Thank you!
Your support is sustaining the future of local news in our communities.

Living with uncertainty during the time of the coronavirus

I would wager that uncertainty is the main cause of stress most of us are feeling during this coronavirus pandemic. We are uncertain how long we will be forced to live largely inside our own homes, conducting business and friendships on Zoom or Facetime, and seeing only family members face-to-face. We are unsure of whether the precautions we are taking, from social isolation to hand-washing and wiping down surfaces, are what is actually called for. We have no way to know whether we’ll get sick, and, if we do, whether we’ll recover. And we hear different stories of what life will be like when we finally emerge on the other side of this odd and uncomfortable period. Will the world we step back into be recognizable?

Most of us do a lot to avoid uncertainty in “normal” life, from eating the same cereal every morning to regularly calling our mother or sister on Sundays. We look at our weekly calendars to find out what the next seven days will be like, and the appointments we’ve scheduled give us security and confidence that the week will bring what we expect. Which is why during this period all those crossed-out appointments and blank days give us a good deal of anxiety. 

According to a Post-ABC poll, nearly 7 in 10 Americans say they are worried that they or someone in their immediate family might catch the disease. Over half say that they are at personal risk of getting sick, and 20% say they are at high risk. Clearly, the risk-factor is a critical focus of uncertainty during this pandemic. 

I’ve talked with several friends who are transforming their assumed risk into the strange comfort of certainty. One, citing statistics, says he is simply assuming he will contract the virus at some point before it subsides. (I hope he is working against his certainty by trying to prevent the virus through vigilance about the advised changes to our behavior, not helping his assumption along by being careless.) Another, advanced in age with COPD, has given his relatives a kind of advanced health-care directive: he does not want to be taken to the hospital, where he is sure he will be denied a respirator, and instead wants to die in the comfort of his home. Perhaps my two friends’ images of the illness and death that lie in their futures go under the category of: if you plan for the worst, you can only be pleased by life’s surprises. But I think that the difficulty of experiencing uncertainty is also what drives them to create a “certain” scenario, however dire. 

Obviously, the coronavirus has multiplied the uncertainties of our lives.  But the truth is, even in the best of times, the sense of safety that most of us hold onto is largely an illusion, especially when that safety is directed at those aspects of life that we care about remaining the same. Everything changes. Our bodies, which for a long time grew increasingly virile, begin to weaken. Our homes deteriorate, until we power wash and repaint, and the cycle starts over again. Our friends and loved ones change; if we can change with them, our relationships continue, even thrive; but if not, they end, sometimes painfully. Our gardens appear sickly one year, but the next year when they flourish, we sigh with relief, only to feel defeated when they appear scraggly the third year. Nothing stays the same.  

The American Buddhist nun, Pema Chödrön, writes beautifully about how we exhaust ourselves, spending our energy and wasting our lives, trying to re-create zones of safety, which keep falling apart. This is a good time to remember her words: “The root of suffering is resisting the certainty that no matter what the circumstances, uncertainty is all we truly have.”  

May we feel peace amidst the many uncertainties of this period.

 

Carol Ascher, who lives in Sharon, has published seven books of fiction and nonfiction, as well as many essays and stories.  She is trained as a spiritual director.

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

Voices from our Salisbury community about the housing we need for a healthy, economically vibrant future

Renee Wilcox

If you’ve ever wandered through Paley’s Farm Market, you probably know Renee Wilcox. For thirty years, she has been greeting you with unmistakable warmth—always ready with a smile. Renee grew up in Millerton, but it was in Salisbury that her family found something they’d never had before: a true sense of home. In 2003, she and her husband Bill were living in Millerton, but Bill—a volunteer with the Lakeville Hose Company—was already part of Salisbury life. When the Salisbury Housing Trust finished eight new homes on East Main Street (Dunham Drive), Renee and Bill were the first to sign on.

The story of those houses is really a story about the best parts of our community. Richard Dunham and his wife, Inge, along with the Housing Trust board, poured years of energy and hope into the project. Renee can’t help but light up when she talks about the people who helped her family settle in. Digby Brown came by to install appliances and bathroom cabinets; Barbara Niles spent hours painting; Carl Williams assembled bunk beds for the kids. Rick Cantele, at Salisbury Bank, helped them with their finances so they could qualify for a mortgage, while neighbors arrived at their door with fruit baskets and welcoming words.

Keep ReadingShow less
Trade Secrets: a glamorous garden event with a deeper mission

Heavy stone garden ornaments, a specialty of Judy Milne Antiques from Kingston, at Trade Secrets 2025.

Christine Bates

Tucked away on Porter Street in downtown Lakeville, Project SAGE is an unassuming building from a street view. But cross the threshold a week before Trade Secrets — one of the region’s biggest gardening events, long associated with Martha Stewart and glamorous plants of all varieties — and you’ll find a bustling world of employees and volunteers getting ready for the organization’s most important event of the year.

“It’s not usually like this,’ laughed Project SAGE director Kristen van Ginhoven. “But with Trade Secrets just around the corner, it’s definitely like this.”

Keep ReadingShow less
Two artists, two Hartford stages, one shared life

Caroline Kinsolving and Gary Capozzielo at home in Salisbury with their dogs, Petruchio and Beatrice

Provided
"He played his violin, I worked on my lines, we walked the dog, and suddenly we were circling each other perfectly."
Caroline Kinsolving

Actor Caroline Kinsolving and violinist Gary Capozziello enjoy their quiet life with their two dogs in Salisbury, yet are often pulled apart to perform on distant stages in far-flung cities. Currently, the planets have aligned, and both are working in Hartford, across Bushnell Park from one another. Bridgewater native Kinsolving is starring in “Circus Fire,” the current production of TheaterWorks Hartford, while Capozziello is a violinist and assistant concertmaster of the Hartford Symphony Orchestra. While Kinsolving hates being away from home, she feels the distance nourishes their relationship.

“We are guardians of each other’s confidence and self-esteem,” she said.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Local filmmaker turns spotlight back on Hollywood’s Mermaid

Esther Williams in “Million Dollar Mermaid” (1952).

Provided

For decades, Esther Williams was one of Hollywood’s brightest stars, but the swimming sensation of the silver screen has largely faded from public memory — a disappearance that intrigued Millerton filmmaker Brian Gersten and inspired him to revisit her legacy.

As a millennial, Gersten grew up largely unaware of Williams’ influential career. His teen years in Chicago were spent with friends who obsessed over movies, spending hours at their local independent video store,and watching anything that caught their eye. Somehow, though, they never ventured into the glossy world of synchronized-swimming musicals of the 1940s and ‘50s.

Keep ReadingShow less
Summer exhibition opens at Wassaic Project

Nate King, “When I Was Younger And Now That I’m Older,” 2026, Digital projection, digital animation, photography.

photo courtesy Nate King

The Wassaic Project, the 8,000-square-foot, seven-story former grain elevator transformed into a vibrant arts space, opens its 2026 Summer Exhibition, “Because, now is the time of monsters,” on Saturday, May 16, from 3-6 p.m. at Maxon Mills, launching a season-long presentation featuring 39 artists working across installation, performance, video and sculpture.

The opening celebration will include an afternoon of exhibitions and live programming throughout the historic mill building and its surrounding spaces. Gallery and Art Nest hours run from 12-6 p.m., with special presentations scheduled throughout the day.

Keep ReadingShow less
Hotchkiss to host inaugural International Piano Competition
Murong Yang ’08, a founding supporter of the Hotchkiss International Music Competition, helped establish the program through the Yang and Hamabata families to support young musicians and artistic excellence.
Provided

The Hotchkiss School will launch a major new addition to its arts programming with the inaugural Hotchkiss International Piano Competition, a three-day event taking place May 15–17 in Katherine M. Elfers Hall.

The competition will bring together young pianists ages 10 to 18 from around the world, with participants representing the United States, Thailand, Korea, China, Canada, and Azerbaijan. Performers will compete across multiple age divisions, culminating in final rounds that will be open to the public, offering audiences the opportunity to hear a wide range of emerging international talent in performance.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.