelson from Salisbury Congregational Church gave both an invocation and a benediction. The latter included this:
“We pray that those who have served and those who have died will never have done so in vain/We pray that the commitment of veterans will be an abiding call to resolve our conflicts without resorting to arms/ That one day soon we may mark the war that indeed ends all wars.”

Williams began his remarks by noting that the Veterans Day speech was usually given by the late David Bayersdorfer, who died earlier this year.
“As we honor our veterans today, let’s keep in mind that service comes in many forms. Each role, each job, each post is a vital part of what makes our military the finest in the world.”
Lloyd Wallingford sang “God Bless America” a cappella, with the crowd joining in.
Eden Rost, left, shakes hands with Sergeant Nicholas Gandolfo, veteran of the Korean War.
NORTH CANAAN — Students at North Canaan Elementary School saluted servicemen and servicewomen at a Veterans Day ceremony Wednesday, Nov. 12.
Eighteen veterans were honored, many of whom attended the ceremony and were connected to the school as relatives of students or staff.
The 2nd graders sang the official song for each branch of service represented that day: Army, Navy, Coast Guard, Marines and Air Force. Special recognition was given to the Marine Corps, which was founded 250 years ago in November 1775.
Eighth graders offered speeches of appreciation. Taylor Gulotta said, "My older sister, Madison, has worked so hard to get to where she is today. She has dreamt of being in the Coast Guard since she was a little girl." She continued, "Her selflessness and bravery... is truly inspiring."

Brayden Foley spoke of his grandfather Todd Baldwin's time in the Navy. "My grandpa taught me that helping others in a fundamental way can build strong, meaningful relationship and a supportive community. I appreciate all members of the Armed Forces past and present for their bravery and their commitment to protect the freedom that we have today."
Veterans were recognized individually by Principal Beth Johnson and students presented them with certificates.
The 2nd graders closed the ceremony with a choreographed rendition of "Grand Old Flag."

When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.